yes, but bauhaus became ikea - a cheap imitation of the original...out.bond
----- Original Message -----
From: "darw_n" <[EMAIL PROTECTED]>
To: "Cyclone Wehner" <[EMAIL PROTECTED]>; "313 Detroit"
<313@hyperreal.org>
Sent: Friday, September 29, 2000 5:21 AM
Subject: Re: [313] Swedish Techno


> >Also it's not material that
> > you can listen to in different environments necessarily, like on a
walkman
> > in the tram/bus.
>
>
> I disagree...
>
>
> > Also I doubt if anyone aside from a
> > trainspotter could recognise or name a track by either those guys or
> > Christian Smith - it's very anonymous.
>
> I state that this is the utter beauty of it!!  Why have an identifiable
> artist?  Also, the fact that its raw and so undefined allows so much more
> room for the listener to project out onto, the Jaguar and other melodic
> tracks are, of coarse, amazing in there own right, but the listener has
very
> little freedom as to what to feel, the track tells them pretty much
exactly
> how to feel, (notice for kicks and giggles, I'm not mentioning my own
theory
> by name, but none the less, this is the very appeal I was talking about a
> minute ago).  I find the some of the real innovation of that "Swedish"
> techno and this rhythmically orientated scene for the most part is that
the
> listener has as much, if not more, autonomy as the artist, minimalism
> really, Bauhaus in structure, for the image and recognition of the artist
as
> a revered entity is completely unnecessary for the listener...
>
> I think Beyer and Company found an important key, and I hold no grudges
for
> them making a prolific list of very similar tracks, for since melody is
> gone, and their tracks operate on "effect", then why be drastic from
change
> to change, subtlety is all that is needed for the listener to be free...
>
>
> darw_n
>
> "create, demonstrate, toneshift..."
> http://www.mp3.com/darw_n
> http://www.sphereproductions.com/topic/Darwin.html
> http://www.mannequinodd.com
>
>
>
>
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