ports, etc,
I'm thinking it's a problem with the original Transporter.
Anyone think there might be a repair option for this?
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Anyone know where one can get a Transporter repaired in 2017? The
problem doesn't seem to be user-serviceable (like the fuse or wifi
card), alas.
gharris999's Profile: http://forums.slimdevices.com/member.php?
http://www.theregister.co.uk/2015/02/09/perfect_your_mp3_listening_pleasure_with_this_bonkers_ethernet_cable/
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Depot.
Worked great, though having cheap labor available to do the ditching
helps.
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of the
AT1502s drives a pair of Magnepan MG12s, the other one drives an old
pair of MG3.5s. While this setup probably meets no one's definition of
'audiophile', it was cost effective. The AT1502s and the MG3.5s are all
circa 1998 and still going strong.
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diego;605305 Wrote:
> Uh, no offense was meant... however, I use a brain switch off mod,
> reduces load significantly and makes me happy :-)
LOL! Let's have the script, please!
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gharris999'
Ugh. http://www.nytimes.com/projects/magazine/ideas/2009/#g-2
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e in the MBR and one in the living room) to control
everything.
Oh yes, and a Boom for listening on the porch.
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Yes, this seems to have completely fixed the excessive degaussing
"burps" for me. Thanks!
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View th
ables
to using a Jensen ISO-MAX PC-2XR and have liked the results:
transporter xlr to PC-2XR to ATI AT1502 power amp to Magnepan MG3.5s.
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totally fail to detect pre-emphasis?
Edit: Oops. Sorry. Should have read the whole thread.
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re upgrading to the nightly
> builds?
Did you try clearing your browser's cache? That usually fixes web
interface problems for me without having to do any uninstalling, etc.
I'm running today's 7.1 svn code with no major web interf
232, but I'd be happy to collect that, if it was, and if
that would be helpful.
BTW: I almost never actually use the knob on my transporter. It's
still way-cool, though.
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onnected, networked via wire.
SqueezeCenter:
SqueezeCenter Version: 7.1 - TRUNK @ UNKNOWN - Red Hat - EN - utf8
Running from svn code, v19498 on a Fedora 8 box.
Library: 99.% flacs with embedded cues.
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----
g
Hey. Nice rugs!
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performance. That same training is capable
of absolutely killing the individual's chance of actually enjoying a
recording. I'll take the ability to enjoy the joie de vivre of a
performance over the ability to identify where
ingly
out of tune from just intonation.
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is where the black-art stuff
comes in, and it's a matter of taste (and hearing) as to how flat to
make the bass and how sharp to make the treble. In that case, you can
be listening way up the list of partials to find a match or,
ming out of the
transporter disappoints you, then by all means take advantage of
SlimDevices' return policy.
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Did you try restarting the server / service?
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t;
> Have a look at your player to see what I mean "All Albums"
>
> MC
That's exactly how I'm selecting my music these days with the web
interface. It would be REAL nice to see that implemented in the jive
ui.
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How about a mailto link?
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f I hear a glitch in the rip, then I too
fire up EAC.
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__
And yet, isn't most western classical music all about the creation,
denial and ultimate fulfillment of expectation? (E.g. Mozart "works"
for us because he is so clever at setting up multiple layers of "ahas!"
for us.)
To me, this poses something of a paradox.
--
ghar
the performance totally enjoyable.
So, for me, the lesson is not only about the empathy and emotional
connection between the musician and the music, but also about the
empathy and emotional connection between the listener and the musician,
too.
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gharris999
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atas that I've got (John Ogdon,
Ashkenazy, Håkon Austbø, Marta Deyanova, Ronald Smith, Jenny Lin)
Ashkenazy's are the only recordings of the last 3 sonatas that I can
stand to listen to at the moment.
But I'll take your advice and try to pick up some more recordings by
Kond
n the '60s, no? How about something a
little more modern: Järvi, Mackerras, Zinman? That said, a quick SC
search of my library for "Kondrashin" shows an obvious hole. Thanks
for the pointer.
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ghar
;m happy I have this CD.
But I'm realizing that this is my only recording of this repertoire.
Is there another recording you would recommend?
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This is Sunday-morning laziness talking:
Is there an easy flac command line to perform that down sampling?
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wn catalog of recordings. It's got to be better
for the artists than just giving their stuff away to Naxos.
What I'd really like to see, I suppose, would be a distribution
clearing-house (online, retail, download) for all the hundreds of
classical artists and ensemble
OK, I've talked myself into giving it a try. I'm downloading the
"Allegri's Miserere & Palestrina's Missa Papae Marcelli" at Studio
Master Pro FLAC 24bit 96kHz right now.
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-----
icult for me to image you lowering your
prices given the state of the USD. We're already getting a discount.
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View this th
PhilNYC is right on this. If your flac file contains more than one
track (i.e. the flac file contains a cuesheet) then your flac gets
transcoded "flac to flac" by slimserver and "intra-track" FF && RW is
not
Burrrn works perfectly for me: http://www.burrrn.net/
...and, it's free!
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ailable
these are now, though.
http://froogle.google.com/froogle?q=Sonic+Impact+T-Amp&hl=en&btnG=Search+Froogle
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7;m using it now to control my Transporter from a couple of SB3s.
Works great!
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Am I missing something? Does iTunes support FLAC now? Or are you guys
talking about embedded cover art for ALAC files?
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e. We'll see if some kind soul
takes pity on us.
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The sources for the modified MetaFlac are available at the HydrogenAudio
link above. I think it ought to be pretty straight forward to compile a
mac version. Also, the souce to the base64 encoding utility is
available at the gharris999 link above. Again, I think that code is
pretty portable
[EMAIL PROTECTED];140485 Wrote:
> Gharris999, how do you do this embedding trick, again?[/color]
Slimserver understands jpgs embedded into FLACs in a COVERART tag if
they are base64 encoded. About a year ago, Aurorix, a participant on
the HydrogenAudio forums, wrote a modification to MetaF
se too. It's
sisyphusian, man.
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___
d: http://forums.slimdevices.com/attachment.php?attachmentid=1768|
+-------+
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Will do. The UPS tracking page tells me that my Transporter is "OUT FOR
DELIVERY" right now.
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e seen wire the XLR pins 1 (ground) and 3
(-audio) to the sleeve on the RCA connector. However, my DAC1 manual
recommends just leaving pin 3 unconnected to avoid "very high levels of
distortion." What is the prefered method for the Tran
e to pick up a not too expensive SACD player (e.g. Marantz SA8260
or Denon DVD-2910) and run its digital out into the Transporter's
digital in? If I eliminate my pre-amp by going straight to the amp from
the Transporter, can the Transporter, in effect, be used as a DAC and
pre-amp for the SA
http://tinyurl.com/9h3l9
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lanced XLR analog ouputs on the DAC1
simultaneously? I have two amps (ATI 1502s) that I want to drive.
For now, I'll keep the pre-amp in place as a simple way to compare and
contrast the SB's internal DAC vs. the DAC1 vs. a modified Art DI/O.
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----
$ than that $1000 DAC.
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ART DI/O DAC. So far, its hard to qualify the
difference between the ART and the internal DAC in the SB2. Im very
happy listening to the SB2 analogue out.
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