There's no problem with 2.11.41. What version are you using?
Ceers,
- Graham
On Wed, 5 Mar 2008 22:56:29 -0800
"David Fedoruk" <[EMAIL PROTECTED]> wrote:
> Hello:
>
> It seems when ever I use a grouping like this:
>
> \time 2/4 \acciaccatura d8 4 \times 4/5 { d'16[ b af f
> d] } |
>
> T
Hello:
It seems when ever I use a grouping like this:
\time 2/4 \acciaccatura d8 4 \times 4/5 { d'16[ b af f d] } |
The bar check sees that as 9/20 the score I'm working with has a
quarter note and acciacatura and a 5 gouping which *should* be 5 16th
in the time of 4 making one quarter
Sorry about the bad PDF. I had FTP'd it in text mode.
I have fixed the original PDF:
http://www.nerstrand.net/8lpf.pdf
And put all the files together into one .ly file for ease of viewing:
http://www.nerstrand.net/barexample.ly
And for good measure posted the PDF from the barexample.ly file:
ht
hello list,
i'm a beginner at lilypond, i know enough to enter music in a simple
way. i still don't know enough of the language to try elaborate tweaks,
but i find that usually lilypond is smart enough to produce good output
for music that's not too complex.
but i suspect that automatic beaming
Hugo Flordal wrote:
On Tue, 4 Mar 2008, Hans Aberg wrote:
On 4 Mar 2008, at 13:20, Hugo Flordal wrote:
The problem is that you want to beam differently than
implied by the time signature you want to write. So you
want to beam in what might be described as 8 =
(1+1)+(1+1)+(1+1)+(1+1),
Well,
i just would like to move the note to the right, if possible, moving just
one note, fixing all the others and music structure!
Mats Bengtsson-4 wrote:
>
> The question is if you want to move the note to the right or if you want
> to decrease the distance from the note to the bar line.
>
sdfgsdhdshd wrote:
Is it possible to write the Clef, key and tempo only at the beginning of the
first system of each score?
Certainly! Just turn off printing of these objects somewhere
after the first note (but of course before the next line break).
For example, it should work do add the fol
Is it possible to write the Clef, key and tempo only at the beginning of the
first system of each score?
--
View this message in context:
http://www.nabble.com/Clef%2C-key-and-tempo-only-at-beginning-of-first-system--tp15861066p15861066.html
Sent from the Gnu - Lilypond - User mailing list archi
2008/3/5, Kieren MacMillan <[EMAIL PROTECTED]>:
> If not, I second Chris's suggestion to avoid GIMP, in favour of a
> vector-based application.
Inkscape is free and can directly open .ps files generated by LilyPond :)
http://www.inkscape.org/
Cheers,
Valentin
___
Hi Matthieu,
I'd like to add some little details to finalize a score, it would
be a bit
too hard for me to do this with lily so I had the idea to import
the pdf in
the GIMP and then add the final touch.
I used to do the same thing: I would open the Lilypond-generated
PostScript file in I
Hi, Matthieu,
I'd like to add some little details to finalize a score, it would be a bit
too hard for me to do this with lily so I had the idea to import the pdf in
the GIMP and then add the final touch.
I don't have the knowledge to comment about the font issue, but I do
have a suggestion ab
On Tue, 2008-03-04 at 13:57 -0800, Zenith wrote:
> A stupide question!
There are no stupid questions...
> I just would like to move the last notes a bit more to the end(aproach to
> the bar)
>
> here is a piece of code of the melody:
>
> 8\<\( \!
> \times 2/3 { \f \)} \override Scri
The question is if you want to move the note to the right or if you want
to decrease the distance from the note to the bar line.
In the former case, read the last lines of section "Horizontal spacing
overview"
in the manual. In the latter case, you may rather want to play with scaling
the durati
Hi Bert,
I would say that in C-minor (if the harmonic structure, context etc
is C-minor) I would not use Fb, but E,
because the flat version of IV grade seems very strange for me,
while the neutralized version of III grade is common.
If it's a C-minor chord, and the trill is on degree III
I would say that in C-minor (if the harmonic structure, context etc is
C-minor) I would not use Fb, but E, because the flat version of IV
grade seems very strange for me, while the neutralized version of III
grade is common.
Kieren MacMillan wrote:
Hi Maarten,
A generic question:
* If the
A stupide question!
I just would like to move the last notes a bit more to the end(aproach to
the bar) as it can be seem in the fotolog below
http://www.fotolog.com/lilypondstudent/45749639
here is a piece of code of the melody:
8\<\( \!
\times 2/3 { \f \)} \override Script #'padding
A stupide question!
I just would like to move the last notes a bit more to the end(aproach to
the bar) as it can be seem in the fotolog below
http://www.fotolog.com/lilypondstudent/45749639
here is a piece of code of the melody:
8\<\( \!
\times 2/3 { \f \)} \override Script #'padding
Hi Maarten,
A generic question:
* If the key is C-minor, and I want a trill on (midinotes) D# and
E, what would the correct trill notes be?
Depends on the context -- i.e., which note is the "fundamental" and
which is the "embellishment", as well as the underlying harmonic
structure (chor
Hi,
A generic question:
* If the key is C-minor, and I want a trill on (midinotes) D# and E, what
would the correct trill notes be?
Es E (neutral)
-or-
Es Fes
* Will amateur players and professional players both agree on one method?
* Is the correct method suitable for each instrument? Or are
Hi,
I'd like to add some little details to finalize a score, it would be a bit
too hard for me to do this with lily so I had the idea to import the pdf in
the GIMP and then add the final touch.
It seems I can use the fonts but an object is often called with a something
like "clefs.G" (it's just
2008/3/4, Steve Dunlop <[EMAIL PROTECTED]>:
> http://www.nerstrand.net/8lpf.pdf
I cannot open your pdf :(
> I'm posting the whole thing because the overall spacing situation seems
> to be contributing to the problem.
Could you please put all of it in a single file, and maybe post it on the lis
Oops. I used a wrong bug list address. Sorry.
On 05/03/2008, Risto Vääräniemi wrote:
> I noticed that version 2.11.41 produces a different "padding" between
> the instrument name and the staff depending if I use instrumentName or
> shortInstrumentName. The behaviour has changed somewhere after
Dear All,
I noticed that version 2.11.41 produces a different "padding" between
the instrument name and the staff depending if I use instrumentName or
shortInstrumentName. The behaviour has changed somewhere after .39
where the spacing was still OK. I haven't tested it on .40.
-Risto
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