Hey wasn't there a 12" that came out with PUTV on one side and the one horse shy track on the other? If so then I know the track you're talking about, it's FRESH. That was the same one from 9oclock drop too yeh? I don't have it but a friend and I were listening to it the other day and when I heard the colourbox track I thought of that 12" (probably because I don't have it, records I don't own tend to haunt me). I'm pretty sure that's the one because of all the western samples. And to follow this, if that is indeed the right 12" and track, would someone with a copy want to sell it...I mean donate it to a worthy cause for young starving dj's...I mean kids? :)
Kamal K. Stoddard Turner Broadcasting Systems "Bebop was about change, about evolution. It wasn't about standing still and becoming safe. If anybody wants to keep creating they have to be about change." > -----Original Message----- > From: Matt MacQueen [mailto:[EMAIL PROTECTED] > Sent: Thursday, November 11, 2004 5:35 PM > To: Stoddard, Kamal > Cc: [email protected] > Subject: Re: (313) Anitina > > On Nov 11, 2004, at 3:21 PM, Stoddard, Kamal wrote: > > > Yo matt! I'm trippin man! nobody I know knows that MARRS > cut. I play > > it at the monthly I do and everytime I get crazy folks spotting it. > > Been a secret weapon for ages. > > hey thanks man.. yeah that is a pretty special little cut! > ... love to > hear an extended edit, nice call. That whole A.R. Kane and > Colourbox > collab. really worked. There is some other good Colourbox > stuff with just *insane* edits (Breakdown , forgot which > version, i think there are like 3 or 4 different ones). Looks > Like We're One Horse Shy is pretty great too (copious samples > of spaghetti western films taken to > absurdity, but still good music/concept). Considering > they were all > done in the late 80's with audio tape and razor blades it's a pretty > intense creation. That b-side t's just a perfect fusion of > machines > and emotion and effects.. the words i even like "i'll feed you > sugarcaaaaaaake".. i love. Always wonderd were there any other > outtakes from that recording session, and was that singing on > the track a sample from something else, or did that male > vocalist come into the studio with them? It's buried under > the guitar distortion but sounds so cool against the dope beats. > > does anyone on 313 have contacts at 4AD or can get in contact > with A.R. > Kane and find out what was up with this b-side? Definitely a 'lost > classic' in my book.. i'm thrilled other people even recognize it. > > peace > -- > Matt MacQueen > http://SonicSunset.com >
