Hi Peter,
On Thursday, 25 April 2024 09:44:56 EDT Peter Mayes wrote:
> What I want is for the second movement, on the second page, to have
> slightly increased vertical spacing between staves. (It has 32nd and
> even a few 64th notes, and just looks a little "bunched up" to my eyes.)
>
> I can
Hi Richard,
On 2024-Apr-17 06:45, rich...@oneill-griffiths.net wrote:
Hi, I’ve been using the Anglican chant template to set items for our choir and
I’ve just a note spacing problem with one chant (Walford Davies) last quarter.
How do I address the note spacing for the B/C clash in the 3^rd
Hi Walt,
On 4/11/24 13:11, Walt North wrote:
> Hello, I would appreciate some help with this music function.
>
> The end goal is have a define function produce a glissando after a
> note going either up or down to undetermined second note. For
> example a guitar slide down off the note.
If I'm
Hi Dirck,
On Fri, Apr 5, 2024 at 5:36 PM Dirck Nagy wrote:
> Hello Michael!
>
> First of all, thank you for your patience! I don't have much computer
> code experience, so i apologize if i am asking questions that are obvious
> to most others.
>
> This custom header looks like the most
Hi Dirck,
On Thu, Apr 4, 2024 at 11:49 PM Dirck Nagy wrote:
> Hi Lilypond
>
> What are my options for indicating scordatura such as the png image at the
> bottom of this email?
>
If this is something that you'll be doing on a regular (or even
semi-regular) basis I'd consider defining a custom
Hi Lucas,
> On Mar 12, 2024, at 7:00 PM, Lucas Cavalcanti
wrote:
>
> >
>> > Hello. I've been thinking about Lilypond's usage on parts: for one
>> musician (for example, the singer singing the melody) I'd like to give them
>> a score containing voltas using the repeat and volta commands; for
Hi John,
On Tue, Mar 12, 2024 at 11:51 PM John Helly wrote:
> Aloha.
>
> Here's an MWE to exhibit the issue.
>
> I have a flat note (bes) that I want to transpose down 4 half-tones to
> F#. However, when the transpose is applied, the result is Gb. I
> understand that a flat note was the
Hi David,
On Wed, Mar 6, 2024 at 10:00 AM David Wells <
drwells.mailingl...@fastmail.com> wrote:
> Hi,
>
> I'm working on typesetting some chants with two lines per staff and the
> resulting barlines are too tall. Tiny example:
>
%< snip >%
> Here, I expect the barlines to be the same height as
Hi Matt,
On Wed, Feb 21, 2024 at 10:53 AM Matthew Pierce
wrote:
> Hello all,
>
> For hairpin positioning within a whole note, the Manual gives the syntax
>
> \relative {
> \after 2 \< c'1
> }
>
> Is there an effective \after syntax for hairpin positioning within
> NON-whole notes, such as
Hi Stefan,
On Tue, Feb 20, 2024 at 9:49 AM Stefan Thomas
wrote:
> Dear community,
> is it possible to display the dynamics, also haipins and other things like
> crescendo etc., in coulour?
> Could someone could give me a hint?
>
Sure can. Most (if not all) grobs have a color property that can
Hi there,
On Sat, Jan 27, 2024 at 6:35 AM Silvain Dupertuis <
silvain-dupert...@bluewin.ch> wrote:
> *Sorry for my question in French on an English-speaking forum... here is
> an Englsh version*
>
> Hello,
> Is there a way to automatically repeat the verse numbers on each line
> when it is
Hi Kevin,
On Tue, Jan 23, 2024 at 8:06 PM Kevin Pye wrote:
> For the first time in many years of using Lilypond, I have a need to add a
> footnote to some music. One thing puzzles me:
>
> As is traditional in all texts, Lilypond places a horizontal line above
> the footnotes, separating them
On Mon, Jan 22, 2024 at 9:33 AM Jacopo Greco d'Alceo
wrote:
> How can I simply write a bpm in floating number in lilypond (e.g.*♩ =
> 90.86 ) *?
> It seems that \tempo accept only integers.
> thanks
>
You can do pretty much any markup with the \tempo command. Two ways you can
do this are
Hi Sebastien,
On Sat, Jan 13, 2024 at 11:17 AM Sebastien Richard
wrote:
> Hi all,
>
> I've been struggling with this for a long time without getting close to
> any solution.
>
> How can I use the Segno & Coda from LilyJazz in the example below ?
>
To clarify, you want just the segno and coda
Hi there,
On Thu, Jan 11, 2024 at 5:49 AM Eef Weenink wrote:
> \new FiguredBass \with { implicitBassFigures = #'(0) }
>
> %{if I set the implicitBass to 5, or other number, it works for the
> whole passage%}
>
> \figuremode {
>
> \set figuredBassAlterationDirection = #RIGHT
>
Hi Kris,
On Mon, Aug 28, 2023 at 4:44 AM Kris Van Bruwaene wrote:
> (Lilypond version 2.24.1, Guile 2.2).
>
> What is the easiest way to put a big number (e.g. font size 4 bold) in
> the upper left or right corner of a score? In previous versions I used to
> manage this with a double header,
Hi Werner,
On Thu, Dec 14, 2023 at 12:03 AM Werner LEMBERG wrote:
>
> Walking through some unanswered e-mails of mine I stumbled across this
> one, asked in October.
>
> https://lists.gnu.org/archive/html/lilypond-user/2023-10/msg00222.html
>
> > How can I make LilyPond display the actual
Hi Paul,
On Wed, Dec 13, 2023 at 10:36 AM Paul Scott wrote:
> How do I put text (molto) inside a hairpin? I didn't see it in snippets
> or NR.
>
Found this in the Snippets:
http://lilypond.org/doc/v2.25/Documentation/snippets/expressive-marks_003a-center-text-below-hairpin-dynamics
--
Hi Seb,
On Wed, Dec 13, 2023 at 11:00 AM Sebastien Richard
wrote:
> Hello,
>
> How can I hide a note inside a drum score ? I tried following the doc here
> *https://lilypond.org/doc/v2.23/Documentation/notation/visibility-of-objects
>
Hi Stef,
On Sat, Dec 9, 2023 at 11:07 PM Stefano Antonelli <
santone...@algosolutions.com> wrote:
> Any other options for getting the header block from an included file?
>
I don't know if this'll be directly usable in your use case, but I do
something like this with most of the music I
Hi Kevin,
On Fri, Dec 8, 2023 at 11:31 PM Kevin Pye wrote:
> What silly mistake am I making here?
>
Not all that silly. Though the docs do talk about putting lyrics into the
same repeat structure as the music, there's one detail in
Hi Paul,
On Mon, Dec 4, 2023 at 6:56 AM Paul Hodges wrote:
> I don't know where in the documentation the difference in behaviour
> between \skip1 and "" as opposed to _ is explained.
>
It isn't much of an explanation, but in
Hi Paul,
On Mon, Dec 4, 2023 at 3:52 AM Paul Hodges wrote:
> In the middle lyric, the first word is justified because the following
> skip (_ in this case) defines a melisma. But I actually simply want there
> to be no immediately following word - this arises with multiple verses and
>
Hi Kevin,
On Mon, Nov 27, 2023 at 7:43 AM Kevin Cole wrote:
> Thanks. Not sure how I missed that in my search... That seems the best
> answer -- though, alas, the MIDI arpeggiator cannot take advantage of it.
> (I may be able to suss that out "the hard way" manually though.)
>
Sorry, but MIDI
Hi Kevin,
On Sun, Nov 26, 2023 at 7:38 PM Kevin Cole wrote:
> I'm looking at a pice of music that shows an arpeggio between two
> dotted half-notes in one voice and a quarter-note in the other voice.
> Specifically, in the wee snippet below, the first e4 in the first
> voice is at the top of
Hi,
On Fri, Nov 24, 2023 at 9:25 AM YTG 123 wrote:
> Hello,
>
> I have alternative versions of lyrics text, which I would like to export
> in different files (or \book blocks). The music, order of staves, etc.
> is identical.
>
> Ideally, I would want to do this as cleanly and with as little
Hi David,
On Thu, Nov 23, 2023 at 7:10 PM bobr...@centrum.is
wrote:
> I have a quartet piece with a recitative type section in one part. The
> other parts play, essentially, punctuation. The "solo" part is
> rhythmically complex enough that having it on the accompanying parts would
> make it
Hi Ralph,
On Thu, Nov 23, 2023 at 11:26 AM Ralph Palmer
wrote:
> Greetings, All -
>
> As ever, I'm grateful (Thankful, given it's Thanksgiving Day where I live)
> for LilyPond and for the help the other users give to each other. I used to
> give more help myself than I do now, mostly because
Hi Johannes,
On Thu, Nov 23, 2023 at 10:37 AM Johannes Keller
wrote:
> thank you! I tried this, but got "fatal error: compiled without
> CAIRO_BACKEND". Does this mean that I need to compile Lilypond myself,
> or is there an easier way? I work on Arch Linux, using the official
> "lilypond"
Hi there,
On Tue, Nov 21, 2023 at 10:03 AM wrote:
> How to place (ooo -- oo o -- ooo --) verse to first (r1) rest and (uu --
> u -- uu) to (g'4 fis' g')?
>
Something like this, as in?
\version "2.24.3"
globals = {
\key f \major
\time 2/1
}
musicOne = {
e'4. e'8 e'4 e' e'2 e'4 r |
Hi Alasdair,
On Fri, Nov 17, 2023 at 9:28 AM Alasdair McAndrew wrote:
> I'm typesetting some 16th century music which has a lot of time changes.
> And I'd like to add equivalences of notes across bar-lines, to indicate for
> example, that a quarter note in one bar is equal in time to a half
Hi Johannes,
On Sun, Nov 12, 2023 at 11:44 AM Johannes Roeßler wrote:
> Hi Michael,
>
> doesn't work well with a choirstaff though..
>
No, it doesn't, does it. I missed the part in your original post where you
mentioned the choir staff bit. With a GrandStaff the span bar counts as a
single
Hi Johannes,
On Sun, Nov 12, 2023 at 11:01 AM Johannes Roeßler wrote:
> Hi all,
>
> I managed to place a fermata above a barline, I even managed to place it
> correctly at the end of the line, but now I would like to place a fermata
> sign below the barline (and rotate it 180°) too (in the
Hi Alasdair,
On Sun, Nov 12, 2023 at 8:47 AM Alasdair McAndrew wrote:
> How can I force each score with a book to have a last ragged bottom, and
> each score beginning on a new page?
>
Might try putting each score into a \bookpart section. When I put multiple
scores into a single PDF that's
Hi David,
On Sun, Nov 12, 2023 at 7:18 AM bobr...@centrum.is
wrote:
> I have the following in my \paper block. I want to eliminate the page
> number on page 1. I have 'print-first-page-number = ##f' but the
> oddHeaderMarkup is overriding it. Is there a way around this? Some sort of
>
Hi Stu,
On Fri, Nov 10, 2023 at 11:18 AM Stu McKenzie wrote:
> Thank you, Michael, for the working example.
>
You're quite welcome.
It seems that additional combinations of defineBarLine were added in
> version 2.25.
> I downloaded version 2.25.9 and found that adding break resulted in
>
Hi there,
On Wed, Nov 8, 2023 at 7:21 PM Stu McKenzie wrote:
>
> I'd like to differentiate between two repeat voltas in a score by using
> 2 different start and end bar types.
>
> The following bar types are already defined in LilyPond:
> Score.startRepeatBarType = #"[|:"
>
Hi David,
On Thu, Nov 9, 2023 at 10:47 AM bobr...@centrum.is
wrote:
> I have a page of music but it is a bit short on the page. I remember a
> long time ago that there was something involving padding (I think) as well
> as some opposing function that, when combined, would space out the systems
On Thu, Nov 2, 2023 at 9:43 AM N. Andrew Walsh
wrote:
> Another question: is it possible to set the key signature for the two
> "alternate" sections to be different? I know I can hide one, but is it
> possible for different voices to have/display key signatures that are
> independent of one
On Thu, Nov 2, 2023 at 7:11 AM N. Andrew Walsh
wrote:
> One question: you add some extra padding between the two variants with an
> \override; is there a way to do the same thing for modifying the padding
> between two PianoStaff groups (but not change the staff-staff spacing
> within each of
On Wed, Nov 1, 2023 at 10:59 AM N. Andrew Walsh
wrote:
> Hi List,
>
Hi Andrew,
> I have a client who's written a piece where he wants the last 16 bars to
> have two different variations, to be freely chosen by the performer. Sort
> of a choose-your-own-adventure score. It's scored for two
On Tue, Oct 31, 2023 at 2:04 AM Paul Scott wrote:
> How I change the font size of a segno in a \repeat segno structure?
>
You'll want https://lilypond.org/doc/v2.25/Documentation/internals/segnomark
for the details, but the short version is it's a score level override of
SegnoMark.font-size
--
On Mon, Oct 30, 2023 at 9:57 AM Pierre-Luc Gauthier <
p.luc.gauth...@gmail.com> wrote:
> Hello there,
>
> Please let this not be a duplicate.
>
> Is there a way for the tacet staff to be shown *only* when all the other
> staves are empty ? Manual intervention is not a viable option here.
>
If I
On Tue, Oct 24, 2023 at 2:50 AM YUKI wrote:
> Hello,
>
Hi there.
> I'm working on a violin part score, and I want to make thinner ledger
> lines just for cue notes. I've tried using ledger-line-thickness but it
> seems that will affect the whole staff and normal size notes. Are there any
>
Hi Graham,
On Sat, Oct 21, 2023 at 9:48 AM Graham King wrote:
> In the following MWE, is it possible to put a small markup above each
> ambitus to signify the voice to which the ambitus belongs?
>
> I'm just failing to see where to attach ^\markup { foo }
>
I couldn't find a place to directly
Hi Vlad,
On Fri, Oct 13, 2023 at 6:02 AM Volodymyr Prokopyuk <
volodymyrprokop...@gmail.com> wrote:
> I'd like to create a *music function* for convenience to be used like \after
> 4. { \udTurn \sharp \natural } g=''2 a8 g f e |
>
> How do I create a music function for this purpose? I've tried
On Wed, Sep 27, 2023 at 12:59 PM Knute Snortum wrote:
> On Tue, Sep 26, 2023 at 11:25 PM Michael Werner
> wrote:
>
>> Hi Knute,
>>
>> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>>
>>> TL;DR
>>> How do I engrave an alternating ti
Hi Knute,
On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
> TL;DR
> How do I engrave an alternating time signature and an initial cue clef?
>
> Scriabin has a prelude where he has written a time signature as
> alternating 5/8 and 4/8 time. After the initial one, no other time
> signatures
On Sat, Aug 26, 2023 at 8:45 AM samarutuk wrote:
> Hello,
>
> I have been looking for a long time for a way to automatically annotate
> slide positions or fingerings for brass instruments below or above the
> notes. There have been one or two requests for this, but never a complete
> solution,
On Sat, Aug 26, 2023 at 8:45 AM JacquelineUkulele-Guitar Grant <
jackiemusicgr...@hotmail.com> wrote:
> Hi All
>
Hi Jacqueline,
> I am new to this Lilipond user help group, I aplopgize if I am breaking
> any rules are guideline.
>
> I have been use Lilypond for a few year, even though I do not
Hi Joseph,
On Mon, Aug 21, 2023 at 8:08 PM Joseph Srednicki
wrote:
> Hello:
>
> When coding organ pieces, I want the registration to appear following the
> header.
>
> In the following example, I inserted the registration in a markup block
> before the score block. When Lilypond renders the
Hi Kevin.
It sounds like you might be able to do want you want with rehearsal marks.
They're built into Lilypond and do pretty much what you seem to be
describing. Details at
http://lilypond.org/doc/v2.24/Documentation/notation/bars#index-rehearsal-mark
A modification of your MWE using them:
Hi Victor,
On Sat, Aug 5, 2023 at 7:12 PM Viktor Mastoridis <
viktor.mastori...@gmail.com> wrote:
> Hello,
>
> I have been using the syntax below for several years; the last code update
> I did was in December 2022, and it worked well since.
> Today I noticed that I can't get the sharp/flat note
Hi Knute,
On Thu, Jun 1, 2023 at 11:37 AM Knute Snortum wrote:
> I'm interested in how you apply a marcato articulation to a group of
> notes. For example, this doesn't work:
>
> \version "2.24.1"
>
> { c''8 8 {8 8 8}-^ 8 8 8 }
>
I found
https://lsr.di.unimi.it/LSR/Snippet?id=82
which seems
Hi Luca,
I'm still trying to learn more about Scheme myself, but I managed to come
up with an adaptation of that snippet that seems to work. There's probably
a better way to do this, but here goes:
circleB =
\once \override NoteHead.stencil =
#(lambda (grob)
(let* ((note (ly:note-head::print
Hi Jeff,
To say I'm no expert in Scheme is a vast understatement. However, I think I
found the answer to this one. Or, at least, something that seems to make
this code work for me here.
On Mon, May 1, 2023 at 1:00 AM Jeff Olson wrote:
%< snip >%
> Here's my code (small if not minimal):
>
>
Hi David,
Looks like what you want is \overrideTimeSignatureSettings
Details on how it works can be found at
http://lilypond.org/doc/v2.25/Documentation/notation/time-signature#index-_005coverrideTimeSignatureSettings
But a basic example is as follows:
\version "2.25.4"
\new Staff = "main" {
Hi Michael,
On Sun, Apr 16, 2023 at 5:00 AM Michael Dietz
wrote:
> Hi Lilypond users,
>
> I had an issue with a file which repeatedly crashed my computer. It took
> all memory. The error is clearly on the user’s side: I had this line in
> a file (let’s say) choir.ly:
>
> \include choir.ly
>
>
Hi John,
On Sat, Apr 15, 2023 at 7:03 AM John McWilliam
wrote:
> Hi,
>
> The enclosed attachment illustrates a Coda including a
> line break, however:
>
>
Well, actually it's illustrating two entirely separate scores that happen
to be on the same page. The two \score blocks make
Hi Leo,
On Fri, Mar 24, 2023 at 7:59 PM Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> wrote:
> The problem with that solution is that it changes all Scripts, including
> all articulations.
A very good point. That's what I get for trying to do too many things at
the same time. :)
Hi Laurie,
On Fri, Mar 24, 2023 at 7:19 PM savage.laurie
wrote:
> I think the issue might be that I am using explicit \coda and \segno
> commands and your example uses the new \repeat segno form which will be too
> complex in the specific big band chart I'm editing. It's about 160 bars
> long
Hi Laurie,
On Fri, Mar 24, 2023 at 10:56 AM Laurie Savage
wrote:
> Hi,
>
> I put this in my layout block
>
> \context {
> \Score
> \override CodaMark.color = #red
> \override SegnoMark.color = #red
> \override SectionLabel.color = #red
> \override
Hi Thomas -
On Tue, Mar 21, 2023 at 3:28 PM Thomas Widmann wrote:
> Hello,
>
> I'm trying to produce banjo tablatures similar to the ones seen here: <
> https://eligilbertbanjo.com/wp-content/uploads/2021/01/30-Days-of-Banjo.pdf
> >
>
> In general it's working well, but I seem unable to get the
Hi Laurie -
On Mon, Mar 20, 2023 at 6:11 PM Laurie Savage
wrote:
> Good morning,
>
> I am preparing charts and want my Coda/Segno symbols and section labels to
> all be red. I can do this via the \markup \with-color #red in each case but
> is there a global default I can set in my JazzStyle.ily
Hi Richard:
On Tue, Feb 28, 2023 at 12:53 PM Richard Shann
wrote:
> In a complex score with a DynamicsStaff placed above the music for
> markups and another below for the dynamics an unusually large space
> opened up below the music and above the dynamics.
> I pared the complex score down to
On Sun, Feb 26, 2023 at 4:15 AM bobr...@centrum.is
wrote:
>
> How does one set the default to a specific directory?
>
Hi David.
If you go into Edit -> Preferences -> General Preferences in the right hand
pane is the Sessions and Files section containing 3 tabs: New Documents,
Saving, and
On Fri, Feb 17, 2023 at 5:07 AM David Kastrup wrote:
> Michael Werner writes:
>
> >
> > For some reason Lilypond complained if I left out the right-edge
> > entry.
>
> It is not that you left out the right-edge entry, it is that you removed
> it. The w
Hi Joei.
On Fri, Feb 17, 2023 at 5:03 AM Johannes Roeßler wrote:
> Hi Michael,
>
> I tried to tweak what you sent - I need it in the opposite way, moving the
> sign to the left - in the internal reference it might be "direction"?
>
Nope. Just remove the negative from the number. Negative moves
Hi Joei.
Checking the Internals Reference (
http://lilypond.org/doc/v2.25/Documentation/internals/breathingsign )
there's an alist for the BreathingSign that contains spacing. Looks like
the next-note one is what you might be looking for. I gave it a whirl here
with these results:
music =
Hi Evan -
Just above the section you linked to is a bit titled "Changing text and
spanner styles for text dynamics" that seems to be what you're asking about.
Short version:
\set crescendoText = \markup { \italic { molto cresc } }
\set crescendoSpanner = #'text
should be either what you're
On Fri, Feb 10, 2023 at 9:49 AM Johannes Roeßler wrote:
> thx to both Michaels :)
>
> looks like an idea, but when I compile your source, I get a little drift
> between
> "diminuendo" and "poco"
>
> Best regards
> Johannes
>
Huh. I hadn't noticed that when I was testing it here. But now I go
On Fri, Feb 10, 2023 at 9:21 AM Johannes Roeßler wrote:
> Hi Group,
>
> I would like to align markups above my staff - I checked the page
> regarding vertical spacing and found
>
> "\override TextScript.outside-staff-padding = #3" but this just raised all
> markups but still unaligned
>
>
The docs you want to refer to this for would be:
http://lilypond.org/doc/v2.24/Documentation/notation/flexible-vertical-spacing-paper-variables#list-of-flexible-vertical-spacing-paper-variables
Specifically, you want the system-system-spacing The docs explain in fair
detail how those settings get
On Mon, Feb 6, 2023 at 11:44 PM Jeff Kopmanis wrote:
> I've found that when I put chords in my score, it's printing them *below* the
> staff rather than above, as usual. Things are normal if I'm not building a
> score, but I'm wondering why this is happening. I've included my (big) .ly
>
On Tue, Jan 31, 2023 at 9:49 PM Ahanu Banerjee
wrote:
> That's certainly an interesting approach. Reminds me of the old SCORE
> system. But unless I misunderstood your suggestion, it becomes rather
> inconvenient and inefficient for larger scores, particularly if changes
> have to be made to the
On Tue, Jan 31, 2023 at 9:41 PM Michael Werner wrote:
> ...
> \version "2.24.0"
> \language "english"
>
> music = { g8 g g g }
> upArticulation = { g8 g-\upbow g g }
> downArticulation = { g8 g-\upbow g g }
>
> <<
> \new Dynamics
Hi Ahanu,
I would split things out into some variables, and put the articulations
into separate contexts. I find it makes things much easier to keep track
of. For example:
\version "2.24.0"
\language "english"
music = { g8 g g g }
upArticulation = { g8 g-\upbow g g }
downArticulation = { g8
I've done a number of scores where I'm having extra stanzas of lyrics added
either directly after the last staff of music, or, more frequently, on a
separate page. Either way, I use the \string-lines command. It has the
advantage of accepting an entire paragraph, and going along with the
existing
Once I added an include for articulate.ly it compiles just fine here.
\version "2.24.0"
\language "deutsch"
\include "articulate.ly"
acctest = {\time 6/8
\relative c' {
d8 e f g a \acciaccatura c h}}
\score {
\articulate
\acctest
\layout{}
\midi{}
}
results in:
\override Hairpin.height = #0.4
} { c4\p c-\markup sostenuto c c c\< c c c\! }
and get just the dynamics.
On Tue, Jan 3, 2023 at 9:48 AM Michael Werner wrote:
> Hi Mark,
>
> Looks like Hairpins have their own sizing properties. A full list is at
> http://lilypon
Hi Mark,
Looks like Hairpins have their own sizing properties. A full list is at
http://lilypond.org/doc/v2.24/Documentation/internals/hairpin but in this
case looks like height is probably the one you want used something like
this:
\version "2.24.0"
\relative c'' {
<<
\new Staff \with {
Hi WIlliam. Maybe give this a shot:
\version "2.24.0"
\score {
\new PianoStaff
<<
\set PianoStaff.systemStartDelimiterHierarchy
= #'(SystemStartBar (SystemStartBrace a (b)))
\new Staff \relative c' {c8 des ees f g a b c } % right hand
\new Staff \relative c' {bes8 aes fis c
I'm also on Ubuntu here (well, to be a bit more precise I'm using the
KUbuntu distro, but should be close enough). I tried your command and had
it fail. But, when I altered it just a bit it worked. All I had to do was
specify the full path to the convert.ly file, like this:
find . -name '*.ly'
Resending to include the list ... oops.
Something like this, perhaps?
\version "2.23.82"
\relative {
\clef treble
\key c \minor
\time 2/4
\tuplet 3/2 { g'16[( aes \set stemRightBeamCount = #1 g) } \set
stemLeftBeamCount = #1 fis g] a8 b |
}
On Wed, Dec 14, 2022 at 10:42 AM Volodymyr
Yup. And now that you've got the basics from the Learning Manual it's time
to go have a look at the Notation Reference for the more detailed look.
Specifically
http://lilypond.org/doc/v2.23/Documentation/notation/multiple-voices
There's a whole lot of documentation - like, lots and lots and even
Hi Martin.
Well, I'm still pretty new to Lilypond but I have done some handbell
music. I don't play them myself - my mother is the musician while I'm her
tech support, I guess would be the way to phrase it. My approach with
the more complex pieces her group was doing was to generate a somewhat
So far I've only tried 2.23.80 on a few simple scores, but so far
everything is working as expected. These are simple lap dulcimer and
tin whistle scores that I initially made with 2.22.0, then 2.22.1,
thru 2.22.2, transitioned to 2.23.14, and then to 2.23.80.
The only (very slight) issue I've
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