el paso, texas.

as for casting someone else had said that i/we should've waited and 
it might've worked out better. funny thing is if i hadn't had 
mentioned that they weren't the original guys then no one would've 
known any better. as for the original actors - highly unprofessional 
to not show without any message what-so-ever. so they are now on 
my "do not call" list.

to be honest the 2 original guys were black and white. just so people 
would think that's what it was about, but they didn't show and you 
gotta work with what you've got. heck i didn't even get the original 
girl.

--- In [email protected], "Frank" <[EMAIL PROTECTED]> 
wrote:
> Your welcome Lance...
> 
> BTW, where do you live at?   
> 
> About the spot..   I think the casting did muddle it some..  and 
heck 
> the fight could easily have been race related..  that might have 
made 
> increased the impact of the message..  Even racial differences were 
> put aside.. blah, blah, blah...  
> 
> About camera unsteadiness as a technique..  I don't like it much 
> either, for the record, and I think its because, as  a viewer, it 
> makes me work harder than I'm used to watch whats going on in the 
> frame..  But it does what its suppose to do.
> 
> -Frank
> 
> 
> 
> 
> --- In [email protected], "lancer777" <[EMAIL PROTECTED]> 
> wrote:
> > thanks frank! by the way how are things? we are miles from the 
areas
> > hit by katrina, but i believe some refugees are headed for one of 
> our
> > school district's gymnasiums. almost a good 1,000 miles away but 
i'm
> > glad we can help out.
> > 
> > the funny perhaps ironic thing about the clip...some people think 
> the
> > beginning confrontation is a racial matter, but in truth both 
guys 
> are
> > hispanic. if i had more time the actual confrontation is over the 
> girl ;-)
> > 
> > --- In [email protected], Frank Mixson 
> <[EMAIL PROTECTED]>
> > wrote:
> > > I surprised to see this topic still going, so I thought I'd 
give 
> it
> > another look.  I was real surprised by the 2 comments listed 
> here... 
> >  It's meaning is pretty clear to me..  but who knows, i only have 
a
> > GED, so I might have it wrong, lol.
> > >  
> > > Lets see, on Sept 10, 2001 (when watching something, try to 
absorb
> > as much info as possible.. think of the dates on the spots as
> > 'clues'), two kids got into a fight about something. What were 
they
> > fighting about?  who cares?  Next sequence is the World Trade 
Center
> > bombings video being watched by the some kids.  The next sequence 
> has
> > date too, Sept. 12, 2001(hmmmm......  ), and shows the 2 kids 
from 
> the
> > first sequence shaking hands, exchanging words, and then heading
> > toward the US Marines
> > > recruiting center...   Duhhhhh...    OK, I'ma apply some GED 
math 
> to
> > this..  Two kids fight over something one day, America is 
attacked 
> the
> > next day, the following day, the kids put aside their differences 
> and
> > join the Marines.
> > >  
> > >  
> > > Hmmm.... looks like a recruiting spot to me.  Sometimes when
> > examining the bark of a tree, some miss the forest entirely.  
> There's
> > a lot more to the production of video than technical mastery.  
There
> > is also the use of symbolism, unfortunately, sometimes it is 
culture
> > specific..   A buddhist, might not get the christian symbolism
> > inherent to western art, and a christian might not get the taoist
> > references that are in many eastern arts..    I like to watch 
> foreign
> > movies, for just that reason. I'm surprised that these people 
didn't
> > 'get it'.  Maybe you had to be here on Sept 11, 2001, to 'get 
it'. 
> > >  
> > > But hey, what do i know?  I don't have any degrees in this 
stuff..
> > but like most americans, I don't need anyones permission or 
approval
> > to do it anyway..    Also, unsteady shots are quite the norm, 
now, 
> at
> > least here...  Think NYPD Blue. The eye is not allowed to rest, 
> > anxiety is increased in the veiwer, and a greater sense of being
> > 'present' is created in the veiwer. Sounds appropriate for the
> > sequence of them watching the TV (not sure if it was done
> > intentionally or not though, in this case,  but it can easily be
> > argued as an artistice choice).
> > >  
> > >  I also think that the viewers in this country are used to it 
now,
> > and that any unsteadiness in the camera work in this spot is
> > overlooked as people try to figure out what it means..  Which is 
> what
> > you want to do in film anyway.. make the viewer think, and keep
> > watching until they have figured it out or finally 'got it' .  
Like 
> I
> > said, I'm just guessing, I only have a GED, so I could be wrong. 
And
> > I've been to movies with people that didn't 'get it'.  They 
> unvariably
> > didn't like the movie.   
> > >  
> > > I had to say all that, Lance, because I got some nasty remarks 
> from
> > some folks across the pond about my stuff too.  Don't worry, I 
think
> > it just speaks to the resentment of americans in the rest of the 
> world
> > right now.  Misery loves company.




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