Simon Wascher <[EMAIL PROTECTED]> writes:

> there are french baroque tempo definitions, german expressionist tempo
> definitions , tempo definitions in all languages of the world which *do*
> have their regional value. 
> It would really be extremly rigid to stuck with those oldfashioned
> classical music's set of italian  tempo descriptors which have in no way
> a consistent well defined generally accepted meaning as every
> musicologist can demonstrate.

Yes, but the whole point of Jack's original proposal was for people to
be able to define the meanings of these terms themselves, in a manner
appropriate to the music they were working with. The suggestion to
hard-code a selection of `tempo terms' (a bad one, IMHO) came from
elsewhere, quite a bit later.

Anselm
-- 
Anselm Lingnau .......................................... [EMAIL PROTECTED]
Bicycles have their proper place, and that place is under small boys delivering
evening papers.
         -- P. J. O'Rourke, *A Cool and Logical Analysis of the Bicycle Menace*

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