Kia ora koutou,

I thought some of you might find the programme of interest. I'm not going over.
na, sonja


"Besides the Screen: Moving Images during Distribution, Exhibition and 
Consumption"

New
 media technologies impact cinema well beyond the screen; they also 
promote the reorganization of its logic of distribution, modes of 
consumption and viewing regimes. Once, it was video and television 
broadcast that disturbed traditional cinematographic experience, 
revealing the image as soon as it was captured and bringing it into the 
home of the audience. Nowadays, computer imaging and online networks 
cause an even stronger effect to the medium, increasing the public 
agency in the movie market dynamics.

In order to understand how 
these significant changes in the modes of accessing and distributing 
moving images might affect cinematographic experience, economy and 
historiography, we are obliged to rethink not only of its future, but 
its past as well. Besides the Screen is a one-day international 
symposium that aims to map research projects on new and old forms of 
moving image distribution, exhibition and consumption. The conference 
will be hosted in Goldsmiths College in November, with the support of 
the Graduate School and the Media and Communications Department.

there is more info on their blog. i don't think it is being streamed: 
http://besidesthescreen.blogspot.com
Saturday, 20th November
    

         
        
      
9:30 - 10:30  Registration (& coffee) [MRB Foyer]
10:30 - 10:45 Welcome! [MRB Screen 1]
10:45 - 12:30 First Panel Session
Panel 1a [MRB Screen 1]: Distribution & TVKeith Beattie, Exhibiting Direct 
Cinema: The Realignment of US Broadcast Television and the Development of the 
Observational ModeJP Kelly, In the “Perpetual Now”: 24 and the Distribution of 
Real-TimeMelanie Kennedy, High School Musical as a Made-for-Television Tween 
MusicalHannah Andrews, The BBC Film Network: User-generated Content and the 
Public Service BroadcasterPanel 1b [MRB Screen 2]: Marketing and/or 
Participation
Adnan Hadzi, Why Openness Matters: the Deptford.TV ProjectMarc Stumpel, 
File-sharing or attention-sharing? Implications of the hybrid economyStephanie 
Janes, Viral Marketing Strategies in Hollywood Cinema12:30 - 14:00 Lunch break 
[MRB]
14:00 - 15:45 Second panel session
Panel 2a [MRB Screen 1]: The (Archived) ImageMaarten Brinkerink, Open Images: 
Establishing an Audiovisual CommonsAna Carvalho, The ephemeral in AV realtime 
practices: an analysis into the possibilities for its documentationEvelin 
Stermitz, ArtFem.TVClaudy Op den Kamp, The forgotten ones: is audiovisual 
archival public domain material really freely available?Panel 2b [MRB Screen 
2]: The Shape of (Image) SpaceStefania Charitou, Projection dislocatedSudeep 
Dasgupta, The Screen beside Itself: Situational Transformations in Visual 
CultureZlatan Krajina, How to Tame the Sun: Visual Indulgences at a 
Screen-Place as Strategies of Appropriation16:00 - 17:00 Keynote [MRB Screen 
1]Julia Knight, Distribution, Diversity and Digitalisation17:00 – 18:30 
Networking & Drinks [RHB 247]

Sunday, 21st November
9:30 - 10:30  Registration (& coffee) [BPB Foyer]
10:30 - 12:15 Third Panel Session
Panel 3a [BPB 1]: Remix, Appropriation & the AmateurFelix Seyfarth, Television 
2.0: Exploring user-generated video and online participationMarin Hirschfeld, 
Redacted and the Problems with Appropriating Amateur Digital DiscoursesNicola 
Evans, Rambo RemixPatricia Moran, The image time: procedure of cultural 
remixPanel 3b [BPB 2]: (New?) Image AestheticsPatricia Iuva, Trailer 
aestheticLuca Barbeni, Until the End of CinemaVito Campanelli, The DivX and MP3 
Experience12:15 - 13:45 Lunch Break [BPB Foyer]
13:45 - 15:30  Fourth Panel Session
Panel 4a [BPB 1]: The Image on the MoveSimone Knox, Besides, On and Through the 
Screen: The Transnational Distribution and Consumption of CinemaLaura Rodriguez 
Isaza, Touring the Film Festival Circuit: Migrating Patterns of Latin American 
CinemaLeandro Valiati, Cultural Economics and Movies: Indicators and empirical 
researchPanel 4b [BPB 2]: As Art: Authenticity, Originality & ExhibitionBojana 
Romic, New Exhibition Spaces: viral video goes offline?Frantisek Zachoval, 
ART-y-CHOK-eCatrien Schreuder, Pixels and Places: Video Art in Public 
SpaceDominik Hasler, Party as art? AntiVJ and the migration of VJing into the 
sphere of fine arts15:30 - 16:00 Conference Closing





                                          
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