CUT / SCRATCH / PLAY
an evening of live audio/visual performance by academic staff, masters students and a visiting researcher.

Oct 22_ 5-7pm
Digital Media Design Lab
Wigan Building 4th Floor.
School of Design
Victoria University of Wellington

Grayson Cooke "Glitchcock"
“Glitchcock” is a live-mixed audio-visual improvisation, underpinned by two concepts: feed-back and back-projection. The project uses back-projection sequences from Hitchcock films, which are cut-up and re-mixed live. Concurrently, the project sets up an audio-visual feed-back loop, where the audio from the Hitchcock sequences is processed and filtered, and is then used to drive visual effects on the film footage. Thus, the visual media sequences are “glitched” by their own audio track. Bio: Grayson Cooke is an interdisciplinary scholar and digital media artist who lectures in digital media at the Bundaberg Campus of Central Queensland University. He is currently a visiting researcher in the School of English, Film, Theatre and Media Studies while on sabbatical.

Johann Nortje and Tammy Thompson
“Luminin”
Visual Music is a collaboration between Johann Nortje and Tammy Thompson. Johann Nortje is currently studying his Masters in Digital Media design after having completed a degree in Industrial Design at Victoria University. His study is looking at Intuitive Interfaces for Live Cinema Performance Instruments and how these can translate into Club-VJ environments. Tammy Thompson is a classically trained musician and wanted to use this background to create lovely – quiet – visually based art. Visual Music is a study on the Syneasthesia between sound and image. The project is performed with a Theremin as the interface, and colour art as the product. The Theremin seemed a good interface as the data could be captured and assigned to colour instead of the sound output it is set up for. These elements are performed independently as well
as combined for a intricate Audio/Visual Composition.

Morgan Barnard "reflections: UrbanScreens"
"reflections:UrbanScreens" is a remixed documentary project created at the Melbourne Urban Screens conference between October 3rd and 8th. Interviews about the public's relationship to urban screens and documentary footage of the conference was gathered in Federation Square then remixed in a live context to create an ephemeral real-time documentary for the transitory urban audience. Live data feeds of contextual information are displayed as motion graphic elements and visual collage. "Reflections" redefines the editorial process of traditional film and television post-production by creating a work that uses an improvisational and temporal approach for content generation. Morgan Barnard is a lecturer in Digital Media Design at The Victoria University of Wellington School of Design. He has worked as a Director, Editor, and New Media Designer in New York and Los Angeles for the past 10 years. His research includes Live Cinema, Interaction Design and exploring new ways to engage audiences in dynamic media experiences.

Naomi Lamb
As Veteran VJ with over ten years of exposure in the New Zealand’s Dance sub culture, Naomi Lamb took the rare stance of producing all her own video samples. She has improvised and engaged audiences with her original style at legendary music and dance festivals such at The Gathering, Kaikora Roots, Alpine Unity, Destination, Parihaka and Canaan Downs. Her experimental video art has been exhibited in Germany, South Korea, Australia and Nationally. Lamb is a master’s candidate and tutor at Digital Media Design at Victoria University, where she continues to explore VJing, Live Cinema and new media practices. She has recently been awarded an artist in residency at SCANZ, a premier arts and technology symposium, in Takanaki next year.
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