ilto:[EMAIL PROTECTED]
> Envoyé : Saturday, November 13, 2004 3:55 AM
> À : 313@hyperreal.org
> Objet : RE: (313) Ableton Live / Computer Help
>
> An annoying problem I have with Live .asd files is when you
> burn them to a cd and the burned filename gets truncated
>
An annoying problem I have with Live .asd files is when you burn them to a
cd and the burned filename gets truncated because of the filename length
restrictions of the cd format the .wav file won't read the .asd file when
you copy the file back to your hard drive and you have to rewarp it. Of
c
>On a side note, when I pull in tracks that I've already warped in other
sets, the warp markers don't seem to show >up, and I still have to rewarp
them. Am I doing something wrong? Usually the way I do it is copy the .wav
and .asd >file into the directory I use for the set, and Ableton shows a
symb
ould be much more flexible to start with a blank interface and
> pull in any clips I want for a set out of a library of warped clips. I do
> something similar to Brendan also, saving keystrokes as well as Midi slider
> and knob functions for mixing.
>
> ~David
>
>
>
>
to start with a blank interface and
pull in any clips I want for a set out of a library of warped clips. I do
something similar to Brendan also, saving keystrokes as well as Midi slider and
knob functions for mixing.
~David
-- Original Message -----
Subject: RE: (313) Ableton Live
Heh.
I'm just transferring my files across to a hard disk.
There's stuff I have that I forgot was on there.
Just found one "BBC Sound Effects - Tardis Taking off, b/w Tardis Landing"
heh heh heh heh heh heh.
*evil laugh*
_
---
>ableton actually recommends that you carry the demo version on CD with you
>to gigs.
Matt, that's EXACTLY what I wanted to hear!
Thanks
Alex
_
- End of message text
This e-mail is sent by
Brilliant. Huge Thanks Folks.
So, just so I have this right. I already have my wavs and asd's, so there
shouldn't be any other problems right?
And, I'd forgotten about this before - but I'm going to have to map all my
midi and keys on the night, and do my settings there and then as I won't be
abl
At 08:56 AM 11/12/2004, [EMAIL PROTECTED] wrote:
Do you think I'll be OK to use the demo version for a gig?
ableton actually recommends that you carry the demo version on CD with you
to gigs. it's fully functional so if your computer craps out you can use
someone else's and not have to worry
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 12 November 2004 14:10
>
> So, what would I need to save I guess is my question?
Apart from when I use it to do re-edits or new tracks,
the only times I save things in Ableton is when I want
to set up a bla
you might want to record it all to the timeline so that you have the
raw stuff for tweaking and rendering later maybe...
On Fri, 12 Nov 2004 14:09:45 +, [EMAIL PROTECTED]
<[EMAIL PROTECTED]> wrote:
> >ermmm NO - because you can't like save - unless you are planning to
> >turn up early and bea
>ermmm NO - because you can't like save - unless you are planning to
>turn up early and beat match and set your settell me if you are
>Alex I'd like to watch
Yeah, but you can use files that are already marked down right?
I always start with a blank screen. Only things that are saved are
unless of course you have all the .asd files with all the warping set
from your previous 'trial' version
On Fri, 12 Nov 2004 14:00:52 +, Martin Dust <[EMAIL PROTECTED]> wrote:
> ermmm NO - because you can't like save - unless you are planning to
> turn up early and beat match and set your set
in your set?
Brendan
> -Original Message-
> From: Martin Dust [mailto:[EMAIL PROTECTED]
> Sent: 12 November 2004 14:01
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: (313) Ableton Live / Computer Help
>
>
> ermmm NO - because you can't like s
ermmm NO - because you can't like save - unless you are planning to
turn up early and beat match and set your settell me if you are
Alex I'd like to watch
On 12 Nov 2004, at 13:56, [EMAIL PROTECTED] wrote:
Hi Folks.
Sorry to ask this here. I honestly don't know who else to ask. And
>> -Original Message-
>> From: Martin Dust [mailto:[EMAIL PROTECTED]
>> Sent: 22. oktober 2004 13:24
>> To: [EMAIL PROTECTED]
>> Cc: 313@hyperreal.org
>> Subject: Re: (313) Ableton Live Demo
>>
PC btw.
Jernej
www.octex.org
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 22. oktober 2004 13:24
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Ableton Live Demo
I run a completely clean machine with Ableton on Ian and rewire still
crashes - so much so that w
That would be interesting Martin. Thanks.
Ken
>-Original Message-
>From: Martin Dust [mailto:[EMAIL PROTECTED]
>Sent: Friday, October 22, 2004 1:32 PM
>To: [EMAIL PROTECTED]
>Cc: 313@hyperreal.org
>Subject: Re: (313) Ableton Live Demo
>
>
>I've got a tip
rom: Martin Dust [mailto:[EMAIL PROTECTED]
> Sent: 22. oktober 2004 13:24
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: (313) Ableton Live Demo
>
>
> I run a completely clean machine with Ableton on Ian and rewire still
> crashes - so much so that we carry
I am up against, defo new machine
then..cheers for the info.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Fri 10/22/2004 12:24 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) A
Subject: Re: (313) Ableton Live Demo
I run a completely clean machine with Ableton on Ian and rewire still
crashes - so much so that we carry a spare machine and dupe sets on
each machine we use (4 in total).
Martin
s :(
need a new machine...prob mac :)
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Fri 10/22/2004 12:07 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Ableton Live Demo
You&#
10:07 AM
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: (313) Ableton Live Demo
>
>
>
> Does it stall as rewire is starting up?
>
ep thats it
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Fri 10/22/2004 10:07 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Ableton Live Demo
Does it stall as rewire is starting up?
yep thats it
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Fri 10/22/2004 10:07 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Ableton Live Demo
Does it stall as
Does it stall as rewire is starting up?
On 22 Oct 2004, at 09:51, <[EMAIL PROTECTED]> wrote:
Hi ya
Can anyone tell me what system requirements u need for this
particuarly memory as I have 256MB of RAM and about 1GB of HD left but
it keeps sticking :(
cheers
Ian
Massive thanks to all who have emailed to help.
I couldn't live without this list!
I'm proper petrified about using a computer to do anything, I just don't
understand them.
Many Thanks Again!
Alex
_
- End of me
40 PM
> To: Quest Pond; kj at technotourist dot org; '313'; [EMAIL PROTECTED]
> Subject: Re: (313) Ableton Live mixes
>
>
> 24/1/04 1:36 AM Quest [EMAIL PROTECTED]
>
> > getting to techie to be on 313 i feel
>
> But isn't this where we are at - the future and technology, certainly beats
> people have a pop at Jeff Mills...
>
> Martin Dust
>
>
l Message -
From: "/0" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "'313'" <313@hyperreal.org>
Sent: Friday, January 23, 2004 6:14 PM
Subject: Re: (313) Ableton Live mixes
> 1-2 percent adds up.
>
> this is the reason ableton hasnt d
[KiDDy*RaVeR <[EMAIL PROTECTED]>]
> I dont use Ableton, but i have experienced this "MP3 silence gap"
> problem, since i work on Macromedia Flash. You can dynamically import
> external MP3 into your Flash movie. But forget it, if you wanna make a
> loop with it... While, its possible to import a
to be the defacto standard!!
(And, yes its really encoded in MP3).
- KiDD*e*
- Original Message -
From: "/0" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "'313'" <313@hyperreal.org>
Sent: Friday, January 23, 2004 6:14 PM
Subject: Re: (313) A
1-2 percent adds up.
this is the reason ableton hasnt done it, check their forums
- Original Message -
From: "Ronny Pries" <[EMAIL PROTECTED]>
To: "'313'" <313@hyperreal.org>
Sent: Friday, January 23, 2004 10:59 AM
Subject: RE: (313) Ableton Li
[robin <[EMAIL PROTECTED]>]
> can anyone point me in the direction of any more Ableton Live created
> mixes?
http://www.atomly.com/music/sets/
I'd check out the newest first:
http://www.atomly.com/music/atomly_-_live_at_dbn_nye_20031231.mp3
It's a "DJ set" of sorts, though all tracks are by me.
we're talking about maybe 1-2% per mp3 stream. that is not the argument.
besides, my notebook hd is already the max. size limit.
on the other hand it's simply impossible to play with mp3 loops because
mp3 isn't gapless (adds a few ms silence before and after the data
area). i would just like to us
i think ACID was used for that mix.
and yeah it's a good example of the use of software for a mixcould
do with a few more hooks in there tho to contast with the
minimalismbut that's just a personal taste thing.
robin...
-> i don't know whether this is going solely to you or the
-> whol
J. T. wrote:
imo henke's genius is in reaktor, not ableton...
I think he might disagree with you.
yeah i dont mean to write-off the program, or mixes done in ableton, i
just do not see it as the future of music or as some new frontier for
mixing.
No single tool is the future of anything.
>It's a little like finding out that your 808 can make drip coffee, then
>finding out that it's really bad coffee, then selling your 808 because
>it sucks.
I find that at adding a bit of cowbell makes the coffee tastes much
better... unlike the 303 coffee makers - the coffee always tastes too
nicely said dennis
When Robert Henke first built the Live prototype as a Max patch, it was for
him to do his own live shows, using his own loops, but with the freedom to
combine and collage (not a verb, I know) on the fly.
exactly! which from my p.o.v., makes it not so hot as a live tool as w
your 808 must be ghetto because mine makes some FINE coffee
:p
Just to add my 2 cents...
I don't think Ableton was really every conceived of as a DJ
tool in any sort of conventional sense. Sure, you CAN use
it that way. But as has been discussed, it's a little too
safe.
When Robert Henke fi
i don't know whether this is going solely to you or the whole list. i don't
speak often.
but: closer to the edit!?!
i don't know if he was using ableton, but i do believe that that is the
potential of LIVE mixing loops that you 'spent a week to cut up'. if that is
your vision, and that's how lon
gt;I dont know who has time to put markers on all mp3 tracks
especally
>with the
>clumbsy marker controls in ableton, not me.
>
>Quest Pond
>
>-Original Message-
>From: Ronny Pries [mailto:[EMAIL PROTECTED]
>Sent: Friday, 23 January 2004 2:07 PM
>To: '313'
you dont want the overhead of decoding multiple mp3 streams
in realtime (by default, live reads the wav in realtime
each time it plays, a lot like a record player... )applying
pitch or time shifting, and then output as an uncompressed
stream. you can upgrade hard drives with much more ease
than a
Just to add my 2 cents...
I don't think Ableton was really every conceived of as a DJ tool in any
sort of conventional sense. Sure, you CAN use it that way. But as has
been discussed, it's a little too safe.
When Robert Henke first built the Live prototype as a Max patch, it was
for him to
No, it's not just you. Though, listening to a DJ literally remix a track
right before your eyes can be a pretty excellent experience. Some DJ's don't
like "just playing tracks," and that's fine too.
I guess if you want to just listen to a track, you can buy the record
yourself and play it at h
i strongly dislike ableton. it's a good tool for studio style mixing, a
great advance and added flexibility etc, but i still see it as studio style
mixing. it makes mixing a very cerebral process; it's way geeky. and it's
too safe. to me it is at odds with the pleasure of playing and listening t
ECTED]
Sent: Friday, 23 January 2004 2:40 PM
To: Quest Pond; kj at technotourist dot org; '313'; [EMAIL PROTECTED]
Subject: Re: (313) Ableton Live mixes
24/1/04 1:36 AM Quest [EMAIL PROTECTED]
> getting to techie to be on 313 i feel
But isn't this where we are at - the future an
24/1/04 1:36 AM Quest [EMAIL PROTECTED]
> getting to techie to be on 313 i feel
But isn't this where we are at - the future and technology, certainly beats
people have a pop at Jeff Mills...
Martin Dust
>Ableton is a rewire master and slave application AFAIK so you could
>play it along with your favorite sequencer...
>
Anyone who ever tried it knows it's a more attractive in theory over
practice, no offense.
Plus I find it think it's quite misleading for Live to be marketed as a MIDI
device. It
PROTECTED]
Sent: Friday, 23 January 2004 2:34 PM
To: Quest Pond
Cc: [EMAIL PROTECTED]; '313'
Subject: Re: (313) Ableton Live mixes
On 24-jan-04, at 2:23, Quest Pond wrote:
> use both audo no midi
> play virtual instrument plugins
Ableton is a rewire master and slave application AF
clumbsy marker controls in ableton, not me.
Quest Pond
-Original Message-
From: Ronny Pries [mailto:[EMAIL PROTECTED]
Sent: Friday, 23 January 2004 2:07 PM
To: '313'
Subject: RE: (313) Ableton Live mixes
i discovered ableton live a few days ago and have started to chop my
v
2:07 PM
To: '313'
Subject: RE: (313) Ableton Live mixes
i discovered ableton live a few days ago and have started to chop my
vinyls into handy loops. it's really sick work but on the other hand i
can't wait to add this to my vinyl/fs set.
as far as i got it, most of you use ableton
Ronny Pries wrote:
i discovered ableton live a few days ago and have started to chop my
vinyls into handy loops. it's really sick work but on the other hand i
can't wait to add this to my vinyl/fs set.
as far as i got it, most of you use ableton to play entire tracks with
it? uhm, i can't ope
i discovered ableton live a few days ago and have started to chop my
vinyls into handy loops. it's really sick work but on the other hand i
can't wait to add this to my vinyl/fs set.
as far as i got it, most of you use ableton to play entire tracks with
it? uhm, i can't open any mp3's here, you g
End of Feb, real turned metal knobs with lush dampers///
23/1/04 12:52 PM Dennis [EMAIL PROTECTED]
> Tom Churchill wrote:
>
>>> Kirk had one I was looking at, It had 8 channels I think, and it had an
>>> ableton live logo on there. maybe that was a sticker?
>>
>>
>> Maybe it was the Evolution
>Maybe it was the Evolution UC-33 with the Ableton overlay?
thats exactly what it was Tom, thanks for that.
other folks, they're alright these, I tell ya..
_
- End of message text
This e-ma
Tom Churchill wrote:
Kirk had one I was looking at, It had 8 channels I think, and it had an
ableton live logo on there. maybe that was a sticker?
Maybe it was the Evolution UC-33 with the Ableton overlay?
http://www.ableton.com/index.php?main=news-archive&sub=evolution_uc33
I use one of th
Is it Plastic or Metal Tom...
PS, reviews section is live - send ya stuff for review fella :)
23/1/04 12:51 PM Tom [EMAIL PROTECTED]
>> Kirk had one I was looking at, It had 8 channels I think, and it had an
>> ableton live logo on there. maybe that was a sticker?
>
> Maybe it was the Evolutio
> Kirk had one I was looking at, It had 8 channels I think, and it had an
> ableton live logo on there. maybe that was a sticker?
Maybe it was the Evolution UC-33 with the Ableton overlay?
http://www.ableton.com/index.php?main=news-archive&sub=evolution_uc33
I use one of these with Live (and Log
>http://www.evolution.co.uk/products/evo_xsession.htm
>i wonder if the mxf8 from the Notron people will be good (eh martin? :)
>i guess the A&H xone 92 (drool) is the ultimate but at £1150 it's way
>out of my league!
Kirk had one I was looking at, It had 8 channels I think, and it had an
ableton
We have two of these Robin, well tacky and not enough nob's but they do the
trick - needs new drivers as some things are just a little too slow for our
liking. Not sure how long they are going to hold up as well...
23/1/04 12:29 PM [EMAIL PROTECTED]
>
> i think i'm gonna plump for one of thes
i think i'm gonna plump for one of these...nice and cheap too:
http://www.evolution.co.uk/products/evo_xsession.htm
i wonder if the mxf8 from the Notron people will be good (eh martin? :)
i guess the A&H xone 92 (drool) is the ultimate but at £1150 it's way
out of my league!
robin...
Ma
I'd agree robin but I think it happened 2 years ago and peoples perception
is just now catching up.
- Original Message -
From: "robin" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>
Sent: Friday, January 23, 2004 5:
True, true - I've seen some great stuff done with both - but I think the
game is about to get hotter - on Wednesday I witnessed one of the best, if
not only real-time controllers for these packages - I can't say any more, as
I'm under an NDA but the end of Feb will be very interesting...
23/1/04
Nice.
-Original Message-
From: Brendan Nelson [mailto:[EMAIL PROTECTED]
Sent: 23 January 2004 11:48
To: 313@hyperreal.org
Subject: RE: (313) Ableton Live mixes
Alex Bond wrote:
> so maybe digital dj'ing allows someone to think more about
> programming than actual mixi
Alex Bond wrote:
> so maybe digital dj'ing allows someone to think more about
> programming than actual mixing (as it's virtually 'automatic')
> and I think that has to be a good thing. I think?
I'd actually say that digital dj'ing gives DJs the flexibility to choose how
much "automation" the
[EMAIL PROTECTED] wrote:
and allow big variety in the music being played.
I think this might be one of the most important points of it all.
I think in general, certainly in the UK, theres a huge downturn in people
being interested enough to go out to clubs. (obviously not all, some clubs
are
deep-z wrote:
of coarse, if you have a MIDI controller along with Live! or let's say NI
Traktor, it's ok.
but main thing that starts to bother me is this:
if all dj's will start using their pc's to mix things then vinyl business will
eventualy die. look at by example soulseek or some direc
>and allow big variety in the music being played.
I think this might be one of the most important points of it all.
I think in general, certainly in the UK, theres a huge downturn in people
being interested enough to go out to clubs. (obviously not all, some clubs
are flourishing) and I think tha
i used to think that until i played with Live. i think that as long as
it's not all controlled with a mouse (that doesn't feel like djing, for
sure) then it's the end result that matters. the things that can be done
genuinely live, in a spontaneous way...which is the key here in software
and
>also what are peoples opinions on digital djing in general?
well, I only ever saw someone do it once at a party.
it was kirk de giorgio, and it was pretty incredible and kind of changed my
whole perception of it.
his last 45 minutes was just classic after classic after classic, all sort
of inter
Is this like Eddie Murphy's character "Clarence," who played saxophone
with the Beatles?
-d
On Friday, December 20, 2002, at 10:50 AM, Kent williams wrote:
Dan, you didn't know that Yngvie was originally the fifth member of
Kraftwerk, and was cut from the master tapes after a tiff with Flori
Dan, you didn't know that Yngvie was originally the fifth member of
Kraftwerk, and was cut from the master tapes after a tiff with Florian?
SOME TECHNO RESEARCHER YOU ARE!
On Fri, 20 Dec 2002, Dan Sicko wrote:
> Now I've seen everything on this list. :)
>
> On Friday, December 20, 2002, at 10:2
Now I've seen everything on this list. :)
On Friday, December 20, 2002, at 10:29 AM, Kent williams wrote:
Yngvie Malmsteen.
1. You actually move parts of your body when you play an instrument. Audiences
interpret this as 'doing something'
2. While there are many challenges to doing live Techno, the idea that the
performers spent time learning to play instruments, and can re-create their
music in front of them in real
- Original Message -
From: "Jernej Marusic" <[EMAIL PROTECTED]>
To: "'Jayson B.'" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, December 20, 2002 12:54 PM
Subject: RE: (313) ableton live 2 beta 2 out (public)
> One way for
w mad Professor live, it was something similar. He had a band
playing on the stage, and he was playing the mixer and effects.
Jernej
www.soundoflj.com/octex
-Original Message-
From: Jayson B. [mailto:[EMAIL PROTECTED]
Sent: 19. december 2002 20:32
To: 313@hyperreal.org
Subject: RE: (313) ab
- Original Message -
From: "Jayson B." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, December 19, 2002 3:32 PM
Subject: Re: (313) ableton live 2 beta 2 out (public)
>
>
> >I agree with fred here, also, I pack nearly 500 sounds into my PAs
I agree with fred here, also, I pack nearly 500 sounds into my PAs and
although I have an idea of which sounds go best together, I try to avoid
arranging my PAs in any order.
ah. i disagree whole heartedly. i feel too many pa's do it this way, and
it begins to feel like "here's this sound
on 12/19/02 1:26 PM, Cyborg K at [EMAIL PROTECTED] wrote:
> Maybe techno producers who do live PAs should break down and take a couple
> keyboard lessons?
Part of the appeal of techno is it's all about composing and producing
tracks utilizing technology.
Why do techno producers have to be pressur
complexity of the "track"
without committing more resources to running 10-15 more clips.
- Original Message -
From: "FRED giannelli" <[EMAIL PROTECTED]>
To: "Jayson B." <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, December 19, 200
I never played on stage with a guitar but i always wondered why
people say that as soon as a band uses guitars, drums, sax etc. it is
considered more live then some guy who is working the hell out of a
bunch of electronic equipment? I never understood why repeating a
guitar riff for 4 minutes i
ough it is possible to
play quite a bit of keys and tweak at the same time...
/dave
-Original Message-
From: Jayson B. [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 19, 2002 2:32 PM
To: 313@hyperreal.org
Subject: RE: (313) ableton live 2 beta 2 out (public)
>Maybe techno producers wh
Well, I consider the art of arranging as the art of the Live PA. Whether it
be using traditional samplers and sequencers or a Laptop with Ableton live
on it. I've done it both ways. I don't think the audience really cares as
long as they like what is coming out of the speakers whether or not you
Maybe techno producers who do live PAs should break down and take a couple
keyboard lessons?
Carl Craig played some live keys when I saw his live PA, I think it was as
Paperclip People.
and i found everytime he touched the keys i got bored. the thing is,
playing full 'live' or not, when you
, 2002 2:38 AM
Cc: 313@hyperreal.org
Subject: Re: (313) ableton live 2 beta 2 out (public)
Kent williams wrote:
> I still don't know how to make a live electronic set truly dynamic. My
> solution is to improvise it all live with live loop sampling.
You have to embrace and work with th
::) wrote on Wed, 18 Dec 2002 about following:
> 3.) new stretch routines and the ability to turn stretching off (greatly
> increasing sound quality)
whoah, thats great. i hope they can make the timestretch better, because
it's sounds even worse than what was in Sound Forge 3, MANY years ago.
t
Kent williams wrote:
I still don't know how to make a live electronic set truly dynamic. My
solution is to improvise it all live with live loop sampling.
You have to embrace and work with the fact that there's only so "live" a
live PA is going to get. The reason for this comes down to the
Well, I think Stewart's animus against laptops is that most laptop performances
involves people staring at computer screens -- i.e. zero charisma, and in
some cases, people doing absolutely nothing truly live. I've seen my share
of people doing 'live' sets with the equivalent of Winamp.
Stewart's
["::)" <[EMAIL PROTECTED]>]
> a few quick improvements, although this is way off topic:
>
> 1.) 2 new fx
> 2.) multiple midi inputs
> 3.) new stretch routines and the ability to turn stretching off (greatly
> increasing sound quality)
> 4.) group based crossfader
> 5.) fixed highpass filter
> 6.)
stuff, for me at least
-Joe
- Original Message -
From: "Adam Jay" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, December 18, 2002 3:25 PM
Subject: Re: (313) ableton live 2 beta 2 out (public)
> i've been fiddling with ableton for a whil
i've been fiddling with ableton for a while, and its a good program.
i honestly did not notice any changes for the better in the 2.0 beta.
programs like Reason (1.0 and 2.0) still have problems "rewireing".
but for live work, i can honestly say that my Electrix Repeater
(disclaimer, i hate all
Man that was a pain in the ass to install.
- Original Message -
From: "::)" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, December 17, 2002 1:42 PM
Subject: (313) ableton live 2 beta 2 out (public)
> http://www.ableton.com/beta/download.php
>
>
> >Please send all bug reports
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, December 12, 2002 5:45 PM
Subject: Re: (313) ableton live 2.0 public beta out
> Live 2.01b is really buggy in OS X.
>
> you can't even drop in 3rd party VST's without it crashing!
>
>
> wow.
>
> --Chad
> - twine -
> http://www.twinesound.com
Live 2.01b is really buggy in OS X.
you can't even drop in 3rd party VST's without it crashing!
wow.
--Chad
- twine -
http://www.twinesound.com
Especially considering monolake is one of the developers!
-Original Message-
From: Chad Mossholder [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 12, 2002 5:19 PM
To: Grammenos, Peter; 313@hyperreal.org
Subject: Re: (313) ableton live 2.0 public beta out
it's not that expensiv
rsday, December 12, 2002 2:31 PM
Subject: RE: (313) ableton live 2.0 public beta out
>
> I heard a funny store about abelton (well not funny for the artist).
> Apparently
> there are abelton software police that go to gigs and look over the
> shoulders
> of artists during perfo
> > so buy the software.
> >
> > no one is telling anyone to pirate anything. its great stuff, you
SHOULD be
> > rewarding the developement of tools like this.
> >
> > then you have nothing to worry about.
i agree completely. i bought it within days of it being released. however,
i now use t
t;
> - Original Message -
> From: "rob buse" <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Thursday, December 12, 2002 4:59 PM
> Subject: RE: (313) ableton live 2.0 public beta out
>
>
> >
> > And they bring in the thugs with
org>
Sent: Thursday, December 12, 2002 4:59 PM
Subject: RE: (313) ableton live 2.0 public beta out
>
> And they bring in the thugs with guns to make users show ID ? How could
they
> get the artist or venue to stop ?
>
> I'm glad I write my own software
>
> .rob
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Thursday, December 12, 2002 4:33 PM
>To: Grammenos, Peter; 313@hyperreal.org
>Subject: Re: (313) ableton live 2.0 public beta out
>
>
>I wonder how you tell just by looking at the screen?
&g
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