I just tried something out which may fill this requirement
as discussed recently. It presently involves using additional
software to Lilypond.
The PDF specification allows for file attachments within
PDF files from version 1.3 onwards. The original .ly file
can be attached within the LP pdf output
Ed Ardzinski hotmail.com> writes:
>
>
> LP's default name for d:13 is "9 add 13". Thinking about it,
it IS a logical name, just not what I've been
taught and learned about music theory here in the USA.
Perhaps European convention uses that
nomenclature?
--
a1:13^9.7
d1:9^7
gi
gio fastwebnet.it> writes:
>
> Hello everybody,
> I'm trying to change the font used to print the chord names, this is the
>
> I tried using the 'markup' command but I've get no results... can you
> help me?? Thanks! Bye!
>
> Giordano
>
Hi Giordano,
I routinely do this.. I put
{
Mats Bengtsson ee.kth.se> writes:
>
> One solution is to add a slur to an invisible note. You can use scaled note
> durations to avoid changing the rhythm, see the following example.
>
> \version "2.10.0"
> \relative c' \repeat volta 2 { c d e f }
> \alternative{{ g f e d4*1/2 ( \hideNotes b4
Does anyone have a suggestion for making a slur which returns
from notes at the end of a repeat back to notes at the
beginning of the repeat?
The ends should look like a slur which spans a line break,
i.e. the start of the slur ends at the double bar lines,
the end of the slur comes in at the b
I am having the following problem - any suggestions would be
appreciated
I cannot make a slur from the E grace note at the start of the
second bar go to the F#, it goes to the A in all the four
examples I tried below. As you can see, I have tried to think
laterally, but without success so far...
Dominic Neumann dominicneumann.de> writes:
>
> Hi,I´m quite new to lilypond but I´m already fascinated.
I want to layout a whole songbook with about
200 songs. Until now I worked with Sibelius and now I´m
thinking of typesetting that songbook with
lilypond. But there are some things to consi
