Sure, Gary. I have no doubt that it can be ''most pleasant and musically
coherent'. The same could be said of Bach's violin or cello suites on
the modern guitar. But that's not the same as saying it is as good as.
Oddly, Bach's violin and cello music just doesn't sound musically
coherent on a baroque guitar - at least in my hands. But I feel I'm
missing your point. If you are saying Guerau sounds fine on a modern
guitar, well, fine. Without at all being disrespectful, the question is,
So What?

Rob


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-----Original Message-----
From: gary digman [mailto:[EMAIL PROTECTED] 
Sent: 29 September 2008 09:45
To: vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Guerau on "modern" guitar

   Dear Monica;



   In a recent exhange I pointed out that aside from the octaves on the
   4th and 5th courses on a baroque guitar tuned to play Francisco
   Guerau's music the tuning was identical to the first five strings on
a
   modern guitar and hardly reentrant. I'm sorry, I do not remember your
   exact words, but I believe the gist was that without the octaves on
the
   4th  and 5th courses Guerau's music would be unplayable or
   incomprehensible. I finally got around to playing a few passacalles
on
   a modern guitar and found the result to be most pleasant and
musically
   coherent, albeit different than the same pieces played on a baroque
   guitar.



   Gary.

   --


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