Thanks so much for your tips - I see my AKG C1000S mics have been in the
wrong place, I'll try your suggestion (I have been using the church's audio
mixer panel out to the camera's and have been careful about where the
camera's are to avoid excessive cable lengths). The organ is a 2-manual
Flentrop, not too large and no electro-mechanics, in a 1970's church
building with some hard walls but minimal cathedral-like reverberations.
Lighting is an issue and overall aesthetics is problematic. But the upside
is that the organist is very good!

 

Zoom microphone? Coupled with the camera lens? Interesting concept!

 

Well, an Encore test run just finished so I better go check it out. Thanks
again for your info.

 

Lee

 

From: [email protected] [mailto:[EMAIL PROTECTED]
On Behalf Of Alan K Baker
Sent: Wednesday, July 09, 2008 8:03 PM
To: [email protected]
Subject: [AP] Re: Recording Pipe Organs [was: Video storage on punchcards?]

 

Hi Lee.

Organs and pianos have been notoriously difficult to record. This is partly
due to the sheer dynamic range of the audio that they produce and sometimes
due to the building surrounding the organ.

My association is more with Theatre Organs than Classical Organs, so I guess
I have it slightly more easy than some, due to the fact that most venues
have 'soft' surroundings, so you don't get the cavernous reverberation that
gets produced in hard-walled churches. The classic rule of thumb for
microphones is one stereo pair approximately 1/2 to 3/4 of the auditorium
length back from the sound source, and about 16 feet from the ground! Now
that ain't easy with a camcorder. :-)

You really need to use a microphone that can be moved in relation to the way
the camcorder's pointing for video, or record a separate sound track and
synchronise is with the video on the AP timeline.
I guess that you may have realised by now that the sounds from a pipe organ
(any sort) don't come from the console, except on the smallest of
self-contained installations (rare). So, of you are pointing a standard
camcorder or even professional VTR (that has a forward facing microphone) at
the console, you are at an immediate disadvantage. If you don't know where
the pipes actually are in the building, the organist will usually be able to
tell you, and that's where the microphone should point.

I use a Sony HDD camcorder with a short stick microphone that sits on top
and can be horizontally swivelled and that works well. It's also a zoom
microphone, so it has a changeable cardiod response according to the lens's
zoom setting, although that's not always useful with organs, as it's
generally pointing in a different direction to the lens! However, I also get
good results with a Sony digital tape camcorder which has a fixed forward
facing microphone.

If you're recording in some cavernous cathedral, I think you need to
seriously think about making an independent sound track, where you have
total control over the audio capture, and none of it depends on the lens
position.

Regards, 

Alan.

www.theatreorgans.co.uk
www.virtualtheatreorgans.com
Admin: ConnArtistes, UKShopsmiths, 2nd Touch & A-P groups
Shopsmith 520 + bits
Flatulus Antiquitus

----- Original Message ----- 
From: Lee Menningen 
To: [email protected] <mailto:Adobe-Premiere%40yahoogroups.com>

Sent: Wednesday, July 09, 2008 4:42 PM
Subject: RE: [AP] Video storage on punchcards?

I note your association with organs from the signature - I'm currently doing
an organ project and have never before encountered anything as difficult as
an organ on the balcony in a church! After several Premiere projects,
multi-camera sequences, and maybe 150 GB of footage we still don't have any
useable video with good audio!...........................
 


[Non-text portions of this message have been removed]

 



[Non-text portions of this message have been removed]


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