s did Gene,
and Kevin played briefly. Derrick's set definitely made up for the rained
out festival, it was very special.
--
>From: Eli Bingham <[EMAIL PROTECTED]>
>To: 313@hyperreal.org
>Subject: [313] kms afterparty (was Re: [313] Re: DEMF 2002: The Sexy Adventures
of Ca
It's funny to think that it takes 7 people to fill 1 man's shoes.
Mr.Craig may have booked his 'buddies' for 2 years in a row, but it would
only prove that he was smart enough to make friends with the most innovative
producers and performers in electronic music. Thank god Carl Craig did pull
k May (before the hailstones hit) on their site at kmsproductions.com.
>
> Matt
> E-mail: [EMAIL PROTECTED]
> Web Site: http://www.magicmattkelly.com
>
> > Date: Wed, 20 Feb 2002 14:22:25
> > To:
> > From: Ja'Maul Redmond <[EMAIL PROTECTED]>
> > C
The one who shells out the cash get no props because its
automatically 'always about the money.'
my point being:
The "money" end of The World Party was not a success. And the
artistic direction was handled by someone else.
Can one infer anything from this? Maybe.
Ancient history? Probabl
again later, I guess! ;)
Matt
E-mail: [EMAIL PROTECTED]
Web Site: http://www.magicmattkelly.com
- Original Message -
From: <[EMAIL PROTECTED]>
To: "Matthew L. Thompson" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, February 20, 2002 3:58 PM
On Wed, 2002-02-20 at 20:51, Matthew L. Thompson wrote:
> In regards to streaming the sets over the web from the stages, didn't
> Groovetech provide a live feed and/or an archive of the sets as well? Or
> maybe that was just for the first DEMF, I'm not sure. I don't think they
> are around anymo
<[EMAIL PROTECTED]cc:
k.net> Subject: Re: [313] Re
27;Maul Redmond <[EMAIL PROTECTED]>
> Cc: 313@hyperreal.org
> Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
>
> Well i agree about the recording,, like i said i can't believe no one got
> Jay's set on tape or c.d., not even him. I've checke
Kenyatta Spence [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 20, 2002 1:23 PM
To: [EMAIL PROTECTED]
Cc: Matthew L. Thompson; 313@hyperreal.org
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
On Tue, 19 Feb 2002 [EMAIL PROTECTED] wrote:
>
> >But all of that
Kenyatta Spence <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: Matthew L. Thompson <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, February 20, 2002 12:23 PM
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
> On Tue, 19 Feb 2002 [EMAI
On Tue, 19 Feb 2002 [EMAIL PROTECTED] wrote:
>
> >But all of that aside, I agree that the panel (its make-up in particular)
> is a step in the right direction. I
> >believe the DEMF's future will be okay (maybe even bright, perhaps?), but
> we shall see what unfolds this year. :)
>
> I hope at le
>I think the last two DEMF's were successes on commercial *and*
artistic levels. But that's just one
aging-techno-gone-all-downtempo-and-broken-beat man's >opinion. :)
>
>-d
Tee hee, its all good Dan. :-)
I don't know...out of all the things she could've invested money in she
chose to in
;
> <[EMAIL PROTECTED]To:
<313@hyperreal.org>
> oplepc.com> cc:
> Subject: Re: [313] Re:
DEMF 2002: The Sexy Adventures of Carol Marvin313
> 02/19/0
Ok, let me put a quash on all this talk about "how World Party was a flop".
no ... I at least meant flop in every American, commercial sense of the word.
The music was definitely not there yet ... this was the city that
couldn't keep the narrow confines of the Music Institute open. And a
year
World Party was!
what credibility!!
-Original Message-
From: glyph1001 [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 11:03 AM
Cc: 313@hyperreal.org
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
I'll even say further that Pop Culture themselve
>But all of that aside, I agree that the panel (its make-up in particular)
is a step in the right direction. I
>believe the DEMF's future will be okay (maybe even bright, perhaps?), but
we shall see what unfolds this year. :)
I hope at least Groovetech (or another capable web based broadcaster)
oplepc.com> cc:
Subject: Re: [313] Re: DEMF
2002: The Sexy Adventures of Carol Marvin313
t;[EMAIL PROTECTED]>
To: "Dan Sicko" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Tuesday, February 19, 2002 2:07 PM
Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
> Oh,
> they should not be on the logistics end of it. When I say promo
ot;do it right". And yes I know several promoters who have worked on and are
qualified to work on "concert festival" size events.
-Original Message-
From: Dan Sicko [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 2:40 PM
To: 313@hyperreal.org
Subject: RE: [313] Re:
Heh.
Well, I was kind of joking about DJ worship, but what I was really
hinting at is that techno, house, electronic music, what have you ...
are in an entirely different context at an event like DEMF. It's not
a club, not an outdoor "rave," ... it's a concert festival. How many
local promo
well, we all know what a great success World Party was!
what credibility!!
-Original Message-
From: glyph1001 [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 11:03 AM
Cc: 313@hyperreal.org
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
I'll eve
bject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
> but I thought that this particular event (DEMF) is supposed to be a
>reflection of what is at the core of dance music in Detroit
I don't think that's exactly the inten
but I thought that this particular event (DEMF) is supposed to be a
reflection of what is at the core of dance music in Detroit
I don't think that's exactly the intent ... "dance" isn't in the title. :)
-d
-
To unsubscribe,
he first year was such a success.
-raph
-Original Message-
From: glyph1001 [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 1:03 PM
Cc: 313@hyperreal.org
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
I'll even say further that Pop Culture themselves has exper
That doesn't matter. Experience only adds to the knowledge of doing
better next time.
--G.
Dan Sicko wrote:
I'll even say further that Pop Culture themselves has experience in
organizing (or have been involved in) huge events and festivals in
the past (i.e. as far as I know, the 'World Part
I'll even say further that Pop Culture themselves has experience in
organizing (or have been involved in) huge events and festivals in
the past (i.e. as far as I know, the 'World Party'
Let's not forget what a huge flop the World Party was ...
I haven't been to a jazz festival since Branford M
I'll even say further that Pop Culture themselves has experience in
organizing (or have been involved in) huge events and festivals in the
past (i.e. as far as I know, the 'World Party' and the Jazz Festival) so
that's the 'promoter' component there. As if Carl had previous
experience in putti
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