Sailing Stones (2011) Adrian Missika
https://vimeo.com/47970856
Arrastre (2010) Nicholas Brooks
http://lightcone.org/en/film-8291-arrastre
Mediations (1979-89) Gary Hill
https://vimeo.com/5596880
Pedres (2004) Lluís de Sola
http://www.adecinema.com/adecinema/Pedres.html
On Fri, Feb 26, 2016 at
For anyone interested, Netflix is running 5 Agnes Varda tv episodes, 2012,
From Here to There, that are only available until March 8th. Catch them if
you can - they're terrific.
- Alan
==
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
Richard Serra, Hand Catching Lead, 1968
http://artforum.com/video/mode=large=25373
On Thu, Feb 25, 2016 at 12:58 PM, Gene Youngblood
wrote:
> If sand qualifies as a mineral, see Nathaniel Dorsky’s Alaya.
>
> > On Feb 25, 2016, at 1:40 PM, Peggy McShine
Sounds interesting, Pip. Like the inverse of Bill Viola’s “Sweet Light,” in
which he walks toward the camera at night wearing white clothes with someone
walking along beside him in black clothes shining a bright light on him. This
starts at some distance, so all you see is a glowing white
Hi Gene,
You'll have to search for this but Gaspard Noe made a music video in
which he walks through the forest with a handheld camera at night,
followed by someone carrying a bright light, the result is his own
shadow walking eerily through the woods. I can't find the title now
but I think
If sand qualifies as a mineral, see Nathaniel Dorsky’s Alaya.
> On Feb 25, 2016, at 1:40 PM, Peggy McShine wrote:
>
> Hello Frameworkers,
>
> I'm looking for experimental films involving minerals. Any examples?
>
> Thanks a lot,
>
> Peggy
>
Hello Frameworkers,
I'm looking for experimental films involving minerals. Any examples?
Thanks a lot,
Peggy
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http://www.tasteofcinema.com/2015/20-great-movies-that-had-major-influences-on-film-noir/
2016-02-25 16:10 GMT-04:00 Francisco Torres :
>
> https://www.google.com.pr/search?q=noir+shadows=1226=877=lnms=isch=X=0ahUKEwjm9Zuw3JPLAhVDGB4KHfjIARMQ_AUIBigB
>
> 2016-02-25 12:12
many iconic examples in night of the hunter
On 2/25/2016 10:24 AM, Gene Youngblood wrote:
Friends, following the success of my 360-degree query, here’s one more: films
with Expressionist-style large shadows, such as the sewer in the Third Man or
Noirs like The Big Combo. I need shadows of
Friends, following the success of my 360-degree query, here’s one more: films
with Expressionist-style large shadows, such as the sewer in the Third Man or
Noirs like The Big Combo. I need shadows of whole human figures as well as
hands (as in Nosferatu).
Are the moving shadows of objects in Blue Velvet any help?
Sent from my BlackBerry 10 smartphone on the Rogers network.
Original Message
From: Gene Youngblood
Sent: Thursday, February 25, 2016 10:24
To: Frameworks Listserv
Reply To: Experimental Film Discussion List
Subject: [Frameworks] Big
I agree with you, Mark. After watching the "Shoot Shoot Shoot" version last
night in a hall with a wonderful sound system, I could only think of the fire
bombing of Dresden, which is curious because London, obviously, knows these
sounds as well. That Dresden must be the reference; and even if
I believe the title is also a reference to the bombing of Dresden in World War
II, and the qualities of the soundtrack suggest this also. Its remarkable how
much this soundtrack varies according to the projector it is shown on.
As Nicky Hamlyn stated, the soundtrack was offset after being made
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