Buy old stuff. Especially old Yamaha and Roland gear. I buy stuff that has
sounds that I like, or will allow me to create those sounds.

Take a look at my gear list on my site - http://www.geocities.com/labwerx






Kevin Conrad <[EMAIL PROTECTED]> on 03/01/2001 03:53:26 PM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] jeff [EMAIL PROTECTED]/flame bait?


I agree with Sean, I just wanted to gain some more
knowledge.  With all the equipment out there, it's
hard to tell what's flexible and what's not, except by
asking anyone and everyone and getting their opinions.
You can only spend so much time at Guitar Center
playing on a machine before they kick you out :)
  I actually try to get stuff that people don't own so
I can try to get my own sound/style molded.  But in
the end, it's the person that makes the music, not the
gear.

    Kevin


--- "Hodgson, S. R. (Sean)" <[EMAIL PROTECTED]> wrote:
> I agree, i only asked mills because I have always
> been fascinated with
> that specific sound he use's,  but that type of
> filtering and layer of
> certain effects could really help me out in
> experimenting with other
> sounds and creating new pieces of music for
> myself...Im just gaining
> more knowledge. hahaha!!!!
>
> ouch!
>
>
> tristan watkins wrote:
>
> > For the most part I agree. Why do what's been
> done? At
> > the same time, it's necessary to find gear that
> will
> > allow you the flexibility to do what you want, and
> > sometimes I think people are curious about
> acclaimed
> > producer's gear because they like the direction of
> a
> > sound rather than wanting to emulate it. And you
> need
> > to start somewhere. Most innovators don't start
> out by
> > making things in leftfield. You typically need to
> > learn the basics of what's been done then deviate
> > accordingly. If you simply try to make something
> > different without putting in the time to learn the
> > established technique it won't usually work. I'm
> the
> > prime example. ;)
> >
> > Consider yourself flamed.
> >
> > Tristan

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