In Hyderabad for HLF 2016, Durban-based Shakila Maharaj talks about
the importance of audio description for the visually impaired
No barriersShakila MaharajPhoto: Sangeetha Devi Dundoo
No barriersShakila MaharajPhoto: Sangeetha Devi Dundoo Do the blind
live in a world of darkness? Or is theirs an imaginary world with
visuals? Some, especially those who’ve been born blind, have stated
that their world is indeed dark and visuals are at times thrust on
them. Others, like Shakila Maharaj, one of the delegates at Hyderabad
Literary Festival 2016, talk about an imaginary world that’s far from
dark. A fourth generation Indian descent in South Africa, Shakila is
an organisational psychologist and disabilities strategist trying to
make performing arts accessible to the visually impaired through audio
description.
http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/her-world-isnt-dark/article8083382.ece
Recently, she audio described a 13-part tele-serial in South Africa,
titled Sticks and Stones .

“It was a groundbreaking event in South Africa. Wherever I have
travelled and in my own country, I saw that there isn’t enough
participation of the disabled in arts and culture. Many blind people
don’t go to the movies,” says Shakila.

The diminutive lady’s zest for life is apparent when she talks about
wanting to attend as many sessions as possible at HLF. “If I can split
myself into a million parts I would love to take in every part of the
festival,” she laughs.

Shakila met with an injury at 19, which progressively eroded her sight
and by early 20s, she was blind. She didn’t let that limit her.

Having travelled to different countries on her own, she says, “Each
country offers something that the other doesn’t. Hyderabad may not
have a brail trail for me to step out of the hotel and discover the
city on my own. But there’s no dearth of human help. I adapt according
to the country.”

As a member of South African tourism board and as a disabilities
strategist, she has visited India on several occasions, to train those
working with the visually impaired in corporate houses and NGOs and
notes, “An American friend of mine moved to India after finding the
country more receptive to the blind.”

Anju Khemani, who was instrumental in getting Shakila to be a part of
HLF, chips in, “We, in India, are more personal which the West may
consider intrusive. Many visually impaired are lonely in the West.

There is not much sound, very few people are at road crossings… Here,
you ask a question and someone on the road is bound to respond. They
may not know the art of describing, but you will get an answer.”

Talking of describing as an art, Anju adds, “You could tell a blind
person there is a chair here. Or you can say it’s a high chair with
red wood and an art work on it.” Shakila agrees, “When you describe
something, a bland imagery becomes memorable.”

When she travels, Shakila would request people to describe things for
her. “During one of my visits to America, I discovered that describing
is an art that complies with a set of standards,” she says. In 2010,
she founded Audio Describe International along with Dr. William
Rowland, an author and a pioneer in disability movements.

While Shakila was audio describing movies in South Africa, she got an
opportunity to write a film script through a grant from the provincial
KZN Film Commission.

“During the film screenings, I had interacted with many blind people.
Some of them shared their love stories and I felt it was good content
for comedy,” she says.

The story written by her is a comedy with three blind men. Shakila
weaves in a thriller element with one of the characters being shot at
and subsequently losing vision.

“The story is set in Durban. We are talking to the producers who’ve
shown interest to see how the film will come up,” she says.


Hyderabad may not have a brail trail for me to step out of the hotel
and discover the city on my own. But there’s no dearth of human help.


-- 
Avinash Shahi
Doctoral student at Centre for Law and Governance JNU

Celebrating Louis Braill birthday, Jan. 4th.

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