THE BOOK STILL SUCKS! -----Original Message----- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Monday, December 08, 2003 9:11 PM To: 313@hyperreal.org Subject: Re: (313) Book: Generation Ecstasy : Into the World of Techno and Rave Culture
---------- Original Message ---------------------------------- From: Matt MacQueen <[EMAIL PROTECTED]> >(that's what music >journo's do, i admit, and it's usually more out of their desire to >generate more ink than a true proper look at something for what it is) >just killed his earnestness and credibility for me. hmmm. ill have to disagree with you on this. the guy is obviously in it for his love of music, and most especially his love of the ever changing trends in music. i wouldnt necessarily call myself a simon reynolds fan, but i do read his blog all the time. i reccomend you find it and check it out, see that he does indeed overanalyze music in general, but for fun as opposed to money. and as far as his concentration on the "hardcore continuum", thats mostly a result of his location during specific times when music changed. if you think about it, techno and house are mostly very retro music. im not saying this in a bad way, but just observe how you can mix old disco records with old house and techno records with new house and techno records and make it sound coherent. if you try that with any number of the hardcore related genres, its pretty much not going to happen because of their high rate of change (or "progression" as some like to think of it;). >That said I haven't tried to write a book on techno, so I still can't >blame him for trying. Respect is certainly due for that. But this is >a book for people who want to get back in touch with their Inner >Raver... or see what other parts of the rave scene they missed out, >it's a book about drugs connection with the music... it's a book as >much or more focused on drugs than the music. ive always had something of a beef with the connection of dance music and drugs because im not a big drug user, but over time ive come to see the importance of drug use to dance music. to say theyre unrelated is to totally miss anything of the culture that actually made dance music come into existance. its not like people making acid house suddenly made people want to do ecstacy. the people who made it were making something that appealed to dancefloors that already were using it, as well as other drugs. >If you're looking for something >meaningful about techno music, I recommend you look elsewhere. im not sure that was the point of the book though. thats what "techno rebels" is for. his book was focused more on the UK rave culture, which is far different from the detroit and chicago cultures that surrounded techno and house. tom ________________________________________________________________ andythepooh.com