Given a choice I'd rather hear his 69 stuff more than anything else so I guess 
that's a good thing since its my personal favorite of his.

He was wearing those masks at DEMF last year I think.  I remember looking down 
there from the Detroit stage where I was at most of the time. 

Sent from my iPhone

On Apr 8, 2012, at 8:48 AM, Benn Glazier <b...@glzr.info> wrote:

> I caught Carl play in London on Thursday night. 
> 
> A late venue change due to a stabbing at a BlackBerry party at the previous 
> venue meant we were now at the Coronet at Elephant & Castle. For anyone who 
> doesn't know this space, it's generally used as a live venue. An old theatre, 
> it's quite a large space, and this meant that the gig lost a fair amount of 
> the intimacy that I was expecting.
> 
> Playing live as 69, he performed in three different masks. First up was 
> something that looked a cross between the Scream ghost mask and a hockey 
> mask, second was Medico Della Peste mask, a Venetian mask that was most 
> memorable as the long beak mask from Eyes Wide Shut. Last was the sad clown 
> or Pierrot. And then at the end he lost the mask 'revealing his identity'.
> 
> Not really sure what that had to do with the music, it wasn't as if he played 
> in 3 (or 4) parts.
> 
> Music was predominantly 69 with some sounds that sounded like a nod to 
> Paperclip People.
> 
> I can remember he played:
> My Machines
> Rushed
> Sound On Sound
> Poi et Pas
> Ladies & Gentleman
> Desire (well a weird version that featured the beats reworked a little 
> without the strings)
> 
> Not sure whether Carl likes to play longer when he plays live, but 1 hour 
> felt short.  I thoroughly enjoyed it, but it was really a retrospective at 
> the end of the day. Considering he's not released any new music as 69 for 18 
> odd years apart from some reworkings, I was a little perplexed as to why he 
> was doing gigs as 69 today. 
> 
> Also, interesting crowd. Was very young but I guess it's kinda cool to think 
> that there were quite a few in the crowd enjoying sounds that were produced 
> before they were born. They were into it though, the floor was full when he 
> started and remained that way. 
> 
> Latest darling of the electronic set, Maya Jane Coles played after Carl, and 
> whilst most people I spoke to said they were attending the gig for her, she 
> was boring, flat and didn't get out of 2nd gear. After an hour or so I 
> left... which was a shame as Efdemin was playing, but not until 5.15 so I 
> doubt I was going to stay that late anyway!
> 
> BG
> 
> -- 
> Benn Glazier
> b...@glzr.info
> www.BennGlazier.com
> www.twitter.com/BennGlazier
> www.facebook.com/BennGlazierPhotography
> +44 (0) 7714 3000 18
> 
> 

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