Re: Tremolo/Ledger/Slur Collision

On 13-10-02 12:22 PM, EdBeesley wrote: See example: Gould states that tremolo lines should sit within the stave so as to not be confused with ledger lines. Code used to generate this was 1:32 ~ | :32 Should I repost

Re: Tremolo/Ledger/Slur Collision

EdBeesleywrote: temporary fix very welcome You can move force the vertical position like this: \override StemTremolo #'Y-offset = #-2 Cheers, Robin ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinf

Tremolo/Ledger/Slur Collision

ry fix very welcome -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tremolo-Ledger-Slur-Collision-tp151753.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Avoiding slur collision with other voice

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On Montag, 6. April 2009 09:38:42 Mark Polesky wrote: > Trevor Daniels wrote: > > The 'slurs' in the hand-written score look as if they are > > really triplet indicators, with the '3' omitted from the > > later ones. > > Trevor is right to discriminate

Re: Avoiding slur collision with other voice

Trevor Daniels wrote: > The 'slurs' in the hand-written score look as if they are > really triplet indicators, with the '3' omitted from the > later ones. Trevor is right to discriminate between slurs and tuplet indicators. Ted Ross (1970) discusses the use of the small slur but makes clear that

Re: Avoiding slur collision with other voice

gt;> | } } Trevor - Original Message - From: "Helge Kruse" To: Sent: Sunday, April 05, 2009 1:47 PM Subject: Re: Avoiding slur collision with other voice Forgotten sample file attached... Helge Helge Kruse wrote: Hello, with help by Trevor I got forward a lot with

Re: Avoiding slur collision with other voice

To get the output by the sample, I would conceptualise this slightly differently. First, there's no need to keep on writing \times 2/3 {} every time. Lilypond can make that easier for you. Secondly, since a) in the orginal it's done this way and b) it's clear by the musical pattern, I would

Re: Avoiding slur collision with other voice

Forgotten sample file attached... Helge Helge Kruse wrote: Hello, with help by Trevor I got forward a lot with my scores. Currently I still have a little issue with slurs. The original score, that I want to mimic, has slurs _above_ the noteheads: http://dj1na.gmxhome.de/pg-0009.JPG Lilypo

Avoiding slur collision with other voice

Hello, with help by Trevor I got forward a lot with my scores. Currently I still have a little issue with slurs. The original score, that I want to mimic, has slurs _above_ the noteheads: http://dj1na.gmxhome.de/pg-0009.JPG Lilypond puts the slurs below the beams per default. This can be con

Re: Slur collision

You could do something like << {d8 [g d a']} \\ {\once \override Tie #'extra-offset = #'(0 . -0.5) e!2~} >> << {d8 [g d a']} \\ {e2} >> /Mats Tomasz Bojczuk wrote: Hi How to remove slur collision with notes in this example ?? <<

Re: Slur collision

I get somewhat different output actually, but with the same collision problem. My best solution so far is to change the tie to a slur. Probably if you do this you should tweak whatever slur property determines how far the slur is from the notes, so it'll look more like a tie. \version "2.8.0" \r

Slur collision

Hi How to remove slur collision with notes in this example ?? << {d8 [g d a']} \\ {e!2~} >> << {d8 [g d a']} \\ {e2} >> I've just recomended Lilypond for important peoples :-), so please help me. Regards Tomasz <>

FW: tweaking Articulation grobs - fermata / Slur collision

Pete Wrote: >> As you will see, my fermata collides with a slur and a tie. I would >> like to raise the fermata slightly, as is easily possible with other> >> grobs (ex. BarNumber and the padding parameter). >> >> As best as I can determine, the fermata is not really a grob, but >> part of the

tweaking Articulation grobs - fermata / Slur collision

[EMAIL PROTECTED] writes: > A recent lurker, first-time poster writes: > > Dear Han-Wen and Jan, > > First, thank you for writing such a wonderful program, and so > generously making it available. The lilypond output is truly > beautiful, and I haven't found any commercial software which can > ri

tweaking Articulation grobs - fermata / Slur collision

A recent lurker, first-time poster writes: Dear Han-Wen and Jan, First, thank you for writing such a wonderful program, and so generously making it available. The lilypond output is truly beautiful, and I haven't found any commercial software which can rival lilypond or your lovely feta font.