Maybe I am missing something (USA copyright law is not my area of expertise) 
but I see recent photographs of old things, which would make the photos the 
copyright of Dovie Horvitz (who is described as the person who took the 
photos). If the copyright has been assigned to the university, the university's 
website asserts copyright over things in electronic format (which seems to 
cover anything on a website!).

Sent from my iPad

> On 22 Oct 2014, at 9:13 am, Sarah Stierch <sarah.stie...@gmail.com> wrote:
> 
> Fabulous collection of images, see below. 
> Most are public domain - meaning ripe for uploading to Commons :) 
> 
> ---------- Forwarded message ----------
> From: Carol Stabile <carol.stab...@gmail.com>
> Date: Tue, Oct 21, 2014 at 4:11 PM
> Subject: fembot: Announcing a new pictorial digital women's history collection
> To: media & technology collaboration gender <fem...@lists.uoregon.edu>
> 
> 
> Thought some of you would be interested in this.
> 
> best,
> 
> Carol A. Stabile, Professor
> School of Journalism and Communication/Department of Women’s and Gender 
> Studies
> University of Oregon
> Editor, The Fembot Collective
> 
> >
> > Dear WMST-Lers
> >
> > I am pleased to announce the availability of a wonderful online collection 
> > of photographs of women’s everyday possessions in the 19th and early 20th 
> > centuries, plus numerous digitized texts (magazines, books, postcards, 
> > posters, and more) concerning women during that period. The objects and 
> > printed works themselves were amassed by Dovie Horvitz, and Illinois-based 
> > collector who hopes to find an institutional home for the entire collection 
> > some day — perhaps the presence of the photographs and digitized works will 
> > spark that interest. We hope so.
> >
> > Objects in the collection include clothing (dresses, hosiery, bustles, 
> > garters, swimwear, undergarments, aprons, and more), accessories such as 
> > shoes and boots, hats, gloves, purses, fans, handkerchiefs, furs, and 
> > parasols; menstrual and other health products; cosmetic and grooming kits, 
> > powders, and related make-up items; dresser sets (combs and brushes); 
> > curling irons and other hair care devices; perfumes; boudoir pillow covers; 
> > eye glasses; and exercise equipment. The printed matter includes numerous 
> > women’s magazines, Sunday supplement illustrations, sheet music about 
> > women, suffrage postcards, World War I and II posters, photographs of teen 
> > parties, and pamphlets about sex, health, and menstruation. Page after page 
> > of ad-filled women’s magazines, as well as packaging elements such as 
> > hairnet envelopes, hosiery, handkerchief and hat boxes, constitute an 
> > important part of the collection. Most of the material is American in 
> > origin.
> >
> > The collection seems of most immediate interest to women’s history classes, 
> > but American literature, communication arts (especially marketing), medical 
> > history, design, and other fields should also find it useful. It is also 
> > simply a pleasure to browse!
> >
> > Please pass this message along to others at your institution.
> >
> > The fully searchable and browsable  online collection homepage is 
> > athttp://digital.library.wisc.edu/1711.dl/GenderStudies.DovieHorvitz
> >
> > An article about the collection is at 
> > http://www.library.wisc.edu/news/2014/10/13/dovie-horvitz-collection-showcases-extraordinary-evolution-of-ordinary-women/
> >  .
> >
> >
> > Phyllis Holman Weisbard
> > Women's Studies Librarian Emerita
> > phwei...@wisc.edu
> 
> _______________________________________________
> fembot mailing list
> fem...@lists.uoregon.edu
> https://lists-prod.uoregon.edu/mailman/listinfo/fembot
> 
> 
> 
> -- 
> Sarah Stierch
> 
> -----
> 
> Diverse and engaging consulting for your organization.
> 
> www.sarahstierch.com
> 
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