First of all the original quote was not "unfinished tracks" that's someone
else's 
interpretation.
A finished track is what sounds complete to you, whether it be DJ Tools
oriented music, minimalism, or more traditional song structure music.

on 5/20/03 9:19 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote:

>> also could it be that many producers release "infinished tracks" so that
>> the idea can be completed by the dj? justa  thought.
> 
> I thought exactly the same thing Robin, although I was a bit wary abt going
> up against the wisdom of May and Atkins - that's not meant ironically at
> all. I respect them and their opinions 100%, although I might disagree.
> 
> That point is a difficult one. A bit of a dilemma:
> 
> On the one hand part of the attraction of the music we're into *is* it's
> very 'imperfection' on any number of fronts, on sound quality; structurally;
> production. Imperfections whether intentional or unintentional can add
> almost a magical quality to a piece of music *heard in the right context*.
> The same could especially be said (imho) about Derrick May's own work - I
> mean basically, during the era in which he did his only non-collaborative
> work (no offence intended in that, it's just a fact that it was a while ago)
> electronic music sounded what could be called 'unfinished' or put more
> politely, 'minimal'.
> 
> And then there is Robin's point about the sketchiness of some productions
> being quite necessary if the music is going to be programmed with other
> tracks ...
> 
> However, I can definitely see the point about some things being quite
> patently thrown together (or seeming to be) and that point where minimal
> becomes just downright lazy, unimaginative, or dare I say it - a display of
> a *lack* of talent rather than display of talent.
> 
> It would be helpful though to know what tracks May had in mind when he made
> that statement (but of course we never will), 'cause in the last 6 months
> I've heard a great deal of quality music coming from Detroit and coming from
> everywhere. I've heard some mediocre house, techno, broken beat, etc etc
> too, but not as much good stuff - which you do have to seek out if you want
> to overwhelm what would seem like a stream (but not a deluge) of cack - that
> being a crucial point! Nothing different in that today compared to ten years
> ago. (mho.)
> 
> k

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