CHECK THIS SH*T OUT!!!  I GOT IT FROM THE OVUM MAILING
LIST!!!!!
-sam
http://[EMAIL PROTECTED]



For Immediate Release:

I was very surprised to learn of Dan Bell's claim that
my track called 
"Superfreak" infringes on his track entitled "Phreak."
 I did not copy 
or sample his work and, apart from being of the same
genre of music, I 
don't believe the tracks are similar.  Except for Dan,
no one else has 
come to me and said that my track reminded them of
Dan's track, and 
those I know who have heard both tracks, agree with me
that the tracks are 
not similar except for the genre of music.  I seldom
sample, but when I 
do, I clear the samples and follow procedures to
ensure everything is 
legal.   My "Superfreak" track is 100% sample free.

I am very pleased that the track has promotionally
been doing well.  I 
don't know what Dan's motives are in making these
claims but it sounds 
like "sour grapes" to me.  I have known Dan for a
while and bear no ill 
will toward him.  However, I do strongly disagree with
his claim and 
his recent tactic of trying to tarnish my reputation
in the music 
industry through mass email mailings and press
releases broadcasting his 
unfounded allegations against me of copyright
infringement.  Given that Bell 
has not yet begun a lawsuit, much less won one, it is
disturbing to say 
the least that Bell would stoop to such hurtful and
unwarranted 
mudslinging against a fellow artist.  I stand behind
the integrity and 
originality of my "Superfreak" song without
reservation. 

The letter that Dan wrote to an industry publication
regarding his 
claim against me has gotten a lot of attention. 
Unfortunately for me and 
for the music community, it contains numerous
inaccuracies and false 
allegations on top of his baseless claim concerning
"Superfreak."  To 
highlight a few:

-In regard to my track "How抯 Your Evening So
Far," Dan is completely 
off base.  My label, Ovum Recordings properly sought
to clear the Lil?
Louis sample included on the track prior to the
release of my record.  
We agreed to give Lil?Louis 100% of the publishing. 
An issue arose 
with the clearance because we had been incorrectly
advised that Sony 
controlled the song for the world when it only
controlled it for North 
America.  A lengthy negotiation ensued between Sony
and London Records, 
which published the song outside North America, which
held up the release 
outside North America.  However, neither I nor Ovum
had resisted giving 
Lil?Louis proper writer credit for the song. 

- Dan implies that my track "Don抰 Laugh" mimics
his track "Losing 
Control."  However, I wrote "Don抰 Laugh" before
I ever heard "Losing 
Control." 

- Dan suggests that he originated the technique of
manipulating a 
frequency filter over a repeated vocal phrase that on
his "Losing Control" 
track released in 1995.  However, my 1993 track
entitled "How抯 the 
Music," released on Nervous Records NYC in 1994, among
others, uses that 
technique.



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