I have recently built a new machine, in Oct James Kalm took some  
footage of it at the opening of Minus Space at PS1/MoMA, you can see  
it here, about 1/3 of the way thru: http://www.youtube.com/watch?v=1SMf-ocb6kY

Simon Ingram

[EMAIL PROTECTED]
http://www.youtube.com/user/paintingthatthinks

On 24/11/2008, at 1:20 PM, [EMAIL PROTECTED] wrote:

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> Today's Topics:
>
>   1. 0->book in 5 days (adam hyde)
>   2. Spam:The daily abstract 3 - Heather Raikes at SCANZ      symposium
>      (Clothieri)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 21 Nov 2008 17:26:54 -0500
> From: adam hyde <[EMAIL PROTECTED]>
> Subject: [Ada_list] 0->book in 5 days
> To: [email protected]
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain
>
> hey
>
> fyi -
>
> FM just put together a book on bypassing internet censorship in 5  
> days:
> http://www.lulu.com/content/4904448
>
>
>
> adam
>
> -- 
> Adam Hyde
> Founder FLOSS Manuals
> http://www.flossmanuals.net
>
>
>
> ------------------------------
>
> Message: 2
> Date: Mon, 24 Nov 2008 13:19:40 +1300
> From: "Clothieri" <[EMAIL PROTECTED]>
> Subject: [Ada_list] Spam:The daily abstract 3 - Heather Raikes at
>       SCANZ   symposium
> To: "Aotearoa Digital Arts <[email protected]>"
>       <[email protected]>
> Cc: polar solar <[EMAIL PROTECTED]>,  scanz taranaki team
>       <[EMAIL PROTECTED]>
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;     charset="ISO-8859-1"
>
> Hi,
>
> The SCANZ symposium consists of presenters from the south Pacific as  
> well as
> those based globally. We called for both papers and artist  
> presentations,
> and below is an artist presentation. US based Heather Raikes  
> submitted the
> abstract below which included the following sentence:
>
> The work is inspired by a synthesis of string theory, special  
> relativity,
> Australian Aboriginal dream painting, Pacific Northwest Native  
> American
> mythology, futurist performance, and innovations in immersive  
> digital media.
>
> Here is the full abstract:
>
> [START]
> Corpus Corvus is an experimental augmented reality performance work  
> that
> utilizes an integrated physical/media choreographic vocabulary,  
> stereoscopic
> 3D projection, motion capture animation, electroacoustic sound  
> composition,
> and spatialized ambisonic sound. The work is inspired by a synthesis  
> of
> string theory, special relativity, Australian Aboriginal dream  
> painting,
> Pacific Northwest Native American mythology, futurist performance, and
> innovations in immersive digital media. The title Corpus Corvus  
> refers to
> the body of the raven.? Loosely based on the myth of the raven as
> creator/thief who steals the sun and moon, the stereoscopic-ambisonic
> performance space consists of somatic architectures both extracted  
> from and
> inhabited by the physical body. The cumulative instantiation of  
> performative
> embodiment spans a dynamic spectrum from the animalic to the  
> immaterial.?
>
> Through this work, I am exploring hybridzed spaces of technology and  
> myth.
> The epicenter of the piece is the body of the raven, Corpus Corvus, an
> animal-human-virtual-mythic body.  The Corpus Corvus is a Dreaming:  
> a body
> that is landscape, environment; imbued with a complex tapestry of  
> forces and
> patterns both human and Other.
>
> Formally, I am focusing on the relationship between movement of the  
> physical
> body, animation in a digital stereoscopic 3-dimensional image field,  
> and
> movement of sound in an ambisonic (spatialized) sound sphere.? The  
> piece
> progresses through ten segments: formation, throat, wing, eye,  
> talon, belly,
> heart, spine, brain, dissolution.? Each segment articulates a media
> architecture extracted from one aspect of the Corpus Corvus.? These  
> somatic
> media architectures are densely integrated 3-dimensional
> kinesthetic-audio-visual compositions.  Relationships between flesh  
> bodies,
> virtual bodies, mythic bodies, and fabrics of hyperreality emerge  
> within the
> performance technology architecture.
>
> My primary intent is to create an augmented reality theatrical  
> experience
> that awakens and resonates in the mythic dimensions encoded in the  
> body and
> mind of the observer.? Moreover, I will achieve this intent through  
> a new
> media/performance language that recalibrates our perceptual organs  
> into a
> symbiotic synthesis of physical and virtual form.? It is my hope  
> that this
> experience will be sensorially vivid, cathartic and transformative;  
> and will
> provoke questions regarding the limits of the body, the relationship  
> between
> body and environment, the nature of perceived reality, the function  
> and
> relevance of myth, and technologically-facilitated transformations of
> consciousness.
>
> Corpus Corvus will premiere in late 2009.   For SCANZ 2009 Raranga  
> Tangata
> Symposium: Interconnections, I propose to give a 30-minute artist
> presentation of the work in progress.
>
> [END]
>
> Heather Raikes is a media/performance artist presently pursuing a  
> PhD at
> DXARTS, the University of Washington?s Center for Digital Arts and
> Experimental Media.  Her work has been presented throughout the  
> world, and
> includes performances, installations, videodances, hypertext, visual  
> art and
> interactive media design.
>
> The SCANZ residency takes place from January 25th to February 9th  
> 2009; the
> symposium is on February 7th and 8th. The exhibitions open on  
> February 7th
> 2009.
>
> Apologies for cross posting.
>
>
> +=+
> Ian M Clothier and Trudy Lane
> Intercreate Research Centre
> intercreate.org
> Faculty of Arts, Commerce and Technology
> Western Institute of Technology at Taranaki
> www.witt.ac.nz
> New Plymouth, New Zealand
> South Pacific Ocean
> P= +64 6 757 3100 x8895
> F= +64 6 757 3232
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> End of Ada_list Digest, Vol 69, Issue 5
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