Juan Atkins likes to use romplers, you can hear it in his music although he
does an exceptional job at it.
Romplers seem to have no problem achieving that smooth-Roland type sound.
Kevin Saunderson insisted on only using a real TR-808 back
in the techno heyday of the late 80's but that's a sound y
[EMAIL PROTECTED]
go to yahoogroups.com and sign up for the list from there.
-Original Message-
From: ::) [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 6:29 PM
To: 313@hyperreal.org
Cc: Ralf Gill
Subject: Re: (313) production and mastering
can someone provide ralf with
t if you'd like me to elaborate
-Joe
- Original Message -
From: "Ralf Gill" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, February 06, 2003 3:29 PM
Subject: RE: (313) production and mastering
> yeah..whats a rompler, u mean using a pc cards
6 PM
Subject: RE: (313) production and mastering
> whats the address for this list please?
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Friday, 7 February 2003 6:15 a.m.
> To: spw; [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: Re: (31
rompler= sample playback synth, like a Roland JV/XV, E-Mu Proteus, Korg
N-series/Trinity/01D, etc.
-Original Message-
From: Ralf Gill [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 3:29 PM
To: 313@hyperreal.org
Subject: RE: (313) production and mastering
yeah..whats a
yeah..whats a rompler, u mean using a pc cards rom to process and sample?
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, 6 February 2003 3:50 p.m.
To: spw
Cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
Far be it for me to enter
ebruary 06, 2003 11:44 AM
To: 313@hyperreal.org
Subject: Re: (313) production and mastering
- Original Message --
From: "scotto" <[EMAIL PROTECTED]>
>but I really think it come down to money,
>when you can almost buy a whole Pro T
this is off topic. I wouldn't really care except that its
turning into a marathon thread, and based on what I've read
thus far, its less mastering tips and more arguing about
protools and how to sound like someone else sounded 10
years ago (aka "old school")
I know there is a 313 production list
- Original Message --
From: "scotto" <[EMAIL PROTECTED]>
>but I really think it come down to money,
>when you can almost buy a whole Pro Tools studio for the price of
one studer
>16 track deck.
thats all it comes down to. i really really wanted to record to
that's so true
W
-Original Message-
From: Alex Bates [mailto:[EMAIL PROTECTED]
Sent: donderdag 6 februari 2003 17:01
To: spw; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
possibly, but fatboy slim sucks
ab
- Original Message -
> possibly, but fatboy slim sucks
agreed.
you don't need much kit to make techno records.
steve poindexter's 'work that muthaf**ker' was completely made on a Casio
RZ1
it's imagination that counts
robin...
> > I read somewhere Fatboy Slim still uses (or at least did on his first
> > album)
possibly, but fatboy slim sucks
ab
- Original Message -
From: <[EMAIL PROTECTED]>
To: "spw" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, February 07, 2003 2:32 AM
Subject: Re: (313) production and mastering
>
>
> I read somewhere Fatbo
I read somewhere Fatboy Slim still uses (or at least did on his first
album) Notator on an Atari ST.
G.
spw <[EMAIL PROTECTED]> on 06/02/2003 15:10:55
To:
cc: <313@hyperreal.org>
Subject: Re: (313) production and mastering
In a couple of years I probably still be using
techno-y about
>> using Unix to do
>> music!! Call it the geek quotient...;-)
>>
>>
>> - Original Message -
>> From: "House of Suki" <[EMAIL PROTECTED]>
>> To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313"
i like the look of thatas soon as i've sorted the Alsa stuff i think i
should try it out.
cheers
robin...
>
> I wanted to use linux for production, but It didn't have the software I want
> looking for. until I wrote it. :)
>
> http://www.filter24.org/seq24/
>
OTECTED]>
>To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313"
><313@hyperreal.org>
>Sent: Thursday, February 06, 2003 2:48 PM
>Subject: RE: (313) production and mastering
>
>
>> The protools that comes with the digi001 (not the free one) support
House of Suki wrote on Thu, 6 Feb 2003 about following:
> $300/hour studio obsolete for dance music producers. Once Windows is taken
> out of the picture and companies get a little initiative (how about a custom
> Linux distro for Cubase ala final scratch?) we will see the true advent of
Custom
-
> From: "House of Suki" <[EMAIL PROTECTED]>
> To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313"
> <313@hyperreal.org>
> Sent: Thursday, February 06, 2003 2:48 PM
> Subject: RE: (313) production and mastering
>
>
> > The p
--- Original Message -
From: "House of Suki" <[EMAIL PROTECTED]>
To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313"
<313@hyperreal.org>
Sent: Thursday, February 06, 2003 2:48 PM
Subject: RE: (313) production and mastering
> The protools that comes
ent of
the home studio.
-raph
-Original Message-
From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 8:30 AM
To: 313
Subject: Re: (313) production and mastering
spw wrote on Thu, 6 Feb 2003 about following:
> No offence, but it sounds like you have n
t: Re: (313) production and mastering
spw wrote on Thu, 6 Feb 2003 about following:
> No offence, but it sounds like you have never used Pro Tools.
> There is the free version at digidesign's web site if you want to become
> more familiarized with the software. http://www.digidesi
spw wrote on Thu, 6 Feb 2003 about following:
> No offence, but it sounds like you have never used Pro Tools.
> There is the free version at digidesign's web site if you want to become
> more familiarized with the software. http://www.digidesign.com/
seems that it still is win98/me only on window
No offence, but it sounds like you have never used Pro Tools.
There is the free version at digidesign's web site if you want to become
more familiarized with the software. http://www.digidesign.com/
To me you you cant blame what your describing on 'over-production' it's more
like 'over-processing'
i've always been told to step away from my work when painting, to avoid
'overproducing' it. at some point the work is done, and by adding more to
it, or trying to make things look better, the overall picture will loose
it's identity, it's soul.
isn't this the same thing that happens when you
---
Graham Bergdahl
06/02/2003 09:03
To: spw <[EMAIL PROTECTED]>
cc:
Subject: Re: (313) production and mastering (Document link: Graham
Bergdahl)
Can anyone share any good Compressor settings? Particulary for Kicks and
B-lines. I use Cubase SX and Waves Com
I would argue that most people using pro tools are using the LE version
which is very limited in it's effect. once you get a TDM or Mix 24 there are
so many more digital effect you can use. but lets not forget you can still
use all you analog effect you just have to route a signal through them and
Far be it for me to enter into a 'debate', but I didn't assert that
Pro-Tools performs composition. However it can have a decisive effect on
'sound'. This is due to numerous factors, such as the A/D converters used
(Digidesign, MOTU, Apogee etc.) and the software itself, i.e. the TDM
system of
Pro Tools is really no difeerant that usin a hardware sequencer, it's not
going to compose tracks for you.
Most of today's vynil is either from a CD or DAT master Pro Tools is only
going to make your master sound better if your using it properly, buy some
nice analog outbourd gear, if you want some
I'm sorry, but I'm not blaming anything on Pro-Tools, it's the people
using it with no imagination, a different point. When a producer stops
using his/her brain and lets Pro-Tools take over their sound, then we get
the situation we have now, with lots of boring tracks - but this is so
obvious t
On the subject of production and mastering I can see what
Adrew is trying to say with the way today's techno and
tech-house sounds but that has more to do with the
production aspect of today's music, the types of effects and
sounds people are using in tracks, you really cant blame it on
ProTools wh
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