If you can be bothered, you could dig out some old Mixmaster Morris mixes, he used to do it a lot. As did a mate of mine in his Stockhausen and My Bloody Valentine fusion period. Or try Spiritualized's "Take Your Time" followed by Oscillator: one I used many a moon ago at a Sunday club I used to play at to throw an expectant crowd. It's less mixing in key than picking out complementary, and usually single droning chords most of the time, though.
Jonny. > DJs who are able to mix things that are complementary tonally are generally > staying in one genre, where the tempos are fairly consistent. There > are always happy accidents, where two records pitched 10% apart fall in > the same key. > > I know a lot of tonedeaf DJs who will bring stuff in in the worst possible > clashing tonality though. ech....
