Hi guys, Yeah i flew down to the Melbourne gig with Mills and May…. It rocked. Up in my top 5 gigs of all time. Mills was solid and he controlled the Orchestra. With May the Orchestra was more just playing his track. So it didn’t seem as if he has the same control as Mills did. Either way Mays section was REALLY good…. All his stuff worked really well. Icon was killer…. In fact i won’t start listing tracks as they all worked. He had 2 opera singers chiming in on a few tracks and it worked really well. Crows was into it and up and dancing for the majority. Sound wasn’t too loud but was solid. Amazon, Icon and the strings of the strings of life were probably my highlights. The Bells seemed a little dull in comparison to last time i heard it with Mills in Melbourne a few years back. Anyway - yeah…. Top 5 for me :) Ed
> On 1 Feb 2016, at 1:55 PM, 313-digest-h...@hyperreal.org wrote: > > > 313 Digest 1 Feb 2016 02:55:41 -0000 Issue 4325 > > Topics (messages 105371 through 105372) > > Re: The Plan - Plan A > 105371 by: jwan allen > > Any reports on Mills, May & Melbourne Symphony? > 105372 by: Patrick Wacher > > Administrivia: > > To subscribe to the digest, e-mail: > 313-digest-subscr...@hyperreal.org > > To unsubscribe from the digest, e-mail: > 313-digest-unsubscr...@hyperreal.org > > To post to the list, e-mail: > 313@hyperreal.org > > > ---------------------------------------------------------------------- > > > From: jwan allen <jwan.al...@gmail.com> > Subject: Re: The Plan - Plan A > Date: 26 January 2016 at 1:42:21 AM AEDT > To: cliff thomas <polyphase...@gmail.com> > Cc: kent williams <chaircrus...@gmail.com>, list 313 <313@hyperreal.org> > > > I love the "inside techno" talk. I'll have to check this out Cliff, as > I've been late to the digital game I'm sure I'm not the only one > that's curious about unreleased gems sitting on a hard drive / DAT in > your possession. Not sure what took me so long, but dropping that USB > drive into a CDJ is music to my backs ears. So instead of 4 bags, I > take 2/3, which is still far too much music for a standard set, but > I've got problems. :) > > > Jwan > > On Sun, Jan 24, 2016 at 9:02 PM, cliff thomas <polyphase...@gmail.com> wrote: >> Well the plan isn't Mr. De' its me. This was a digital version of the >> release I put together for the mp3 website I helped Ade run at the time >> which was called Detroit Digital Vinyl. The natural condition was a track >> that was never put on a vinyl release. It was from a period quite a bit >> earlier. There is still allot of unreleased material from that project. >> There were plans to release the entire project but life gets in the way some >> times and it never really happened. It still trips me out to hear somebody >> bring up that release. >> >> On Jan 6, 2016 7:44 AM, "kent williams" <chaircrus...@gmail.com> wrote: >>> >>> I'm kind of hot & cold on Mr. De' -- the first track 8 mile is cold -- >>> it's techno at a jacked tempo, without enough variation or progression. The >>> rest of the tracks are dope, especially "The Natural Condition." which has a >>> really cool early Eevolute sound to it. >>> >>> >>> On Tue, Jan 5, 2016 at 11:39 AM Brian Prince <balis...@bprince.com> wrote: >>>> >>>> Hey all, good to see some activity here. >>>> >>>> Speaking of new music: Mr De' just posted a new EP from The Plan, and I'm >>>> really feeling the B side: >>>> >>>> http://electrofunk.com/content/product/the-plan-plan-a/ >>>> >>>> -- >>>> Brian Prince >>>> http://brianprince.bandcamp.com >>>> http://www.bprince.com > > > > -- > Technoir Audio > http://www.technoiraudio.com > "dealing with your imperfect world" > > > > > From: Patrick Wacher <pwac...@gmail.com> > Subject: Any reports on Mills, May & Melbourne Symphony? > Date: 1 February 2016 at 1:55:39 PM AEDT > To: "313@hyperreal.org" <313@hyperreal.org> > > > This one is for the Melbourne crew, > Anyone get to see Jeff & Derrick playing with the Melbourne Symphony > Orchestra on the weekend? > > Personally i'm really not a fan of the techno orchestration thang, but none > the less curious how it went down. > > Thanks, > Patrick. > >
