I suppose that shouldn't be a surprise to me, but I didn't know. That makes some sense though. It seems almost impossible for most people to make money making music these days.
It would have been great to be a producer during the 90's. I bought a lot of vinyl then too. It's remarkable how limited a lot of electro vinyl releases would seem to be currently. It looks like releases of just 100-250 records for even the most well known artists. Good releases have some rarity, yet demand is not what it was either. On Fri, 20 Mar 2015, at 06:32 AM, Philip McGarva wrote: > > On 20/03/2015 16:02, 313-digest-h...@hyperreal.org wrote: > > I'd go further and offer commercial rights to remix projects. The > > details of that would need to be discussed but in principle I would > > welcome commercial remixes that were authorised by me and I would not > > expect a share of royalties. I've no idea if that sort of arrangement > > exists already, but folk in the business should be able to figure it out > > if there's an interest. > Steve > > No royalties IS the business arrangement :^(
