The thing is working for me so far.
If the spirit of conception, execution and finished result of any work of art
can be "read" by me and does not have divine element- when we don't know where
it comes from, even when design or mechanical/technical skill components are
familiar to me. I can be as well impressed by students or so called naive
artists as great masters if work has this quality. It has 'scent' of the
higher power.
Even the greats have it not so often.
 Simply speaking- if I know how it is Done or Where it comes from, I am not
quite interested.
Boris Shoshensky


"Chris Miller" <[EMAIL PROTECTED]> wrote:
Perhaps, Boris,  you could elaborate a bit on  "presenting the mystery of How
and Why work is done" -- regarding this Goya piece which you feel is more
successful at it than the others that you mentioned.

Hopefully, it's not too mysterious to explain (like Derek's notion of 'art')

******************************************************


Boris wrote:

"I would not call majority of paintings by Freud and Pearlstein beautiful;
not
because of the nature of images, but because they don't present, to me, the
mystery of How and Why work is done, regardless high skills level."
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