For those who want to learn more about the venue Funk Night is held
at... Russell Industrial Center...
www.RICDetroit.com
www.RCCADetroit.org
www.RussellBazaar.com
I am now the Events & Promotions Director for the RIC (since end of
Sept), so if you have any questions or interests in doing e
This is a great electro mix, anyone who hasn't checked it out yet
should do so. Ace.
robin...
On 23 Aug 2004, at 20:44, [EMAIL PROTECTED] wrote:
Scotto
Proto Live DJ -set 081404
Track list
Novamen - Lekkage (bunker)
Stinkworks - mnml 808 (bunker)
UR - Infiltrator (ur)
Nitzer Ebb - Warsaw
Scotto
Proto Live DJ -set 081404
Track list
Novamen - Lekkage (bunker)
Stinkworks - mnml 808 (bunker)
UR - Infiltrator (ur)
Nitzer Ebb - Warsaw Ghetto (geffen)
Front 242 - Work (wax trax)
Robotiko Rejekto - Rejekto (Perfekto mix) (xyz music)
Aubrey Houermann - AH003 A2 (odic force)
Sendex - Bas
Looking for labels and artists that would probably fit under this sort of
style - thinking of Meat Beat Manifesto as a jumping off point
A good friend of mine makes some very cool hard electro/Industrial
breakbeat music and I'm helping him find labels he can send a demo CD to
He's n
Reply-To: [EMAIL PROTECTED]
> > Date: Wed, 14 Aug 2002 18:45:59 -0400
> > To: 313@hyperreal.org
> > Subject: [313] industrial-techno mix
> >
> > hear what happens when neurotek & matrix take some old industrial, new
> > industrial, and techno for a 60 min ride.
&g
sean "fogie" deason
> From: Gerald <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> Date: Wed, 14 Aug 2002 18:45:59 -0400
> To: 313@hyperreal.org
> Subject: [313] industrial-techno mix
>
> hear what happens when neurotek & matrix take some old industrial, n
hear what happens when neurotek & matrix take some old industrial, new
industrial, and techno for a 60 min ride.
it started today at 2 pm EST, and will be looped 'till thursday nite.
the archive will go up in a week with full tracklisting.
http://www.beats.to -the show is called
Ian wrote:
> On 6/5/02 9:00 AM, "Toby Frith" <[EMAIL PROTECTED]> wrote:
>
> > Still, what's to say that techno has to have "soul" or "funk" - why can't we
> > have some industrial sounding stuff?
>
> We can, but then it woul
it techno.
>
> MEK
>
>
>
>
> [EMAIL PROTECTED]
> et To: <[EMAIL PROTECTED]>
>cc: <313@hyperreal.org>
> 06/05/02 11:57 AM
t;[EMAIL PROTECTED]>
cc: <313@hyperreal.org>
06/05/02 11:57 AMSubject: Re: [313]
Techno/Industrial (was Re: [313] Do
cc: <313@hyperreal.org>
> 06/05/02 11:16 AMSubject: Re: [313]
> Techno/Industrial (was Re: [313] Does anyone compare to Hawtin?)
>
>
>
>
>
>
> and there "you" go, narrowly
<[EMAIL PROTECTED]To: <[EMAIL PROTECTED]>,
<[EMAIL PROTECTED]>
mi.net> cc: <313@hyperreal.org>
Subjec
electro is heavily influenced by the 80s. electro is driving the prices of
tr-808s back up.
-Joe
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, June 05, 2002 12:36 PM
Subject: Re: [313] Techno/Indust
/02 11:16 AMSubject: Re: [313]
Techno/Industrial (was R
o: "Sakari Karipuro"
> <[EMAIL PROTECTED]>, <313@hyperreal.org>
> mi.net> cc:
>Subject: Re: [313]
> Techno/Industrial (was Re: [313] Does anyone compare to Hawtin?)
Ian wrote on Wed, 5 Jun 2002 about following:
> That said, I'm waiting for the EBM revival to rise out of this
> "electro-clash" business. Front 242/Nitzer Ebb cover band, anyone?
actually rethinking this i remembered that O.H.G.R already crossed over
electro-clash and ebm on their previous (a
<[EMAIL PROTECTED]To: "Sakari Karipuro"
<[EMAIL PROTECTED]>, <313@hyperreal.org>
mi.net> cc:
5 AM
Subject: Re: [313] Techno/Industrial (was Re: [313] Does anyone compare to
Hawtin?)
> Ian wrote on Wed, 5 Jun 2002 about following:
>
> > That said, I'm waiting for the EBM revival to rise out of this
> > "electro-clash" business. Front 242/Nitzer Ebb co
Ian wrote on Wed, 5 Jun 2002 about following:
> That said, I'm waiting for the EBM revival to rise out of this
> "electro-clash" business. Front 242/Nitzer Ebb cover band, anyone?
actually front 242 instrumentals (although i definitely like the
vocal versions) are pretty good mixing stuff.. st
On 6/5/02 9:00 AM, "Toby Frith" <[EMAIL PROTECTED]> wrote:
> Still, what's to say that techno has to have "soul" or "funk" - why can't we
> have some industrial sounding stuff?
We can, but then it wouldn't be called techno. "Soul&
For those interested...
Kind of last minute, but there is an Industrial-type event going on tonight at
The Frying Pan in NY featuring DJ Philth from Download, Dead Voices On
Air, and Reade Truth from Sonic Groove amongst others.
For more info check
http://www.glitchbitch.com
spent alot of time on these compositions :)
http://www.mp3.com/chrisbullock
chris
[EMAIL PROTECTED]
http://e2893.37.com/Free-E-Card/<--- You Have A Greeting :)
for me it was techno at age 13, i was really not into music before then.
what got me into music was playing around with a casio sk1 that i got
for my birthday and i was sampling music from the radio when i came
across an alternative-industrial show on a community radio station. the
dj played 808
, Autechre etc), then
the lesser-known parts of the Warp catalogue, naturally ending in Detroit
Gwendal
> -Original Message-
> From: detroit science [mailto:[EMAIL PROTECTED]
> Sent: Thursday, May 25, 2000 11:13 PM
> To: 313@hyperreal.org
> Subject: [313] industrial vs. hip hop
&
hello,
> Cabaret Voltaire had their first release back in 1978 so they were doing
> electronic music while a lot of industrial artists were still at nursery
> school. As for now, from what I remember Steven Mallender is living in
> Australia, Richard Kirk is still alive and well a
In a message dated 5/06/00 8:41:34 [EMAIL PROTECTED] writes:
> Cabaret Voltaire had their first release back in 1978 so they were doing
> electronic music while a lot of industrial artists were still at nursery
> school. As for now, from what I remember Steven Mallender is
t Exorcist) mix... sounds like some early Warp
stuff. I wonder where my Unique 3 records are?
GH
Cabaret Voltaire seem to be an example of an industrial group with some kind
of a techno connection. Like a lot of the 313 artists they've had
pretentions to funk with varying degrees of success
n it on (? don't
have the record in front of me so can't be certain) and features a mayday
mix. It seems pretty reasonable judging from the 1 play I've given it so
far.
>Cabaret Voltaire seem to be an example of an industrial group with some
kind
>of a techno connection.
Greg Earle wrote:
>
> Someone else mentioned Coil. They're playing live at Sonar. 'Nuff said.
Cabaret Voltaire seem to be an example of an industrial group with some kind
of a techno connection. Like a lot of the 313 artists they've had
pretentions to funk with varying deg
back in February ... hehe)
Someone else mentioned Coil. They're playing live at Sonar. 'Nuff said.
One last Detroit/Industrial mention: Ironically enough, I'm listening to the
new(ish) Speedy J album, "A Shocking Hobby". Lotsa Industrial noises on this
one, that
> *** Ain't Psycick T.V. the act of Genesis P. Orridge, founder
of Throbbing
Gristle?
The thing people need to remember about Genesis P.O is that he is a
media personality, and not a musician. He is good for interviews about
concentration camp psychology, why fluxus sucks, Crowley related rit
> *** Ain't Psycick T.V. the act of Genesis P. Orridge, founder of Throbbing
Gristle?
The thing people need to remember about Genesis P.O is that he is a
media personality, and not a musician. He is good for interviews about
concentration camp psychology, why fluxus sucks, Crowley related rit
In a message dated 27/05/00 3:20:50 [EMAIL PROTECTED] writes:
> n message <[EMAIL PROTECTED]>,
> [EMAIL PROTECTED] messed around with filters and compression to
> make the sounds now known as:
> >>I don't see how anybody, fan or producer, can come into techno via
hip-hop.
>
> >
> >Speedy J?
In message <[EMAIL PROTECTED]>, Jorge Velez
<[EMAIL PROTECTED]> messed around with filters and compression to make
the sounds now known as:
>> >>I don't see how anybody, fan or producer, can come into techno via
>>hip-hop.
>> >Speedy J?
>> >Ben Sims?
>> >(not sure about Ben...)
>>Dave Clarke
>Aut
> *** Ain't Psycick T.V. the act of Genesis P. Orridge, founder of Throbbing
> Gristle?
The thing people need to remember about Genesis P.O is that he is a
media personality, and not a musician. He is good for interviews about
concentration camp psychology, why fluxus sucks, Crowley related ritual
i know adrian sherwood did production on the "twitch" album. i'm not sure if
he was involved in the "land of rape & honey" sessions. all this industrial
nostalgia will have me sorting through my records to see what i've still got
to listen to.
what happene
-Original Message-
From: FC3 Richards <[EMAIL PROTECTED]>
To: 'Sanderson Dear' <[EMAIL PROTECTED]>; '313@hyperreal.org'
<313@hyperreal.org>
Date: Saturday, 27 May 2000 11:48
Subject: RE: [313] industrial vs. hip hop
>if i remember right Mini
Haye!
> a conversation that started between dave "the wave" dresden and i @ wmc
this
> year centered around how people got into the scene, and i started an
> informal poll while i was down there. ratio? about 60% industrial, 40%
> hip hop.
>
> and one - neither.
Haye!
> I don't see how anybody, fan or producer, can come into techno via
hip-hop.
> Except for Shake. Techno, at least Detroit Techno, is the antithesis of
> hip-hop to me, Ghettotech notwithstanding =\
*** Rolando?
Lay
Unconditional Empowerment
http://barkingcat.org/counterforce
Haye!
> forgive my bubbliness this morning, but the discussion of techno &
industrial really get me going!
>
> Let us knot forget thee influence ov Psycick T.V. and Fred Gianelli, they
really had the techno/house/industrial crossover thing going on for a long
time.
>
> I
if i remember right Ministry's land of rape and honey album had a
industrial/hip-hop song on it...it wasn't bad either.
> -Original Message-
> From: Sanderson Dear [SMTP:[EMAIL PROTECTED]
> Sent: Thursday, May 25, 2000 11:14 PM
> To: 313@hyperreal.org
&g
From: Tom Lawton <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED], 313 Detroit Techno Mailing List
<313@hyperreal.org>
Subject: Re: [313] industrial vs. hip hop and Astrelwerks
Date: Fri, 26 May 2000 20:18:35 +0100
In message <[EMAIL PROTECTED]>,
[EMAIL PROTECTED] messed aroun
In message <[EMAIL PROTECTED]>,
[EMAIL PROTECTED] messed around with filters and compression to
make the sounds now known as:
>>I don't see how anybody, fan or producer, can come into techno via hip-hop.
>
>Speedy J?
>
>Ben Sims?
>(not sure about Ben...)
>
Dave Clarke was a hip-hop DJ before he tur
I really like this, can we have a seven degreees of Techno game? I choose
Punk & Hardcore. I was in Germany at a giant open air fest called Strange
Noise in the Black Forest in Germany to see a couple Hardcore bands
(Snapcase and Rikers I believe) The first night was a big silly rave party.
I k
<[EMAIL PROTECTED]> on 05/25/2000 10:37:02 PM
To: FC3 Richards <[EMAIL PROTECTED]>
cc: "'detroit science'" <[EMAIL PROTECTED]>, "'313@hyperreal.org'"
<313@hyperreal.org> (bcc: James Bucknell/Magazines/Hearst)
Subject: RE: [313] in
So far no one has mentioned what to me is one of the most overlooked bands
ever: Propaganda! A German outfit that put out two albums on Trevor Horn's
ZTT (including a remix album, Wishful Thinking) in the mid-80s and did the
song Dr Mabuse. This record still sounds ace. And they had indus
Indie music; New Order, Primal scream, Andy Weatherall, and (you're all
gonna hate me for this one) Oakenfold's remixes of the Happy Mondays. That
and seeing Orbital live for the first time. Oh and I'm from liverpool, so I
shouldn't miss out "Groovy Train" by The Farm, ...ha ha ha
Not as unusu
> -Original Message-
> From: FC3 Richards
> Sent: Thursday, May 25, 2000 10:17 PM
> To: 'Emma Groube'
> Subject: RE: [313] industrial vs. hip hop and Astrelwerks
>
> how about "come on now baby, can't you see them, open wide" as in
best mutation of hip-hop IMO is "dig it" by skinny puppy.
i confess i've been a fan since the remission ep... if i'm asked i'll
totally disavow any knowledge of this admission. ;)
sanderson
Get Your Private, Free E-mail
>I don't see how anybody, fan or producer, can come into techno via
hip-hop.
ummm, actually it was a little bit more of a general "scene" question than
specifically techno - more dance music in general.
and, i realize that breaking it down to industrial or hip hop oversim
>I don't see how anybody, fan or producer, can come into techno via hip-hop.
Speedy J?
Ben Sims?
(not sure about Ben...)
In a message dated 5/25/00 10:37:58 PM, [EMAIL PROTECTED] writes:
<< I have tried and tried to get it on vinyl and have been told that it isn't
available on vinyl and that it wasn't even pressed.
>>
They lied, vinyl was pressed. Want an autographed copy ? =)
a.
==
In a message dated 5/25/00 8:40:19 PM, [EMAIL PROTECTED] writes:
<< a conversation that started between dave "the wave" dresden and i @ wmc
> this
> year centered around how people got into the scene, and i started an
> informal poll while i was down there. ratio?
I believe you's lookin' for the CD reissues..?
>
><< are you purposely trying to give me a heartattack?!! what label???
>sean "gotta stop living in the 80's" deason >>
... they would be put out by LTM ... under their "Black Box Series"...
The one _I_ really need is the "Section 25-Live In Ameri
> a conversation that started between dave "the wave" dresden and i @ wmc this
> year centered around how people got into the scene, and i started an
> informal poll while i was down there. ratio? about 60% industrial, 40%
> hip hop.
>
> and one - neither. neithe
twas written:
> learned alot from that CD. I still have a copy. and i am looking for a
> copy on vinyl. The Claude Young, K-Hand, Stacy Pullen, and Shake tracks are
> pure genius.
I have tried and tried to get it on vinyl and have been told that it isn't
available on vinyl and that it wasn't ev
i am somewhere in between industrial and finding a suprise in the record
store. i was at a Harmony House in Flint (the one on miller road if anyone
cares) looking through thier industrial and electronic music CD's. that is
where i stumbled up a cd called Detroit: Beyond the Third Wave...it
ert: In support of Official Version late 80's at small
> basement club called Nut's & Bolt's. They had their industrial wasteland
> set up - all their electronic gear + various metallic objects; including
> a 6'x6' sheet of metal hanging from the low ceiling which R
-Original Message-
From: Matt Holland <[EMAIL PROTECTED]>
>
>At any rate, I've got a friend that's curious If any of you ever heard of
>"The Elephant Table" album (Pre 85 Industrial compilation apparently) and
if
>so thoughts, opinions, memories?
apped one addiction for another.
james
"detroit science" <[EMAIL PROTECTED]> on 05/25/2000 05:12:43 PM
To: 313@hyperreal.org
cc:(bcc: James Bucknell/Magazines/Hearst)
Subject: [313] industrial vs. hip hop
a conversation that started between dave "the wave"
d i started an
> informal poll while i was down there. ratio?
> about 60% industrial, 40%
> hip hop.
>
> and one - neither. neither? his answer - heavy
> metal. hmmm
>
> but those 2 avenues do seem to be the way that just
> about everyone got into
> the scen
a conversation that started between dave "the wave" dresden and i @ wmc this
year centered around how people got into the scene, and i started an
informal poll while i was down there. ratio? about 60% industrial, 40%
hip hop.
and one - neither. neither? his answer - heavy me
Hey all you technosnobs,
Now that I think about it Front 242 was my introduction to techno as
well...although it was Tyranny for You, that and Lords of Acid "Lust" which
sent me on the path of "Rave"...it was a fun little journey that ultimately
led to my personal discovery of Detroit a few yea
Detroit a few years back...
At any rate, I've got a friend that's curious If any of you ever heard of
"The Elephant Table" album (Pre 85 Industrial compilation apparently) and if
so thoughts, opinions, memories?
cheers
matt
Tyranny For You @ the Riviera was my first concert
ever! That was quite an experience. To be in the place
where "in case you didn't feel like showing up" was
shot, and to be overwhelmed with all of the
goth/industrial freaks in Chicago at the time was
pretty mind-blowing when I wa
hello all,
forgive my bubbliness this morning, but the discussion of techno & industrial
really get me going!
Let us knot forget thee influence ov Psycick T.V. and Fred Gianelli, they
really had the techno/house/industrial crossover thing going on for a long time.
I've been liste
And again some old stories...
when the first backcatalogue came out (1988?) there was this live version of
'take one' on it. recorded, i believe, in detroit (or chocago?) and i
wondered why in gods name the would play in detroit...well we all know the
answer, don't we?!
Oh and that live ver
I do believe Oakenfold did more than a few mixes of the ACR stuff Alan
Oldham mentioned, and was a full and active member of the early british acid
house scene which gave birth to so many of the best Factory works (not to
mention producing Pills Thrills and Bellyaches).
In that case can we let
ir last, I dunno, 5 albums! (Rhys Fulber left a while
back
didn't he?)
And I mean, how bad are Delerium now??
Their first album (though not Industrial, mind you it did have a few clangs
here
and there!) was amazing. Especially "Hidden Mask", a real tear jerker.
Industrial's
to replace the daily
terror of hearing stuff like Snap ;). Techno came along but i never turned
my back on industrial (although i prefer to call it electronic music nowadays)
and i sometimes listen to some of the recent stuff by Frontline Assembly
(who i think absolutely rock!) or VNV Nation, make
Mills' Circus?
A paen to Martin's Circus perhaps?
---
Lester Kenyatta Spence [EMAIL PROTECTED]
Assistant Professor, Political Science
Washington University at St. Louis
"Strive for excellence in
ut @ 42mins in)
http://www.theiceberg.com/cgi-bin/1groove/playshow.cgi?equinox
First 242 concert: In support of Official Version late 80's at small
basement club called Nut's & Bolt's. They had their industrial wasteland
set up - all their electronic gear + various metallic objects; including
a 6&
-Original Message-
From: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Cc: 313@hyperreal.org <313@hyperreal.org>
Date: Thursday, 25 May 2000 17:00
Subject: Re: [313] industrial
>
>In a message dated 5/24/00 8:33:30 PM,
Haye!
> Headhunter still rocks..so does Masterhit..
>
> Martijn (who's going to play a lot of Front 242 when he get's home)
*** I used to hear to some industrial myself, and some pop stuff that had
some of the same edge, like Nitzer-Ebb and similar, but the one that real
I went to see front 242 on their 'Front by Front' tour as well and got
completley blown anway by them.
The sounds and lights...boom, in your face! i thought this couldn't be better
but then two years later
i went to see them on the 'tyranny for you' tour and this was even better. They
got rid o
For me the 'front by front' concert was a change of life...till now it is
one of the best things i have ever seen in my whole short life (and autechre
live...). this whole ceremoney when they came on stage, who...it is a
strange comparison but it felt like..eh war. flaslights going over your
In a message dated 5/24/00 8:33:30 PM, [EMAIL PROTECTED] writes:
<< are you purposely trying to give me a heartattack?!! what label???
sean "gotta stop living in the 80's" deason >>
Section 25 "Looking From The Hilltops"- Factory
The same label New Order recorded for.
Steve
anyone ever like Chris and Cosey?
> Anybody remember Code Industry, the Black industrialists from Detroit who
> were on Antler-Subway back in '90 ?
I do! :)
--Eric ("too industrial for the techno crowd")
("too techno for the industrial crowd")
http://objektsynth.com
are you purposely trying to give me a heartattack?!! what label???
sean "gotta stop living in the 80's" deason
John Bush wrote:
> > Section 25's "Looking From The Hilltops" still a fav of mine.
>
> I don't think they're out on LP, but all the Section 25 albums have been
> reissued on CD with bonu
Message-
From: Phonopsia <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: Wednesday, May 24, 2000 6:40 PM
Subject: Re: [313] industrial
>No one mentioned Coil? I suppose that would fall under the Wax Trax
heading.
>I'm surprised how well "The Sn
> Section 25's "Looking From The Hilltops" still a fav of mine.
I don't think they're out on LP, but all the Section 25 albums have been
reissued on CD with bonus tracks. The reissue of From The Hip has two
remixes of "Looking from a Hilltop" plus six mixes of other songs.
.John.
Hey Alan,
You just unlocked a canister of memories.
I still have most of those records you mentioned in my collection. I remember
Code Industries. Section 25's "Looking From The Hilltops" still a fav of mine.
Damn!
Steve
speaking of steven r gilmore. anyone know what he's been up to since wayback
in the nettwerk 80's days?
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
In a message dated 5/24/00 1:24:03 AM, [EMAIL PROTECTED] writes:
<>
I used to love industrial. Every summer in the mid-80's during the big
Chicago Comicon (this was when I was a comic artist), we'd drive out to the
old Wax Trax record shop in Chicago to get the new industrial
Hello,
Industrial is the red headed step-child of Detroit Techno. The hard
minimal end of Detroit would not exist without it. A lot of people want
to say that Mills was a hip-hop DJ, but they neglect to mention that he
and UR got their Interfisch/Tresor connection through his Industrial
group
I do... you may want to check out Autechre's first EP "Cavity job" for a
fine example of excellent samples + fine line between "techno" and
"industrial" BTW...
Gwendal
> -Original Message-
> From: FC3 Richards [mailto:[EMAIL PROTECTED]
> Se
i was wondering if anyone else out there listens to industrial. stuff like
ministry, NIN (there is the 2 biggies), front line assembly, skinny puppy,
etc. i realize it isn't much for dance music, but some of the samples that
they used back in the day are dope...just curious
jeff
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