>++++++++++++ please circulate + apologies for cross-posting ++++++++++++ >/ >/...we do this because noise makes us feel so much better... > >/*tiny noise tiny noise *//*tiny noise tiny >noise *//*tiny noise tiny noise *//*tiny noise >tiny noise *//*tiny noise tiny noise *//*tiny >noise tiny noise *//*tiny noise*/ > >*/tiny noise/* website has been refreshed!!!! >you'll find a cleaner look and more complete >archives. >Still at the same link *www.tinynoise.com* <http://www.tinynoise.com> > >and yes... its true, the 8th edition of tiny noise is coming up.... > >/*tiny Lisboa tiny Lisboa *//*tiny Lisboa tiny >Lisboa *//*tiny Lisboa tiny Lisboa *//*tiny >Lisboa tiny Lisboa *//*tiny Lisboa tiny Lisboa >*//*tiny Lisboa*//**//**/ > >*/tiny noise/* 008 *LISBON, PORTUGAL*, Thursday April 10th >/*tiny noise*/ 008 *LISBON, PORTUGAL*, Thursday April 10th >9pm -> 2am [free entry] >@ O Século <http://www.oseculo.net> Center for Advanced Art >*Rua de O Século, no-80-88 1200-436 Lisboa >[Bairro Alto] >MAP ><http://maps.google.com/maps?f=q&hl=en&geocode=&q=Rua+de+O+S%C3%A9culo+no-80,+1200-436+Lisboa&sll=37.0625,-95.677068&sspn=38.092988,66.533203&ie=UTF8&z=16&iwloc=addr> >*** >+ *Gigantiq* / lisbon >+ *PLAN* / lisbon >+ *EVOL* / barcelona >+ *Iana Reis* / lisbon >+ *Fernando Fadigaz* / lisbon >+ *Vidéodrome par Dominic Gagnon* / montreal >+ *Playmobil * / lisbon/barcelona > >[full artists info below and on the website <http://www.tinynoise.com>] > > >+ /*tiny noise*/ is a project by frontierlab ><http://www.frontierlab.org> + acidfake >recordings <http://www.acidfake.tk> > >/*tiny noise*/ is a nomadic open concept audio >art platform conceived by Toni Dimitrov [skopje] >and Kyd Campbell [montreal] in february 2005. It >started spontaneously as a d.i.y. experiment in >forming an independent network by using global >communication tools, personal contacts and >experiences. The idea of /*tiny noise*/ is to >spread and connect experimental, provocative and >adventurous music and sound projects at >irregular times and in diverse places. /*tiny >noise */remains open to many sound/music forms, >especially those enriched by other medias and >looks to collaborate with other open projects. >/**/ > >Basically, /*tiny noise*/ is a network and and >ongoing nomadic series of events. /*tiny noise >*/would be happy to come to your city and may >already be on the way. This is the time to meet >someone in your own city that you have never met >before! > >/*tiny noise*/ is especially effective at >getting sound artists out of their studios and >from behind their computers to make some public >noise! > >info: *tinynoise [at] gmail [dot] com* >Kyd Campbell >Toni Dimitrov > >*ARTISTS INFO : LISBON **ARTISTS INFO : LISBON >**ARTISTS INFO : LISBON **ARTISTS INFO : LISBON >**ARTISTS INFO : LISBON* > >*/Vidéodrome par Dominic Gagnon/* [montreal / canada] >+ autravailatwork.org <http://www.autravailatwork.org> >+ samples [1 ><http://www.youtube.com/watch?v=gCJmQk0GLO8>] [2 ><http://www.youtube.com/watch?v=A4NKi09992I>] >Dominic said: "Listen to this recording ><http://www.youtube.com/watch?v=gCJmQk0GLO8> >with headphones or a good sound system." >POSITIVE_TECHNOLOGY [March, 2008] >/Dominic Gagnon/ is a director, installer and >performer. He considers creation as a dicipline >of chaos. Since 1996 he has made public >presentations of moving images, sound works, >installations and has performedinternationally >in galleries, festivals and biennials. Totally >engaged with his art, Gagnon has produced more >than 10 films that have been presented >internationally. Recently he has executed >performances and interventions within the >collective Au travail / At work >(www.autravailatwork.org ><http://www.autravailatwork.org>) that he >founded. >For the realization of his projects, Dominic >Gagnon has made numerous researches and >inquiries: the decline of regional >economies(ISO), violence and identity crises >among young men(Opération Cobra), international >adoption(Anchorage), mental illness and >deviancy(Haute-Vitesse), Sado-Massochistic >practices and fetishism in popular >culture(Blockbuster History), and family in the >age of mega-entertainment(Beluga Crash Blues). >/~ translated and edited from a text by Main Film, 2007/ >*As a sound performer/ Gagnon/ works with >drawings, light and cameras in order to create >dynamic low frequency audio moments. > >**/Gigantiq - André Gonçalvez + Nuno Moita/* [lisbon / portugal] >+ myspace.com/gigantiq <http://www.myspace.com/gigantiq> >+ undotw.org <http://undotw.org/> >+ grainofsound.com <http://www.tinynoise.com/%0Dhttp://www.grainofsound.com> >+ video sample <http://www.youtube.com/watch?v=fz7gh9J-9hs> >/Gigantiq/ are the portuguese sound and visual >artists, /André Gonçalves/ and /Nuno Moita/, on >electric guitar, laptop, electronics, field >recordings and turntables. Working as /Gigantiq/ >since September of 2005 its music is made of >apparently static masses of sound. And yet it >moves. >Releases: >"Test Loops", CDR, Ristretto 2007 >"Untitled", MP3, Addenda 2006 >Compilations: >"A Few Steps From Your Shoulder", MP3, Crónica 2008 >"Mood Swings" (w/Shinjiro Yamaguchi), CDR, Flur/Filho Único 2007 > >*/EVOL /* [barcelona / spain] >+ vivapunani.org <http://vivapunani.org> >/EVOL/ is a collective computer music project by >/Roc Jiménez de Cisneros/ and others, started in >Barcelona in 1996. >In 2003, they started working on a series of >electroacoustic pieces entitled Punani, which >addresses some of the main aspects of /EVOL/'s >work, namely: algorithmic composition, noise, >diverse synthesis techniques, spectro-morphology >and the musical application of fractal geometry >and other mathematical phenomena. >/EVOL/'s work has been released on >internationally acclaimed record labels such as >Mego, Entr'acte, RSE, Lucky Kitchen, Diskono, >Scarcelight, Antifrost, fals.ch or their very >own Alku. > >*/Hyaena Reich [ Iana Reis]/* [lisbon / portugal] >+ myspace.com/hyaenaxreich <http://www.myspace.com/hyaenaxreich> >+ geocities.com/xfghv/14-bis <http://www.geocities.com/xfghv/14-bis> >/Hyaena Reich (Iana Reis)/ is a Portuguese >composer and performer. She has been developing >a body of sound work since 1996. >Her work spins around experimentation and >improvisation, involving the capture of real >life sounds and ambients, as well as improvised >and planned sound sequences with uncanny sound >sources - metal and wood objects, stones or the >exploration of sounds in spaces with specific >acoustic characteristics - being afterwards >edited and sequenced according to >soundtrack-building techniques, breaking the >borders between mere experimental music and >sound in cinematic space. >She has a background of Film Studies, Sound >Engineering and Scriptwriting taken at the >Lisbon Conservatory, is daughter of film >directors Margarida Cordeiro and António Reis, >has studied matters of improvisation, >experimentalism and musicology with Portuguese >experimental pioneers Vitor Rua and Jorge Lima >Barreto (from experimental duo Telectu) and has >fronted the solo projects Imbolc, ZLKNF and >Arraial, being also the head of experimentalist >collective Sabotage en Masse. > >*/PLAN /* [lisbon / portugal] >+ video on youtube <http://www.youtube.com/watch?v=mf1nvGsMfBc> >/PLAN/ is the artists name of turntablist Luis Alberto. Get excited. >PLAN collaborates with sound a visual artists >including : Manuel Mota, David Maranha and >Nélson Gomez > >*/Playmobil [Diana Combo]/* [lisbon / portugal , barcelona / spain] >/Playmobil/ started to work with deformed vinyl >records trying to overcome the frustration of >having an object that is not usable in a >conventional way, letting the errors printed on >the surface sound and join what is already >recorded. In this way she creates different >layers that combine into a new composition that >changes the audiences perception about the music >they are familiar with. Sometimes she tries to >control the error, hiding it and sometimes she >just manage to create a result that sounds like >there is some kind of error, when there is >none.This process involves the use of old and >deformed records or old/new records she has or >buys. She cuts and joins different pieces, burns >or adds pieces of tape onto the surface to >create patterns that superimpose themselves on >the sounds that play. > >*/Fernando Fadigaz /* [lisbon / portugal] >+ myspace.com/fadigaz <http://www.myspace.com/fadigaz> >+ variz.org <http://www.variz.org> >Fernando Fadigaz has been performing since the >end of 80's as Fernando Fadigas, FADIGAZ, >PRODUCERS and TRA$H CONVERTERS (Live and DJ set >w/Miguel Sá), WHIT (improv turntublism w/Nuno >Moita & M. Sá), BAMBI & WOLF (Live w/Miguel >Bonneville), INVADERS (AV DJ/VJ Techno set w/Dub >Video Connection) and TOLAN PLAN (Live w/Rumor) >in several Multimedia Shows, Performances, Art >Exhibitions, Festivals and Clubs in Portugal, >Spain, Northern Ireland, Germany, France, >Republic of Irland and England ... alongside >M.Sá, Nuno Bernardino, Zentex, Omar Leon, Ballet >Mecânico, Bandidos Desesperados, Orson & Welles, >Sami Koivikko, Bruno Pronsato, Portable aka >BodyCode, Donnacha Costello, Optimo, Trevor >Jackson, Krikor, Aphex Twin, Kraftwerk, >Pansonic, Kid 606, Scanner, Jan Jelinek, >Schneider TM, Rechenzentrum, DJ Olive, Modul, >Pure, Major Electrico, @C, Rafael Toral, Marco >Franco, Gigantiq, João Castro Pinto, Frank >Bretschneider, Kim Cascone, Tujiko Noriko, DAT >Politics, Nova Huta, Neoangin, Loosers, Lolly >and Brains, Sigue Sigue Sputnik... bla bla bla. > >for more info, images, booking and past edition >archives, please visit the website and get in >contact with us at [EMAIL PROTECTED] >www.tinynoise.com <http://www.tinynoise.com> > >*tiny thanks **tiny thanks **tiny thanks **tiny >thanks **tiny thanks **tiny thanks **tiny thanks >**tiny thanks **tiny thanks **tiny thanks **tiny >thanks** ** ** ** ** * >For all tiny noise events, we want to thank all >of the artists and the kind people that have >helped up find gear, space and promote. We want >to thanks all the people who came to the events. >For 008 in Lisbon we especially want to thank >Andre Gonçalvez for hosting Kyd in Lisbon and >for the big sound gear, Diana and Irena from >Oseculo for the location and artists contacts, >to Elsa Vieira from Rogue Waves for artists >contacts and support. And when we see you at the >show we will thank you too. > > >...we do this because noise makes us feel so much better... >* >if you want on or off this mailing list, please >speak now : [EMAIL PROTECTED] > >-- >+++++++++++++++++++++++++++ >Kyd Campbell >--------------------------- >[EMAIL PROTECTED] >http://www.frontierlab.org >http://www.tinynoise.com >+++++++++++++++++++++++++++ >
-- ____________________________________________________________ helen varley jamieson: creative catalyst [EMAIL PROTECTED] http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz http://www.writerfind.com/hjamieson.htm ____________________________________________________________ _______________________________________________ Ada_list mailing list [email protected] http://aotearoadigitalarts.org.nz/
