Here's an interesting essay about the music of the Komuso
(emptiness-nothing-monks)-- where meaninglessness is considered as a mental
condition rather than as a quality of the music they play on the Shakuhachi.


http://myoanflute.blogspot.com/2007/09/meaninglessness-of-zen-in-shakuhachi.h
tml


That kind of meaninglessness might be applied to any practice -- including
platform diving  (and can't you just feel those divers emptying their minds as
they prepare for the most important 4 seconds of their lives)

Their minds are empty -- and yet they are then prepared to execute some very
specific and very difficult technical maneuvers that they have been practicing
since early childhood.

So -- yes -- I suppose it would be absurd (or at least - outside the
Buddhist/Taoist traditions) to have "meaningless painting" as a specific
Olympic event.

But hasn't William been proposing "meaninglessness" as an identifiable quality
that distinguishes the best art from all the rest ?

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