Yes, there is ... I screwed up. I intended to post an adjusted version and
it looks like I didn't. Thanks for catching that, Boris.
But y'know, going back now and comparing the two side by side, I'm not sure
if I don't like the tilted one a little better. It has a "softer" quality
to me.
Shel
Hi!
SB> Here's another from our day at the San Francisco Museum of Modern Art. I
SB> don't know if it needs a title, but a few crossed my mind ... anyway,
SB> regardless of what it's called, maybe you'll find it interesting or worthy
SB> of a second look
SB> http://home.earthlink.net/~sbelinkof
She's not holding a bowl, Sylwek, just walking out of the museum, out of
the frame.
I was wondering how many people would notice her, if I should have made the
photograph so she'd be more obvious, but that, I think, might have
detracted from the mood.
Well, glad you finally saw her ;-)) Thanks!
on 18.06.04 15:09, Shel Belinkoff at [EMAIL PROTECTED] wrote:
> The photo is very tightly framed and cropped. How exactly you would crop
> it? Why do you want to see more of the man? What would more of his body
> add to the photograph? If you crop out some of the space above him, you
> will los
The photo is very tightly framed and cropped. How exactly you would crop
it? Why do you want to see more of the man? What would more of his body
add to the photograph? If you crop out some of the space above him, you
will lose some or all of the woman. How do you reconcile that? Maybe you
didn'
Hi,
> Here's another from our day at the San Francisco Museum of Modern Art. I
> don't know if it needs a title, but a few crossed my mind ... anyway,
> regardless of what it's called, maybe you'll find it interesting or worthy
> of a second look
> http://home.earthlink.net/~sbelinkoff/sfmoma2.
Here's another from our day at the San Francisco Museum of Modern Art. I
don't know if it needs a title, but a few crossed my mind ... anyway,
regardless of what it's called, maybe you'll find it interesting or worthy
of a second look
http://home.earthlink.net/~sbelinkoff/sfmoma2.html
Shel
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