I do enjoy a good BC vs DC discussion and as avid collector of both i feel obliged to chime in - but yeah its funny how the latter do get some stick for 'following' the BC template.
the way i see it is that DC certainly picked up the tub techno baton but have been doing their own way long enough now to have created their own identity and sound. Certainly in recent years Rod Modell has developed this style of a murky throb out his layers of samples and percussion. On concentrated listening its very cerebral and psychadelic, more so that the more open sound of BC. I ilke the way he conjures up different moods with his palettes too….. from the icy coldness of ‘Coldest Seasons’ to the hot claustrophobia on Hash Bar Loops. Auratones from last year sits somewhere in the middle; more relaxed, shimmering and light. I also feel there is ‘soul’ to be found amongst the catalogue a few examples that i feel……. https://youtu.be/escXT1hfhvA?list=PLJfo04_AmCPpFarGsbcGOgvCoI6B27njM <https://youtu.be/escXT1hfhvA?list=PLJfo04_AmCPpFarGsbcGOgvCoI6B27njM> https://youtu.be/QDqrBAXjjTM?list=PLwMrcJeZo1-RJz4CCDpJ1gQ1Bkoc-VKHn <https://youtu.be/QDqrBAXjjTM?list=PLwMrcJeZo1-RJz4CCDpJ1gQ1Bkoc-VKHn> https://youtu.be/Mf5SMMesI14 <https://youtu.be/Mf5SMMesI14> oh btw - no idea on the trumpet sample cheers, A Andy Green 62 Ashwell Road Bygrave Herts mr.verd...@gmail.com +44 7816 373278 On 22 Jan 2019, at 19:55, Martin <mar...@dustscience.com> wrote: I’m messing about mostly Kent while a file renders. I wouldn’t really call Deepchord or BC dub in the Classic sense of dub reggae or the art of making a dub, I prefer king Tubby and scratch Perry but I can see how it got there and adopted the name. M Sent from my iPad On 22 Jan 2019, at 19:41, kent williams <chaircrus...@gmail.com <mailto:chaircrus...@gmail.com>> wrote: > Well ... I think the world is big enough for deepchord/echospace/etc to exist > alongside Basic Channel. > > They're by no means the only people inspired by the intersection of dub & > techno first put forward by Basic Channel, or the most derivative. > > What has always gotten me about their work -- and they've put out an insane > amount of music -- is that they take a lot of care in sculpting their sound. > > Your mileage may vary, of course. Their performance at DEMF in 2002 was a > peak live experience for me... > > On Tue, Jan 22, 2019 at 1:07 PM Joe Marougi <jmaro...@gmail.com > <mailto:jmaro...@gmail.com>> wrote: > Wonders if those labels/artists know what biting basic channel too hard means > :D > > On Tue, Jan 22, 2019 at 10:48 AM Martin <mar...@dustscience.com > <mailto:mar...@dustscience.com>> wrote: > (Wonders if they know what dub means) > > Sent from my iPad > > On 22 Jan 2019, at 18:42, kent williams <chaircrus...@gmail.com > <mailto:chaircrus...@gmail.com>> wrote: > >> Anyone know this track well enough to recognize the distorted horn sample? >> I am leaning towards it being something from the Burning Spear "Marcus >> Garvey" album... >> >> If you ever wanted an example of creating sampling -- this is it. It's as >> distorted and messed up as a sample can be and still be recognized. >> >> https://youtu.be/i8DKusXE1S0 <https://youtu.be/i8DKusXE1S0>
