ssage-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 06 February 2003 16:19
To: 313@hyperreal.org
Subject: Re: Re[2]: (313) production and mastering
This discussion came into my head this morning and I recalled a thing that
happened several years ago. A friend of mine and I (both of us
This discussion came into my head this morning and I recalled a thing that
happened several years ago. A friend of mine and I (both of us about the
same age) were working at a job (must have been mid to late 1990s) with a
younger guy who was into stuff like Smashing Pumpkins, Radiohead, Nirvana,
e
2 weeks ago Buzz Goreewas spinning over here, some guy booked him with 2
other DJ's who where playing banging looptechno, Buzz was playing the middle
of them. All the looptechno records where extremely compressed, it was just
one solid wall of sound pushing out of the speakers while the records Buz
I absolutely agree, and that's one of the things I had in mind when
writing. The problem isn't compression itself, merely it's use as a balm.
Maybe the visual interface afforded by the likes of Pro-Tools encourages
producers to normalize, compress, or otherwise louden their work? When you
see a
