[Frameworks] Fred Camper review of Chicago's Onion City Experimental Film and Video Fest

http://www.chicagoreader.com/chicago/onion-city-experimental-film-video-festival-avant-garde/Content?oid=21280707 Wisdh I was back in Chicago! Chuck Kleinhans ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

Re: [Frameworks] (nostalgia) versions...

According to my count, all of the narrations begin 5 seconds (up to 4 frames at 24fps, less in most cases) before the next image appears, with one second of black between the burnt and the "raw." > But Segal is so wrong: no narration begins 15 to 20 seconds *after* the next > photograph

Re: [Frameworks] (nostalgia) versions...

But Segal is so wrong: no narration begins 15 to 20 seconds *after* the next photograph appears; they all begin before. That's not a precision problem; that's a version problem. At least I think so. She can't have made this kind of mistake, no? But now I have Premiere open and I'm measuring

Re: [Frameworks] (nostalgia) versions...

I don’t think there are two distinct versions. I suspect (though to be honest I haven’t used a stop watch to time it) that Shira may be ascribing a precision to the film which it in fact lacks—though the ascription is entirely understandable since, as a foundational ‘structural film’ using a

Re: [Frameworks] (nostalgia) versions...

But is the Treasures version the one Segal describes, and is that the, um, authorized version? And is the one on the Odyssey collection, which Brand worked on too, authorized as well? Are there two distinct versions circulating? I just had that Treasures comp in my hands, but I returned it to

Re: [Frameworks] It's Liquid Fees

First hit on the interwebs for Luca Cursi. http://badartbad.blogspot.ca/2007/12/luca-curci-and-artexpo-scam.html On Fri, Mar 4, 2016 at 2:26 PM, Esorp wrote: > I seem to recall running into his name years ago and having had similar > suspicions about the arrangement. On that

[Frameworks] "Dance from the Past" Video posted to You Tube

Hi, I just posted a new video on YouTube at https://youtu.be/ZEt3IZ_TkaY In December of last year, my cousin Steven Golos sent me a DVD containing family home movies from the late 1930s. I immediately started integrating this material into my live performances and eventually decided to work

[Frameworks] It's Liquid Fees

Has anyone seen this call for work: It's Liquid Experimental Art? Apparently, the curator (Luca Cursi) wants 500 Euroes to screen a film if it is selected: Artists interested in taking part in our shows, are free to be sponsored and supported by institutions, organizations, governments

Re: [Frameworks] (nostalgia) versions...

The transfer on the Treasures IV set was supervised by the inimitable Mr Bill Brand, who knows the films intimately, and also has helped supervise restorations and digital mastering of numerous other Frampton films. Mark T On Fri, Mar 4, 2016 at 10:22 AM, Ken Eisenstein

[Frameworks] (nostalgia) versions...

Having checked with the usual suspects, I'm at a loss to explain the discrepancy between the version of (nostalgia) on the 2012 Criterion disk and the version described by a few folks, one being Shari Segal, who in a 2005 essay entitled From the Private to the Public" writes: > Each voice-over

Re: [Frameworks] 16mm film equipment Atlanta GA

Hi Ben, I have a pair of rewinds with longs shafts and friction drags. I need to sell them so contact me off site domi...@cinemod.net On Thu, Mar 3, 2016 at 11:53 AM, wrote: > Hey, > I am starting production on my first feature film soon and I was wondering > if