>To: Kent williams; [EMAIL PROTECTED]
>Cc: 313@hyperreal.org
>Subject: Re: [313] DJ Mixing - keys -
>
>
>If you can be bothered, you could dig out some old Mixmaster Morris mixes,
>he used to do it a lot. As did a mate of mine in his Stockhausen and My
>Bloody Valentine fusion per
If you can be bothered, you could dig out some old Mixmaster Morris mixes,
he used to do it a lot. As did a mate of mine in his Stockhausen and My
Bloody Valentine fusion period. Or try Spiritualized's "Take Your Time"
followed by Oscillator: one I used many a moon ago at a Sunday club I used
to pl
Are you an engineer by any chance:)
mehmet
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Monday, April 16, 2001 10:05 PM
Subject: [313] DJ Mixing - keys -
> Do any Djs keep a list of "keys" of various tracks (as well as BPM)?
> ("ke
on 4/16/01 9:18 PM, [EMAIL PROTECTED] wrote:
> Hi to all on 313 who I might have known from way way back. ;-)
Welcome Back, Sho! What's been going on for the last 5 years? Please fill
us in.
--
There4IM
on 4/16/01 8:35 PM, [EMAIL PROTECTED] wrote:
> As far as the example above, if you were at F/120, and you pitched up to G,
> the bpm should (if I did my math correctly) resemble 134.7 >>
>
> Keep your book open,
> Let's say the pitch/key of the second track is G at 130 BPM
> What pitch/key is t
> To: '313@hyperreal.org'
> Subject: RE: [313] DJ Mixing - keys -
>
>
> Many people refer to this as 'harmonic mixing'... Very big with the
> progressive DJs that get the no label records. :) I've heard
> some cool
> sounds come from mixing tunes t
DJs who are able to mix things that are complementary tonally are generally
staying in one genre, where the tempos are fairly consistent. There
are always happy accidents, where two records pitched 10% apart fall in
the same key.
I know a lot of tonedeaf DJs who will bring stuff in in the worst p
In a message dated 4/16/01 6:34:32 PM, [EMAIL PROTECTED] writes:
<< Each note in the 12 tone scale represents an increase of .0595 (some
rounding) above the previous tone. This corresponds to a surprising 7.73
bpm increase, if your original was 130 bpm.
As far as the example above, if you were
Many people refer to this as 'harmonic mixing'... Very big with the
progressive DJs that get the no label records. :) I've heard some cool
sounds come from mixing tunes together that are keyed C and E at the same
BPM.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
on 4/16/01 3:05 PM, [EMAIL PROTECTED] wrote:
> What's the BMP limitation on changing tracks with different keys?
> Like if you're going from F to G (Maj 2nd up), What does that amount to in
> BPM change if the F track is BPM=120 and the G track is BPM = "x"? Anybody
> work with stuff like that?
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Subject: Re: [313] DJ Mixing - keys -
Date: Tue, 17 Apr 2001 05:12:35 +1000
Yes, Anthony Pappa does - and catalogues it as such. Like, great
recommendation. :)
>Do any Djs keep a list of "keys
Some techno is written on minor chords, and flats i.e. mills, Ramirez, But
as far as narrowing it down, it's difficult, especially when some of the
basslines are falling below scales and tuned too low for register, i.e. sub
bases and the like.
I would suggest taking some mp 3's and saving them as
Yes, Anthony Pappa does - and catalogues it as such. Like, great
recommendation. :)
>Do any Djs keep a list of "keys" of various tracks (as well as BPM)?
>("key" as in F or Bflat etc. -the tonal center of a track or whatever
>you choose to call it)
>
>If so:
>What are the most freque
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