I have not got a clue whether this is where I should be asking this
question. But here goes.
Please let me know if this should posted elsewhere.
I have a very simple question: I am trying to add a second line to the
song I am writing. I can get the second line to appear, but the first
line pl
Sorry! I just realized that for whatever reason I didn't send this
email. Here it is, finally.
Kevin Dalley schrieb:
> You also need to describe where to attach the stems. A few sentences
> on this would be nice for the documentation.
Sure. There are two special variables called 'charwx' and 'c
2007/4/12, Mike Blackstock <[EMAIL PROTECTED]>:
I've installed the Nutch search engine software
(http://lucene.apache.org/nutch/)
on my site and use it to crawl and index websites that have good
repositories of
scores; finding a particular score is faster than searching via
the major search engi
Greetings -
I'm running LilyPond 2.10.16 under WinXP SP2.
The default for a hairpin set to end at the first note after a bar line
is to end the hairpin at the barline. I'd like the hairpin to extend
past the barline, to the note where the "\!" is. I've been able to
change this by using a skip not
Ed Ardzinski <[EMAIL PROTECTED]> wrote on Thu,
Apr 12, 2007 at 07:41:52PM +:
> As primarily a bass player I realize that bass parts are
> written an octave higher than they actually are to avoid
> too many ledger lines below the staff. Having never really
> had to read guitar music in standar
When I've been scoring things out for bass and guitar I've found that I often
have to alter the octave that one part is in. As primarily a bass player I
realize that bass parts are written an octave higher than they actually are to
avoid too many ledger lines below the staff. Having never real
Sorry, I forgot to expand the tabs:
\version "2.10.0"
<<
\chords { g2:7 c g:7 c g:7 c:maj7 g:7.9.13 c:6.9 }
\relative c'' {
#(set-octavation 1)
2^\markup \fret-diagram-terse #"x;x;5;7;6;7;"
^\markup \fret-diagram-terse #"x;x;5-(;5;5-);8;"
^\markup \fret-diagram-terse #"x;10;
I use lilypond to adapt music for small guitar ensembles and finding
scores to adapt online saves me a trip to the library.
I've installed the Nutch search engine software
(http://lucene.apache.org/nutch/)
on my site and use it to crawl and index websites that have good
repositories of
scores
Hello,
this is my first post at lilypond-user. I am using lilypond since a
few days and there are some minor problems I could not solve yet:
I am trying to print four V-I progressions for an article on my
homepage:
\version "2.10.0"
<<
\chords { g2:7 c g:7 c g:7 c:maj7 g:7.9.13 c:6.9 }
2007/4/12, Stuart Pullinger <[EMAIL PROTECTED]>:
In conclusion: SVG provide an alternative to PDF which may be more
future-proof provided that you are prepared for patchy support in
current browsers.
...and provided that multi-pages SVG support is not yet really
available, which makes it rathe
On Sat, 7 Apr 2007 16:40:01 -0400
"Jason Merrill" <[EMAIL PROTECTED]> wrote:
> So far, the best option was suggested by Tom: a tool called PDFtoMusic
> Pro that converts PDF scores into MusicXML. The pros are that it is
> available right now, and that it presumably works. Downsides are that
> it
On Thu, Apr 12, 2007 at 12:41:54PM +0200, Mats Bengtsson wrote:
> As you can notice at the chart of all available scripts in the section
> on "Articulation",
> some articulations stay close to the note head, whereas others always
> are typeset
> above/below the stave. The staff-padding property i
On Thu, Apr 12, 2007 at 12:59:48PM +0200, Mats Bengtsson wrote:
> Dmytro O. Redchuk wrote:
> >To be short:
> >measures 2 and 4 should be identical, shouldn't they?
> >(i mean "11" in 2nd should be positioned like "1" in 4th,
> >with the same staff-padding)
> >
> >But they are not.
>
Dmytro O. Redchuk wrote:
To be short:
measures 2 and 4 should be identical, shouldn't they?
(i mean "11" in 2nd should be positioned like "1" in 4th,
with the same staff-padding)
But they are not.
Probably, it should be so -- but I don't know why, that's why i'm
asking
As you can notice at the chart of all available scripts in the section
on "Articulation",
some articulations stay close to the note head, whereas others always
are typeset
above/below the stave. The staff-padding property is only in effect for the
articulations that always are typeset outside th
Hello,
manual says that articultaions' position can be controlled by Script's
parameters, but i can not manage to do so.
Please, take a look:
% -
\version "2.10.20"
\relative c' {
\stemDown
%
% This "\override
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