Jernej Marusic wrote:
While speaking of drum sounds. Does anyone know where did Todd Terry get
those
tribalish drum sounds used on his old records, that everyone is sampling
now
(Sims, User, Recycled Loops...).
-Yes it's E-MU's SP-1200 sampling drummachine. Check for E-MU machines at:
www.d
CTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, April 28, 2000 5:22 PM
Subject: Re: (313) dbx - giving it to ya raw
> When you don't have much money, you make do with what you have. Techno is
> empowering because it allows individuals who have less
ROTECTED]>
To: 313@hyperreal.org
Subject: Re: (313) dbx - giving it to ya raw
Date: Fri, 28 Apr 2000 21:51:33 +0200
>
> > Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can
> get
WORD!
> > 808/909 sounds from everywhere, but it's the "unique" s
>
> > Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can
> get
WORD!
> > 808/909 sounds from everywhere, but it's the "unique" sounds in those
> > machines that make them interesting. It's great to see producers
> makin'
> > tracks, whole records even, just with a simple drumm
While speaking of drum sounds. Does anyone know where did Todd Terry get
those
tribalish drum sounds used on his old records, that everyone is sampling
now
(Sims, User, Recycled Loops...).
> Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can
get
> 808/909 sounds from everywhere
> -Now we're waitin for the BOSS 550mkII/660 drummachine mania to sweep
over
> the whole civilized world. Now the only people who actually use (and
abuse)
> the machine are Dance Mania producers and "rock"musicians... Hint hint
;)
>
> Proffit
>
>
>
> -Now we're waitin for the BOSS 550mkII/660 drummachine mania to sweep over
> the whole civilized world. Now the only people who actually use (and abuse)
> the machine are Dance Mania producers and "rock"musicians... Hint hint ;)
>
> Proffit
> __
From: environ <[EMAIL PROTECTED]>
To: "Oliver Barkovic" <[EMAIL PROTECTED]>
CC: 313@hyperreal.org
Subject: RE: (313) dbx - giving it to ya raw
Date: Wed, 26 Apr 2000 14:10:21 -0400
>>>A must-have for DBX phreaks. Fuck the tens of producers that stole Dan
>>
>>>A must-have for DBX phreaks. Fuck the tens of producers that stole Dan
>>>Bell's sound and check out the real deal. Who gave a shit about the RZ1
>>>before him?
>
>Uhh... everyone in Chicago. A fellow by the name of Steve Poindextor
>especially.
Yes! Maybe I should have clarified I meant bes
Sorry if that email sounded like an attack, it wasn't :)
So does anyone know anything about Steve P??
-Original Message-
From: environ [mailto:[EMAIL PROTECTED]
Sent: Wednesday, April 26, 2000 2:10 PM
To: Oliver Barkovic
Cc: 313@hyperreal.org
Subject: RE: (313) dbx - giving it to y
>Sorry if that email sounded like an attack, it wasn't :)
>
>So does anyone know anything about Steve P??
No "sorry" needed!
My statement def. needed clarification.
Re: SP, last mention I saw was "Rise" on Djax..? Anything since that?
environ * 73 mandeville drive * wayne, NJ 07470-65
On Wed, 26 Apr 2000, environ wrote:
> ACCELERATE
> "RARE & UNRELEASED"
> "Raw"
yah! This track was done in early '96 I think. I remember when Dan played
it here in Dallas when he came with Carl Craig the same year. He played it
off a 10" acetate. Boy did that shit sound dope on a loud sound sys
>>A must-have for DBX phreaks. Fuck the tens of producers that stole Dan
>>Bell's sound and check out the real deal. Who gave a shit about the RZ1
>>before him?
Uhh... everyone in Chicago. A fellow by the name of Steve Poindextor
especially.
Anyone know what Steve is up to? Does anyone know h
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