Grrrr..... On 27 July 2011 18:41, Uwe Soltau <[email protected]> wrote:
> ** > > > Hi Neil, > Any markers you place in Audition will unfortunately not be visible in > Premiere (as far as I know). > Greetings > Uwe > > > > Hi Uwe, > > > > Wouldn't be a bad idea if I had kids and wasn't bankrupt... > > > > Still, there may be another way to do this, via the Audition program (I > > think). You can put reference markers on the video for narration I > > saw/read/heard somewhere, maybe if I did this for each clip at the start > (if > > I'm allowed to), putting the start time into the marker..... it would be > a > > start anyway. > > Otherwise, I'm just gonna have to trawl through it all and try to sync up > > everything (using the audio) like I always have done, no big issue > really, > > gives me something to do I guess. > > > > Being able to just drop everything onto the timeline in sync where and > when > > I want would make it kinda boring really. > > > > I have the privileges of being able to put the camera's there. To hook > them > > up to their sound system (DJ's and lots of other un-techy guys there too) > > would only confuse them even more, they can't even get the Sax mic > working > > on demand, so there's little hope really. I did try and jump in a few > times > > but gave up in the end :-( > > > > Looks like the hard way unless I can suss that Audition (?) 'hack' I > > mentioned. > > > > Cheers, > > > > Neil. > > > > On 27 July 2011 12:41, Uwe Soltau<[email protected]> wrote: > > > >> ** > >> > >> > >> Lee, > >> I use the audio as well and it works very well but the best way is if > >> you have cameras > >> like my Sony NX5 which can be linked The one camera generates the > timecode > >> which is then simultaneously recorded by all the other cameras as well. > >> I unfortunately only have one camera with that facility so can not use > >> it and would therefore > >> not know how to make the timecode visible in Premiere but I am sure that > >> should be possible. > >> > >> Neil, why don't you join the nations of this world and raise your debt > >> limit and get a few of those > >> cameras and ask your children to pay them off.:-) > >> > >> Uwe > >> > >> > >>> The best way I know to sync cameras is with the audio, not the video. > >>> Every > >>> week I put together something made from 4 cameras (and now for the > >>> last few > >>> months it is 5 cameras). The technique I use to allow easy sync'ing is > to > >>> feed the same audio to every camera; I avoid on-camera mic's. Using > >>> the same > >>> audio stream makes it quite easy to locate patterns in the waveform to > >>> sync > >>> on. I look for patterns between pauses and/or for spikes. > >>> > >>> Lee > >> [Non-text portions of this message have been removed] > >> > >> > >> > > > > [Non-text portions of this message have been removed] > > > > > > > > ------------------------------------ > > > > Yahoo! Groups Links > > > > > > > > > > > [Non-text portions of this message have been removed] ------------------------------------ Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/Adobe-Premiere/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/Adobe-Premiere/join (Yahoo! ID required) <*> To change settings via email: [email protected] [email protected] <*> To unsubscribe from this group, send an email to: [email protected] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
