Hi,

Cross disciplinary collaboration in it's many forms is an important part of
digital media practice, as we are all aware. Occasionally collaboration
across disciplines extends to bridging cultural boundaries. As Amanda Newall
wrote: 

[START]
This work revolves around issues of land rights for the indigenous
populations of Australia and is a result of a collaboration between Amanda
Newall (directing and costume), Ola Johansson (dramaturgy), and Antti Saario
(digital composer), all from Lancaster Institute for the Contemporary Arts,
as well as Stephen Pritchard (ethnographic research) from Monash University,
Australia.

Synopsis: Two figures from entirely different walks of life crawl out of
their cultural cocoons only to find themselves in a terra incognita that
they must hasten to choreograph in order to continue avoiding each other.
One of them has been there for tens of thousands of years, the other one
just arrived, and yet it is as though the first one is forgetting his ways
while the second is finding his feet across the territory. One figure¹s mask
shows exactly how history creeps into the wrinkled face of the present,
whereas the other one¹s mask is posing one tacit question after another.
Time eventually grinds to a halt as audible value statements overshoot the
scene and the choreography transfigures into down-to-earth gestures and
portrayals with the gravity of a past chain of command. The only way out of
the stagnation is to reactivate the non-intercultural drill to the point
where old paths through the desert are wholly erased. What one of them does
not know about the other one though is that he is not one but two: one for
the show and one for the future.

Aboriginal Terraformations is based on interdisciplinary explorations of
mapping, perspectives and reterritorialisation of pre-colonial rural
landscape within a post-colonial conceptual and aesthetic framework. The
cultural, visual and sonic mapping of the dynamics governing the Australian
outback and English rural countryside in the age of global citizenship
manifest in the depiction of, and is informed by: tribal awareness in media
and theatre; electronic songlines, GPS mapping, and the ritualistic
physicality of Beckett's minimalist choreography of Quad, along with
critical commentaries as narrative and costume design. The named artists and
researchers completed the work in technical cooperation with Per-Anders
Rudelius(director and photographer of Kultfilm, Sweden) and Chris Mansson
(executive producer at CNN International, London).

The work is growing out of the existing interests and praxis of the named
researchers and artists, effectively mapping out, extending and bringing
together a unique set of research practices from a wide source of subject
disciplines, thus investigating uncharted terrain in terms of process and
method(ologies). It was in part a response to the theme of the international
conference ³New Sciences of Protection: Designing Safe Living² (Lancaster
University), where the presentation of the work was accompanied by an
academic paper presentation.
[END]

The SCANZ residency takes place from January 25th to February 9th 2009; the
symposium is on February 7th and 8th. The exhibitions open on February 7th
2009. 

Apologies for cross posting.


+=+
Ian M Clothier and Trudy Lane
Intercreate Research Centre
intercreate.org
Faculty of Arts, Commerce and Technology
Western Institute of Technology at Taranaki
www.witt.ac.nz
New Plymouth, New Zealand
South Pacific Ocean
P= +64 6 757 3100 x8895
F= +64 6 757 3232
E= [EMAIL PROTECTED]

 



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