PLASTIKMAN LIVE SHOW TO UNVEIL UNPRECEDENTED TECHNOLOGIES AT MUTEK 

Windsor, ON May 13, 2004 - Up until now, Richie Hawtin and his production team 
for the Plastikman Live show at Mutek 2004 have kept a very tight lid on the 
technology being developed for the show. They have begun lifting the curtain on 
a set of technological advances that will alter the course of how electronic 
music can be performed in a live scenario. The performance will involve 
Hawtin's manipulation and control of multiple tracks of digital and analog 
audio, real time generation of a High Definition (HD) visual system, drum 
machines, synthesizers, effects and lights. 

The Show/The Festival 
The event will take place June 4, 2004 in Montreal, Canada as the opening event 
to this year's Mutek festival (www.mutek.ca). It will be the first live 
performance of Plastikman material since 1995. The performances from that era, 
Glastonbury, the Fuk tour, etc, have gone down in the annals of electronic 
music history. The Mutek performance will be the only Plastikman live in North 
America. 

The Music 
Hawtin has resampled and re-arranged all of the Plastikman material dating back 
to the first Plastikman release, Sheet One (Plus 8/Novamute) from 1993. The 
entire catalogue is going to be reworked and performed live on stage, using a 
combination of classic machines and new software to meld old and new material 
into unique improvised mixes. Working in the studio, Hawtin has experimented 
with combinations of classic Plastikman material from Musik (Plus 8/Novamute), 
Consumed (Minus/Novamute), along with the new material from Closer 
(Minus/Novamute/Paperbag). 

The Gear 
Hawtin has designed and built an entirely custom MIDI controller incorporating 
the features and power of 5 MIDI devices into one. This unit, the CTRL LIVE, 
will give Hawtin full real-time control over 128 parameters of audio, video, 
lighting, and effects simultaneously. 

For additional MIDI control, Hawtin will use an unreleased surface controller 
developed by Tactex. The units use the same technology the company developed 
for the Canadian Space Arm. 

The MIDI system will work with one Apple G5 audio computer, as well as two 
massive, industrial custom-built 3D graphics and video PCs, multiple drum 
machines, analog and digital synthesizers and a host of analog and digital 
effects units. Hawtin will mix all audio using two Allen & Heath 14x4x2 Mix 
Wizards on stage. 

The Software 
Several of the most advanced performance-software developers have created 
breakthrough features in their software for the Plastikman show. 

Ableton has created a special MIDI output feature in their nearly ubiquitous 
Live program that allows Hawtin to send detailed data to every connected 
instrument, locking every element together to a degree that had previously been 
unavailable. New features in Ableton Live also allow Hawtin to navigate his 
compositions through the CTRL LIVE device with amazing speed and dexterity. 

Toronto-based Derivative has developed a custom-designed real-time animation 
and video sequencing environment for the Plastikman performance. Using their 
Touch software, Derivative has also programmed MIDI sync modules to lock the 
visual effects to Ableton Live, as well as custom software interface for the 
CTRL LIVE control surface. 

The Images 
Touch will synthesize real-time generative High Definition (HD) quality moving 
images. The material has been developed in collaboration with an international 
team of video artists, designers and animators. Ali Mahmut Demirel, who 
directed the video for Plastikman's "Disconnect" single, based in Ankara, 
Turkey has shot hours of new material to be used in Touch. Crush Inc, based in 
Toronto, has designed 3D animations, and motion graphics. Honest, based in New 
York City has developed morphing graphics, video images and more. Jeffers Egan 
has developed real-time video environments and moving images. 


Information is available at www.plastikman.com and www.mutek.ca 
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