I record with an electret condensor mike and if I switch to the low mike
sensitivity setting, it records fine on my Sony R30.
Danilo Godec wrote:
>
> On Mon, 17 Sep 2001, J. Coon wrote:
>
> > It isn't the mike that overloads. THe R70 doesn't have a mike
> > sensitivity switch so the R70 over
On Mon, 17 Sep 2001, J. Coon wrote:
> It isn't the mike that overloads. THe R70 doesn't have a mike
> sensitivity switch so the R70 overloads. You should still be able to
> record just fine by manually setting the record level lower, but you
> will have problems if you want to use the automatic
It isn't the mike that overloads. THe R70 doesn't have a mike
sensitivity switch so the R70 overloads. You should still be able to
record just fine by manually setting the record level lower, but you
will have problems if you want to use the automatic record level
function that is the default re
What's the best way to go for mics on this model?For recordings at clubs?
I'm thinking sound professionels split mics with the battery modulator
Evidently the littel sony t mic or the electret stereo mics overload. Am I
right on this...?
Any responses on or off list would be superb!
__
On Wed, 12 Apr 2000, Al Kohout wrote:
Hi,
> Does a MZR37 or MZR 50 require a mic to have its own power?
No. Almost all portable MD provide power to the mic connection,
which is intended for use with powered mics (they use to be more sensitive
than the non-powered ones). But, if
, January 29, 2000 7:32 AM
To: Minidisc mail-list
Subject: Re: MD: Mics
>Sure, the mike doesn't care. Just make a battery box, plug them mike into
a
>jack on one end, put a cord and plug on the other end and plug it into the
>line input. The mike doesn't care where the power co
>Sure, the mike doesn't care. Just make a battery box, plug them mike into
a
>jack on one end, put a cord and plug on the other end and plug it into the
>line input. The mike doesn't care where the power comes from. This way
>youcan use it with or with out the battery box and use the plug in
> > Ah, so this is what was happening when I recorded a concert a few
months
> > ago. It was my first attempt at recording in a very noisy venue, and the
bass
> > was overwhelming!
> >
> > So would I do to fix this problem on future recordings?
>
> Use a power source for the mics other than t
Sure, the mike doesn't care. Just make a battery box, plug them mike into a
jack on one end, put a cord and plug on the other end and plug it into the
line input. The mike doesn't care where the power comes from. This way
youcan use it with or with out the battery box and use the plug in powe
In a message dated 1/28/00 2:48:35 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
> Use a power source for the mics other than the "plug in power" (like a
> battery
> box) and use the line input instead of the mic input.
Can you retrofit an existing mike to use a battery box?
Thanks,
C
Hi Jason,
> I was going to buy a Soundprofessional AT 853 mic soon. I've heard this is a great
>sounding mic, but would >this also be the solution to the clipping problem? Also, is
>this one of the best for recording loud indoor >(and outdoor) gigs
I would suggest looking into Core Sound mics
Hello:
[EMAIL PROTECTED] wrote:
> In a message dated 1/26/00 7:51:43 PM Central Standard Time,
> [EMAIL PROTECTED] writes:
>
> /|\/|\ Right. It could also be caused by "brick walling" the mic input, where
> the signal coming into the mic input is so high that it is completely
> distorted. No ad
They don't likely want you pluggin in because they need all the channels on
the board they use, and an extra minidisc, if someone else doesn't know
that's in charge, would likely be a pain. Just one more thing the sound guy
would have to worry about, that's all.
At 10:08 AM 1/27/00 +1100, you wro
~Zach <[EMAIL PROTECTED]> wrote:
> /|\/|\ Right. It could also be caused by "brick walling" the mic input, where
> the signal coming into the mic input is so high that it is completely
> distorted. No adjustment of the recording level (automatically or manually)
> will fix this problem. /|\/|
ithin 20db of
being as loud as the concert. And at the concert, it did not hurt my ears.
-- Martin
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of J. Coon
Sent: Wednesday, January 26, 2000 8:05 PM
To: [EMAIL PROTECTED]
Subject: Re: MD: Mics
When you record
Jason,
I have recorded loud indoor and outdoor concerts with the SP AT853 mikes (I
was right in front of a speaker tower at an outdoor concert) and only had
problems with clipping when I set the record volume too high on my Sharp 702
the first time I recorded with it (outside). Once I learned to
In a message dated 1/26/00 7:51:43 PM Central Standard Time,
[EMAIL PROTECTED] writes:
/|\/|\ Right. It could also be caused by "brick walling" the mic input, where
the signal coming into the mic input is so high that it is completely
distorted. No adjustment of the recording level (automatic
Hello:
Lynch, Jason JD wrote:
> Yowdy,
>
> The other night i recorded my first live gig on my MD. The sound guy wouldn't let me
>plug into the desk, even though the band requested it. Luckily i took along my mic.
>It was given to me as a gift by minidiscweb, due to the fact that i' requested
When you record loud gigs, you should put the Sony in manual record level instead of
auto level. When you see the signal level at the top, it will clip no matter what
mike you are using. Put it in manual and set it lower, it probably isn't the mike
that is doing the clipping, but the record
From: Lynch, Jason JD <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 26, 2000 11:08 PM
Subject: MD: Mics
>
> Yowdy,
>
> The other night i recorded my first live gig on my MD. The sound guy
wouldn't let me plug into the desk, even though the band requested it.
Luckily i too
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