Kia ora ADA-ers 

You are warmly invited participation in an online forum discussion on
the topic: 
"Can Art be a ‘mediator’ between climate science and society?"

Invited particpants for the online discussion will include scientists,
curators and artists from the exhibitions; Ecomedia, (Oldenburg, 2007)
Weather Report: Art and Climate Change (Boulder, Colorado, 2007), and
The Trouble with the Weather (Sydney, 2007), Geomatics and Ecomatics
(Shanghai, 2007).  

The discussion is be hosted on the YASMIN list (the Mediterranean
Arts-Science Network) as well as our ADA list.

The concept for an online discussion was initiated by the Leonardo
magazine "Lovely Weather Art and Climate Project", currently calling for
written content.  The "Lovely Weather" Editorial committee includes
Roger Malina, Annick Bureaud, Ramon Guardans, Drew Hemment, Jacques
Mandelbrojt, Andrea Polli, John Cunningham, Janine Randerson. 
http://www.leonardo.info/isast/journal/calls/lovelyweather-call_2007.html.

I will make posts once a week to ADA for November with a compliation of
responses and it would be great to get some ADA responses as well.  

Below is the initial discussion topic statement: 
****************************************************
Can Art be a ‘mediator’ between climate science and society?

The November YASMIN-ADA discussion focuses on the relationship between
of art and climate science, within the broader framework of science-art
discourse. Art is often framed positively as a ‘mediator’ between
science and society. However, negative readings of the relationship
between climate science and art have positioned artists as
‘appropriators’ of techno-science, who simply ‘aestheticize’, or
relate to science in a ‘shallow’ way or, still worse, ‘misread’ climate
science. In recent years, Art has been widely considered elitist,
anthropocentric and unreceptive to social requirements. 

Science also has a public relations problem. In the book Making Climate
Forecasts Matter the scientists Stern and Easterling admit, “…research
addressed to questions framed by climate science is not necessarily
useful to those whom climate affects.” (Easterling, 1999: 3).  Results
from a UK poll published through The Guardian (July 2007) found that the
public are highly informed about climate change, yet they are still
skeptical about the seriousness of the threat.  The majority surveyed
believed that scientists and politicians are overstating the
anthropogenic effect on the weather. We have reached an impasse where
there is a high level of public awareness about climate change, indeed
an over saturation, yet there is no corresponding mass action or
direction. 

So how can art, science and the public reception of these knowledge
fields, overcome perceived failings and differences, and link together
productively to face an uncertain future for sustainable life? This open
provocation aims to generate perspectives from artists, scientists,
curators and the public on the following questions:

Is an emergent mode of “relational” art developing that is more
receptive to public anxieties and concerns about climate and atmospheric
pollution?  

Does climate science need art? Is the collaboration between artists and
scientists useful for both parties and for society-at-large? 

Does the ambidextrous figure of the “artist-scientist” or
“scientist-artist” become more relevant at a point of crisis like
climate change? 

What expectations do curators and artist-participants have for the
audiences of current group exhibitions such as Ecomedia, (Oldenburg,
2007) Weather Report (Boulder, 2007), and The Trouble with the Weather
(Sydney, 2007)? Are new audiences expected?

How do art projects and exhibitions function in relation to climate
activism? Are aesthetic experience and political consciousness
diametrically opposed? 

Can art influence public policy on climate change? Do we still believe
in a social imperative for artists to act politically?  
(posted by Janine Randerson, Leonardo Lovely Weather Art and Climate
Project, October 2007)  

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