Come on you know it's LA, somebody's going to show up with their
glowsticks and mickey mouse gloves on. I'm willing to put money on it.
I haven't been to an event out here yet that someone hasn't whipped a
few out.
First Mills...Then Pullen...Now URplaying LA?! Must be my lucky
yea
well i do know that murat works for native instruments and this was
something he has been trying to put together with native and bella for
awhile to my knowlege so there definatly is a connection plus, he's
playing the party
michael
www.renegaderhythms.com
> it'
> s being thrown by be
it'
s being thrown by bela and walton who work at NI and our friends with
Murat. No offical connections that I know of.
On Tue, 27 Jul 2004, Greg Earle wrote:
> This is apparently some sort of Native Instruments/Murat-related event,
> but I don't have any more details than this:
>
> First Kontakt
Subject: Re: (313) Suburban
Knight, DJ Di'jital, DJ Dex, Kelvin Larkin in
07/27/04 05:05 PM LA this Friday!
Looks pretty good tho and no glowsticks is a plus...
- Original Message -
From: "Greg Earle" <[EMAIL PROTECTED]>
This is apparently some sort of Native Instruments/Murat-related event,
but I don't have any more details than this:
First Kontakt
Friday, 7/30/2004
Presale: $10.00
Me too. ;)
Oslo is sweet.
> Lineups like this make me wish I lived in Detroit.
>
> that reminds me, did anyone catch Raiders of the Lost Arp?
>
> - jobot
>
>
> - Original Message -
> From: Matt MacQueen <[EMAIL PROTECTED]>
> Date: Tuesday, June 22, 2004 10:57 pm
> Subject: (313) Suburban K
Lineups like this make me wish I lived in Detroit.
that reminds me, did anyone catch Raiders of the Lost Arp?
- jobot
- Original Message -
From: Matt MacQueen <[EMAIL PROTECTED]>
Date: Tuesday, June 22, 2004 10:57 pm
Subject: (313) Suburban Knight, Orlando Voorn, Derrick May
> FRIDAY J
Three Techno Gods, two nights, one club. Zero chance of me getting to
the D.
3 more excellent reasons i need to move about 500 miles east of where i
am right now. If anybody near woodward chooses not to go to this event,
count on a free kick in the junk from yours truly!
hugs and kisses, sho
You know that.
-Original Message-
From: jason kenjar [mailto:[EMAIL PROTECTED]
Sent: 24 March 2004 4:35
To: 313@hyperreal.org
Subject: (313) Suburban Knight
whats up list-
I've always liked James Pennington's (SKs) style of mixing. He ads a
signature touch to those old UR records. H
2003 10:15
To: 313@hyperreal.org
Subject: Re: (313) suburban knight
I've heard some track more than one year ago,not bad but not the best things
I've heard from Sub Night, but I Heard that they re-recorded some of these
with MMike in Detroit.sowe will see...
Fa
ROTECTED]>
To: <[EMAIL PROTECTED]>,313 <313@hyperreal.org>
Subject: Re: (313) suburban knight
Date: Thu, 06 Mar 2003 02:07:54 +
>> has anyone heard the suburban knight album on peacefrog? is good yes?
>
>
> WHT ??! :))
> is that tr
>> has anyone heard the suburban knight album on peacefrog? is good yes?
>
>
> WHT ??! :))
> is that true? someone confirm please :)
This was posted on the list by Tom Magic Feet (and subsequently discussed by
many listmembers) a few weeks ago...
Artist: Suburba
>has anyone heard the suburban knight album on peacefrog? is good yes?
WHT ??! :))
is that true? someone confirm please :)
i am really looking forward to this one, more info please!!!
so james is still in the business :) really great stuff !
the art of stalking,
> Reply-To: "Toby Frith" <[EMAIL PROTECTED]>
> Date: Mon, 17 Feb 2003 08:57:34 -
> To: "Odeluga, Ken" <[EMAIL PROTECTED]>, <313@hyperreal.org>
> Subject: Re: (313) suburban knight on p'frog + liasons dangereuses
>
&g
Dan played for just over two hours, dropping a great range of stuff from the
house-techno spectrum - including a few of the tracks he uses on his
forthcoming mix CD on Logistic. Some of the tracks I recognised were the
Drug Punks' 'Suck My' on Subliminal, the Derrick Carter mix of DJ Sneak's
'Fix M
.
***
- Original Message -
From: "Odeluga, Ken" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: 17 February 2003 07:15
Subject: RE: (313) suburban knight on p'frog + liasons dangereuses
> That's Dan Bell, Pennington there, Hood/Denham in Leeds on Saturday.
L
That's Dan Bell, Pennington there, Hood/Denham in Leeds on Saturday. Little
reviews wd be great if poss pls.
Cheers
k
>-Original Message-
>From: ryan burns [mailto:[EMAIL PROTECTED]
>Sent: Monday, February 17, 2003 2:09 AM
>To: 313@hyperreal.org
>Subject: Re: (313
coul you tell me more about that night. any particular tracks dan bell
played you recignzed. wish i could have been there.
bell has a new track on Perlon that i love. with a isolee rmx. nice!
ryan burns
From: Tom Churchill <[EMAIL PROTECTED]>
Big shout to the 313ers who made it along to
> does anyone know the release date on the upcoming suburban knight lp on
> peacefrog?
April 28th I think...
Big shout to the 313ers who made it along to 69 last night for Dan Bell -
particularly BT for bringing such a big crowd, and Richard and Susie for
bringing your infectious enthusiasm all t
> > Well, you have to understand that there is a DEMAND for records with
that
> > pumped up sound, when most records are like this, records that are NOT
> tend
> > to sound rather quiet and may unintentionally lower the energy. I guess
I
> > don't see anything wrong with making pumped up records i
> From: spw <[EMAIL PROTECTED]>
> Date: Wed 05/Feb/2003 01:16 GMT
> To: <313@hyperreal.org>
> Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
> Yes I've been to clubs but what does that supposed to prove?
> Look what club culture has
on 2/4/03 8:47 AM, Jongsma, K.J. at [EMAIL PROTECTED] wrote:
> Your taking a piss out of us, right?
>
> I really did mu best not to respond to this but i am really
wondering of you
> have ever been into a club on planet earth at all?
Yes I've been to clubs but what does that supposed to prove?
L
gt;
To: "Odeluga, Ken" <[EMAIL PROTECTED]>; "spw"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Tuesday, February 04, 2003 4:39 PM
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> | -Original Message-
> | From: Odeluga, Ken [m
e-fighters, eh? Miami's coming upor an electroclash
version of the Birdie Song?
- Original Message -
From: "Brendan Nelson" <[EMAIL PROTECTED]>
To: "Odeluga, Ken" <[EMAIL PROTECTED]>; "spw"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
can't still be
good. The aesthetic of such records seems appropriate to their function...
/dave
-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 04, 2003 8:47 AM
To: 313@hyperreal.org
Cc: spw
Subject: Re: (313) Over-production (WAS - Re: (313) Suburb
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: Tuesday, February 04, 2003 2:47 PM
|
| You know, I think techno has a point here - UK members - remember: The
| Tweets "The Birdie Song" also The Flying Pickets and Black Lace?
Actually, the Flying Pickets might ac
pw [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, February 04, 2003 1:42 PM
:To: 313@hyperreal.org
:Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
:
:What's the challenge in mixing only "good" records?
:Mix anything that works, if you can be clever and mix a cheesy
:t
>lolit IS getting ridiculous huh. Like we all don't have better things to
>do.
I'm at work, me. So no, nothing better to do! =)
RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
I think it's time we all stopped being like Pavlovian dogs - immediately
reacting in a predictable way when someone presses the 'wind-up' button!
k
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMA
:[EMAIL PROTECTED]
Sent: Tuesday, February 04, 2003 3:01 PM
To: Robert Taylor; 'spw'; 313@hyperreal.org
Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
Can someone define what "good" means? I agree that a DJ should play (and be
allowed to play) ANYTHING that
(WAS - Re: (313) Suburban Knight)
I think it's time we all stopped being like Pavlovian dogs - immediately
reacting in a predictable way when someone presses the 'wind-up' button!
k
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Tu
Sharevari has humor, Wizard mixes as well...
> well techno isn't known for having a sense of humour sadly.
gt;
Sent: Tuesday, February 04, 2003 4:31 PM
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
> > well techno isn't known for having a sense of humour sadly.
>
> crap... If you want humor go to a comedy club :)
>
> Just tell me one type of music that ha
>To: Fabrizio Nahum
>Cc: 313@hyperreal.org
>Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
>
>well techno isn't known for having a sense of humour sadly.
>
>I think this is very true!
>
>I think this is the reason a lot of techno purist
PROTECTED]'; Fabrizio Nahum; 313@hyperreal.org
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
Just tell me one type of music that has humor
Producers can have a sense of humour, be tongue in cheek.
Look at Mr.Scruff.
I'm sure there are many other examples but I just
erhm, some of the best tracks seem to have some humor in them,
like some releases on kompakt,gigolo and lasergun(yeah yeah and mostly
crap too)...and mebbe i´m sick but i laughed when i first time heard
neil landstumm´s brown by august LP or his Polaris tracks :)
samu.
On Tue, 4 Feb 2003, Jo
Just tell me one type of music that has humor
Producers can have a sense of humour, be tongue in cheek.
Look at Mr.Scruff.
I'm sure there are many other examples but I just can't think of them right
now! ;o)
G
> well techno isn't known for having a sense of humour sadly.
crap... If you want humor go to a comedy club :)
Just tell me one type of music that has humor, keeping in mind that most
techno records don't have lyrics...
> I think this is very true!
>
> I think this is the reason a lot of tec
well techno isn't known for having a sense of humour sadly.
I think this is very true!
I think this is the reason a lot of techno purists can't accept records
such as 'Zombie Nation'
Personally, I thought it was alright (Not a classic mind, but acceptable.)
G
roduction (WAS - Re: (313) Suburban Knight)
There already is: Freakwincey - I Farted on Rephlex!
-Original Message-
From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 04, 2003 3:16 PM
To: 'spw'; 313@hyperreal.org
Subject: RE: (313) Over-production (WAS - Re: (3
There already is: Freakwincey - I Farted on Rephlex!
-Original Message-
From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 04, 2003 3:16 PM
To: 'spw'; 313@hyperreal.org
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> I always tho
> I always thought it would be cool to throw in something like 2
> Unlimited or James Brown Is Dead with that Knights Of The
> Jaguar Sony rip off like in middle of a deep techno set just to watch
> peoples reaction.
> music is only sound waves
Music is only soundwaves? Well that can not be true,
2003 3:47 PM
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> Your taking a piss out of us, right?
>
> I really did mu best not to respond to this but i am really wondering of
you
> have ever been into a club on planet earth at all?
>
> also i am rea
3@hyperreal.org
Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
Can someone define what "good" means? I agree that a DJ should play (and be
allowed to play) ANYTHING that they think works in the context of a mix, but
I don't see any point in playing crap just to
> To annoy people? Or is this some kind of avant-garde
> dada experiment to challenge our expectations? ;-)
Entertainment Through Pain! :-))
Maybe this explains some of those terrible trance records Psychic TV ended
up releasing
Sean.
d keep people ON the dance
floor?
> From: Robert Taylor <[EMAIL PROTECTED]>
> Date: Tue, 4 Feb 2003 14:36:41 -
> To: "'spw'" <[EMAIL PROTECTED]>, 313@hyperreal.org
> Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
03 1:49 PM
>To: 313@hyperreal.org
>Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
>I always thought it would be cool to throw in something like 2
>Unlimited or James Brown Is Dead with that Knights Of The
>Jaguar Sony rip off like in middle of a deep te
t; Van: spw [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 4 februari 2003 14:49
> Aan: 313@hyperreal.org
> Onderwerp: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
> I always thought it would be cool to throw in something like 2
> Unlimited or James Brown Is De
t's the whole point of mixing?
> >
> > -Original Message-
> > From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> > Sent: Tuesday, February 04, 2003 1:44 PM
> > To: 'spw'; 313@hyperreal.org
> > Subject: RE: (313) Over-production (WAS - Re: (313)
S
t; <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: 04 February 2003 13:49
Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
> I always thought it would be cool to throw in something like 2
> Unlimited or James Brown Is Dead with that Knights Of The
> Jag
ngsma, K.J. [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, February 04, 2003 1:44 PM
> To: 'spw'; 313@hyperreal.org
> Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
> a good dj can
>> mix a Paul
>> Okenfold record or some pop dance rec
I always thought it would be cool to throw in something like 2
Unlimited or James Brown Is Dead with that Knights Of The
Jaguar Sony rip off like in middle of a deep techno set just to watch
peoples reaction.
music is only sound waves i think it's funny how people get angry when they
hear something
essage-
> > From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> > Sent: Tuesday, February 04, 2003 1:44 PM
> > To: 'spw'; 313@hyperreal.org
> > Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> >
> >
> > a good dj can
> &
J. [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, February 04, 2003 1:44 PM
> To: 'spw'; 313@hyperreal.org
> Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
> a good dj can
>> mix a Paul
>> Okenfold record or some pop dance record with an underground
>> techno record
>> and make it sound cool.
>
> No he can't :)
an trying to get some old classic,
occupying 1 inch of dirty vinyl, to come off ... (mho)
>-Original Message-
>From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
>Sent: Tuesday, February 04, 2003 1:56 PM
>To: 313@hyperreal.org
>Subject: RE: (313) Over-production (WAS - Re: (313) Subu
> Why would somebody want do that in the first place? ie mix a
> crap record
> with a good record.
> I prefer to hear a good DJ mix a good record with another
> good record and
> make them sound even better.
> Surely that's the whole point of mixing?
Agreed, not even Rolando could get away with
Oakenfold thingeach to their own ;-)
Just kidding!
- Original Message -
From: "spw" <[EMAIL PROTECTED]>
To: "Andrew" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Tuesday, February 04, 2003 12:53 PM
Subject: Re: (313) Over-production (WAS - Re: (313) S
(313) Over-production (WAS - Re: (313) Suburban Knight)
a good dj can
> mix a Paul
> Okenfold record or some pop dance record with an underground
> techno record
> and make it sound cool.
No he can't :)
[EMAIL PROTECTED]
--
ailto:[EMAIL PROTECTED]
Sent: Tuesday, February 04, 2003 1:44 PM
To: 'spw'; 313@hyperreal.org
Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
a good dj can
> mix a Paul
> Okenfold record or some pop dance record with an underground
> techno record
> and
a good dj can
> mix a Paul
> Okenfold record or some pop dance record with an underground
> techno record
> and make it sound cool.
No he can't :)
[EMAIL PROTECTED]
--
DISCLAIMER
De gemeente Almelo aanvaardt voor haar medewerke
I can understand where people are going with the dry productions but
Pro-Tools and 'DIGITAL' music can sound really cool depending on how you
produce it.
Of course the typical prog-house, trance production has a cheap digial
quality to it with clean effects and reverb but a good dj can mix a Paul
O
with intelligent people for a while now, and I'm not interested in being
''right'' - just talking about it.
thanks,
Andrew
>
>
>
> - Original Message -
> From: "Dennis Donohue" <[EMAIL PROTECTED]>
> To: "'Andrew'&qu
rg>; "Cyclone Wehner"
> <[EMAIL PROTECTED]>
> Sent: Monday, February 03, 2003 3:14 AM
> Subject: Re: (313) Suburban Knight
>
>
>
> Gotta agree with you both - it's getting hard to find new releases that
> don't sound super slick - techno, house, what have
>Isolee's 'Beat Mon Plage' - it's that kind of track I'm always waiting to
>hear. What do you think?
'*Beau* Mot Plage'
- less well-know (sort of) BC production: Time Unlimited - Men From Wadodem.
k
" <[EMAIL PROTECTED]>
To: "Benn Glazier" <[EMAIL PROTECTED]>; "'Andrew'"
<[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, February 03, 2003 5:37 AM
Subject: RE: (313) Rhythm & Sound / Maurizio (WAS - Re: (313) Suburban
Knight)
&
e uncredited productions? Notebooks out,
trainspotters
- Original Message -
From: "Benn Glazier" <[EMAIL PROTECTED]>
To: "Andrew" <[EMAIL PROTECTED]>
Sent: Monday, February 03, 2003 4:26 AM
Subject: Re: (313) Suburban Knight
> Ahh yes, I always forget t
On Mon, 03 Feb 2003 02:13:35 +1100, "Cyclone Wehner"
<[EMAIL PROTECTED]> said:
> Interesting you say that, I thought the same when I was playing a Theo
> Parrish compilation this weekend, one track didn't sound as clear as it
> could be but it actually enhanced it. Made it sound 'old', in a good w
com.au> cc:
Subject: Re: (313) Suburban
Knight
i've always loved house and techno for their minimalism--a few bits of
roland equipment and a four track reel to reel.
i find most contemporary tracks to be as overproduced as any bit of prog.
house/trance. it's a challenge to spend any money when i go record shopping.
instead, i've taken to re
Interesting you say that, I thought the same when I was playing a Theo
Parrish compilation this weekend, one track didn't sound as clear as it
could be but it actually enhanced it. Made it sound 'old', in a good way.
I think hip-hop brought in the idea of textured recordings. I like it too.
>
I have the bronze Transmat MS-03 on on flimsy vinyl (not thick vinyl) and
the poduction and mastering sound good.
House groove makes ya moovee... h that's hot...
The Suburban Knight The Groove Transmat MS-03
on 1/31/03 2:39 AM, Wibo Lammerts at [EMAIL PROTECTED] wrote:
> Those first 2 transm
wasn't 'the art of stalking' originally know as 'the music institute anthem'
or something like that? or was that the worlds? in that case those tracks
are pre-90's [1988?]
and weren't those early detroit releases still edited on tape? [for lack of
enough memory on computers, etc.] 'cause in th
x27;; 'Tom Robbins/Magic Feet'; 313
mailing list
Subject: RE: (313) Suburban Knight
Wibo Lammerts>I did not say I did'nt like them...
But you as good as did man! I think the Detroit Music Appreciation Police
would be very interested to hear of this!
;-D
k
Wibo Lammerts>I did not say I did'nt like them...
But you as good as did man! I think the Detroit Music Appreciation Police
would be very interested to hear of this!
;-D
k
Speaking of Suburban Knight, Could somebody give me a quick review of the
collaboration he did with Locutus on 'Oblivion' (Bipolar)
.Thanks.
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: vrijdag 31 januari 2003 9:59
To: Wibo Lammerts; 'Jongsma, K.J.'; 'Tom Robbins/Magic Feet'; 313
mailing list
Subject: RE: (313) Suburban Knight
Wibo Lammert:
>As to the Mastering: Those first 2 t
true.
-Original Message-
From: Sean Creen [mailto:[EMAIL PROTECTED]
Sent: vrijdag 31 januari 2003 10:19
To: Wibo Lammerts; 'Tom Robbins/Magic Feet'; 313 mailing list
Subject: RE: (313) Suburban Knight
> Why not produce a few tracks more and make an album that is entirely
> Why not produce a few tracks more and make an album that is entirely based
on new material?
Maybe he didn't feel like it. His rate and quality of output over the years
suggests that he makes tracks as he feels them, rather than just to fill
space on releases...
Sean.
> From: "Jongsma, K.J." <[EMAIL PROTECTED]>
> Maybe because these tracks are timless and deserve to be put on a full
> length album?
Agreed, which is why there should be more re-presses of the original EP's so
you can hear the tracks in their original context.
New Album should be new tracks IMHO.
Wibo Lammerts wrote on Fri, 31 Jan 2003 about following:
> As to the Mastering: Those first 2 transmats of his sounds like sh*t. That
> Dark Energy doublepack sounds a whole lot better.
art of stalking actually does sound better than dark energy doublepack
which has rather muffled bass (it sound
Wibo Lammert:
>As to the Mastering: Those first 2 transmats of his sounds like sh*t. That
>Dark Energy doublepack sounds a whole lot better.
Gotta disagree wth u for the first time old bean (let's not make a habit of
this ;-) - My opinion is that 'Art of Stalking' along with many other
seminal Det
K.J. Jongsma:
>It sounds like it is mastered from an old cassette tape btw. :)
Yeah, I used to think it was my not-top-of-the-range 'surround sound' (in
technicolor) system that was to blame, then I heard it out once and realized
that the bass really is barely audible!
Just proves that the lack o
t'; 313 mailing list
Subject: RE: (313) Suburban Knight
> What's the use of making an album that contains 10 year old
> music? Why not
> produce a few tracks more and make an album that is entirely
> based on new
> material?
Maybe because these tracks are timless and
> What's the use of making an album that contains 10 year old
> music? Why not
> produce a few tracks more and make an album that is entirely
> based on new
> material?
Maybe because these tracks are timless and deserve to be put on a full
length album? Personally i always thought that Midnite
sigh
What's the use of making an album that contains 10 year old music? Why not
produce a few tracks more and make an album that is entirely based on new
material?
-Original Message-
From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED]
Sent: donderdag 30 januari 2003 17:50
To: 313 maili
Like all Fnac releases around that time it was available on vinyl AND
CD-single.
Very poor remixes imho
W
-Original Message-
From: D.E [mailto:[EMAIL PROTECTED]
Sent: vrijdag 4 oktober 2002 1:53
To: 313@hyperreal.org
I have the original and the track that is remixed is 'the worlds'
>> Correct me if I am wrong but that track isn't 'trhe art of stalking' it is
>> the worlds... On the 1st orange pressing on transmat it is labelled up
>> correctly.. On the second..(black w/silver shield) the labels are
> Correct me if I am wrong but that track isn't 'trhe art of stalking' it is
> the worlds... On the 1st orange pressing on transmat it is labelled up
> correctly.. On the second..(black w/silver shield) the labels are the
> othewr way around...
>
> Correct me if I am wrong...
No, your righ
Pesonally I didn't like it much... It came out the same time as acid eiffel
and soofle.. Also on fnac and in my opinion it just cut up the original
losing all of its dark overpowering loomingness that 'the worlds' had
Correct me if I am wrong but that track isn't 'trhe art of stalking' i
I will have to dig a little, but I think I have a CD single with those,
cover is an abstract and very colourful painting
Gwendal
> -Original Message-
> From: Benn Glazier [mailto:[EMAIL PROTECTED]
> Sent: Friday, October 04, 2002 2:23 AM
> To: 313
> Subject: Re: (313)
On Fri, 4 Oct 2002 01:52:58 +0200, "D.E" <[EMAIL PROTECTED]> said:
> > The Navarre mixes of Suburban Knights "Art of Stalking".
>
> So is this available on 12" ? ? I asked before and got no answer, this
> must mean it exists though..
This was released on FNAC. Memory is very rusty on this one, b
On Fri, 4 Oct 2002 01:52:58 +0200, "D.E" <[EMAIL PROTECTED]> said:
> > The Navarre mixes of Suburban Knights "Art of Stalking".
>
> So is this available on 12" ? ? I asked before and got no answer, this
> must mean it exists though..
This was released on FNAC. Memory is very rusty on this one, b
I went to this.. not many people there... which was dissapointing... this club
has excellent sound and set up for techno events. He played a very smooth
technical set.. not one mess up. He played quite a mix of techno, electro,
influencial german stuff, and some of the stuff i didn't really ca
he is in lansing tonight at the temple.
From: janos <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] suburban knight
Date: Sat, 23 Feb 2002 15:36:22 +0100
Some pictures of a happy Suburban Knight
http://www.techstylism.com/cult.html
janos
At 01:37 PM 2/23/2002 +0100
Some pictures of a happy Suburban Knight
http://www.techstylism.com/cult.html
janos
At 01:37 PM 2/23/2002 +0100, John Osselaer wrote:
Same here! I would love to get my hands on that track! I'm not into buying
over the internet and stuff, but for this one I would make an exception.
John
Same here! I would love to get my hands on that track! I'm not into buying
over the internet and stuff, but for this one I would make an exception.
John
From: "D.E" <[EMAIL PROTECTED]>
Reply-To: "D.E" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Subject: [313] suburban knight
Date: Fri, 22 Feb
I know it's sad, but I need to get a track ID from anyone listening! SK just
played a track with a really wild, squelchy bassline - quite old sounding -
before going into "Summer Funk" by Purveyors of Fine Funk which is playing
now... does anyone know what that last track was?
| -Original Mess
Yeah too bad he didn't make it to the other cities. I guarantee he would get
a loving crowd here. I am glad he got a nice welcome but he deserves better.
But then again it's just as well someone with no love for Detroit/UR didn't
do it.
Vote 1: "DJs Not Trophies"
>The one that Dave spoke of was i
Was the big rave in Sydney or Perth?
It was political reasons among promoters (or so I suspect) that meant that
SK didn't play elsewhere, esp Melbourne, but I can't discuss those. It
wasn't lack of interest but I suspect SK wasn't offered to interested
parties, so that is the way it goes.
>>int
internationals. I'm glad he didn't play the big gig
the next day with laurent, josh wink, ritchie, plus
I'm not glad! That was the only chance to see the guy in Sydney! Bah...
out.
d.
_
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