I've heard the Wink track and at the time thought it was just him doing exactly what he's done on previous successful cuts - set a pattern going, including a 'catchy' phrase, and then tweak as it goes along to build the 'intensity': see also 'How's Your Evening So Far?', that acid one he did on Strictly and several others - which I think is just repeating yourself again and again, and pretty lazy really. I hadn't made the connection with Dan Bell's track, but now he comes to mention it, I have to say I think he has a point. I don't blame Bell at all for standing up for himself. I bet Bell agonised over whether to go public on this, too: no-one wants to look like a sour whinger.
Or maybe I'm just inclined towards Bell because I've met and liked him and always liked his music too, wheras I have always been very unimpressed with Wink's work - did anyone hear his LP (there may be more, but I've only heard one)? Tosh, it was. To me, Wink is a one-trick pony. TOM --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
