Quite. And what these young '24P - Film Look' monkeys do not realise (I imagine) is that in a cinema, the 24fps effectively becomes 48fps (less flicker) due to the way the projector holds a frame in the gate for two exposures to the eye via the shutter mechanism. And why 24fps? Because when sound movies came along with single system (optical) sound, it was the lowest speed they could get away with to get reasonable sound quality, moving up from the typical 16fps of silent movies (my history may be dodgy, but something along those lines).
On 5 Aug 2011, at 19:00, BEDFORD NEIL wrote: > In a tutorial video I watched, they said Interlace was also to lower the > bandwidth but increase the perceived frame rate I believe. Normal TV > bandwidth (SD) in its day was incapable of delivering full progressive > frames due to bandwidth limitations. Splitting them was the best way to > double the image without sacrificing the total lines viewed. > > > With best wishes, Roger Shufflebottom [email protected] +44 7973 543 660 ------------------------------------ Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/Adobe-Premiere/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/Adobe-Premiere/join (Yahoo! ID required) <*> To change settings via email: [email protected] [email protected] <*> To unsubscribe from this group, send an email to: [email protected] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
