Em Seg 24 Out 2005 19:29, Phil Taylor escreveu:
[...]
> and you also need to specify how those stresses are distributed
> through the
> bar [3] for each possible metre.
[...]
> [3] I've never found a case where I wanted to do it, but I imagine
> there will
> be cases where the repeat length of a stress pattern might cover
> more than
> one bar.

This is the case in Brazilian samba and its African ancestors, which 
have a two-bar pattern that goes like this:

    M:2/4
    L:1/8
    |: CC C/CC/- | C/CC/- C/C/C :| % ad infinitum throughout the piece

-- 
Paulo Tibúrcio

        

        
                
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