> JT> For that matter, Fuji's and Konica's C-41 offerings in ISO 100, 200, and
> JT> 400 now all have the same granularity - RMS 4. There's getting to be
> JT> less and less reason to shoot ISO 100 in C-41.
>
> How about bright sunlight with large apertures?
>
> Bruce Dayton
> -
Yes, that's a re
Joseph,
>Snip<
JT> For that matter, Fuji's and Konica's C-41 offerings in ISO 100, 200, and
JT> 400 now all have the same granularity - RMS 4. There's getting to be
JT> less and less reason to shoot ISO 100 in C-41.
How about bright sunlight with large apertures?
Bruce Dayton
-
This message is
Frits,
I think that you should probably try Fuji Reala 100 and maybe Agfa
Optima II 100. I have shot quite a bit of the Supra 100 from Kodak
but find it to be a bit too contrasty at times. When it is the right
film, it is very nice, but I am finding Fuji Reala to do a great job
overall. I even
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