The only client of a true artist is art itself. All others are witnesses.
WC


--- On Fri, 9/5/08, Chris Miller <[EMAIL PROTECTED]> wrote:

> From: Chris Miller <[EMAIL PROTECTED]>
> Subject: Re: Inspirations and intentions
> To: [email protected]
> Date: Friday, September 5, 2008, 11:38 AM
> Cheerskep wrote:
> 
> "So the response to the quote from Chris above is
> this: In general, writers
> will "please themselves" the most when a bit
> works for BOTH themselves and the
> audience."
> 
> 
> ... and I'm wondering if we can't just replace the
> word "writers" with the
> phrase "professionals of any kind" --- to include
> not just painters and
> musicians -- but anyone who is responsible to a client -
> whether that client
> is an investor or a consumer.
> 
> Responsibility is testable --- it's either there -- or
> it isn't -- the client
> is either pleased or he's not --- which is more than
> could be said about
> inspirations and intentions which seem to flicker on and
> off with personal
> whimsy.
> 
> And then Cheerskep wrote:
> 
> But Chris appears not to appreciate that both clarity and
> ambiguity are a
> matter of degree. Every work of art is a composite of many
> bits ("No work is
> ever just a single work.")
> 
> There are bits that are themselves composites of bits --
> and it appears to me
> that only the smallest bits can be understood with clarity.
> Did the Richard Gere character learn some  fighting
> techniques  on the streets
> of Manilla ? Yes -- he did -- that much is clear.  But what
> that says about
> his relationship with a martial arts tradition -- and his
> character -- that
> can only be ambiguous -- as well as the big question of why
> we should care
> about his story at all.
> 
> 
> 
> 
> 
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